Gladys Lazer is the solo project of Tel Aviv-born musician and drummer Gal Lazer, former drummer with NYC-based guitar virtuoso Yonatan Gat. His debut EP, (released in July on Boiled Records), distills a time when he had no home and traveled the world on music. Recorded in Sao Paulo, Brazil, and in the countryside of Southwest Georgia, the debut EP, Candy World/Bye Past, features eight instrumental pathways: sonic vignettes that combust breakbeat, post-jazz, krautrock, and trip-hop.
Debaser presents Gladys Lazer on Thursday, September 14 at Pressed with Philadelphia’s Pulgas, and local band Soft Life. Lazer will be joined by a full band, including two woodwind players. The show is all ages, and the entrance of Pressed is physically accessible. Entry is $8.
The album was recorded in a time when I was mostly on the road, playing 200 shows a year with my former band, so it was only between tours when I was able to get recordings done for myself. The music on the album was recorded in these different places – a lake house in rural SW Georgia, a recording studio in Sao Paulo, Brazil, and in small rooms in Brooklyn and New Orleans. Each session was different than the other, and deserved finding a different working method. The music was never pre-written, all of it was born and developed in the recording process.
This obviously changes a lot, but traveling or not my heart usually pounds hard to Aphex Twin. I used to tour for a long time in this van that had only a CD player. These were my 3 favorite CD’s from the van’s CD selection. 1. Gavin Bryars – Sinking of the Titanic, 2. Joao Donato – Quem E Quem, and 3. an Alice Coltrane/Kraftwerk mixed CD.
What I enjoy about making music on my own is that every element gets to meet my standards or else it doesn’t fly. I enjoy making music on my own more right now, because I enjoy the total independence.
It’s different making music with other people based on what’s your roll and influence in the music making, the people you’re working with and their components. I think that it’s important to have a clear vision walking into a recording project or any project, in case you work with other people that vision better be mutual and clear. Generally, I found that having fun while working is a good sign, especially when the fun is shared.
One tip would be to be present and in the moment the more you can, that’s a good way to ride the wave of massive changing information coming at you and not get overwhelmed by it.