Fredericton, NB, may not be the biggest music hub in Canada, but it’s home to the noisy, mind-melting art rock group Motherhood. They’re gearing up for a string of fall shows, and the Ottawa date features a stacked lineup on November 8th at Pressed along with Winnipeg’s Tunic and locals Warp Lines (members of The Yips, Big Dick, Tropical Dripps, Million Dollar Marxists, Van Johnson).
While the distances between stops are long, Motherhood is no stranger to the road.
“The last 14 months have seen us across the country twice, and to Ontario and Quebec like 6 times (plus a heapload of NB shows),” explains multi-instrumentalist Penelope Stevens. “We recorded a full-length album, did a couple cool collaborations, and purchased a new tour vehicle. Needless to say, we’re pretty excited to take a couple months to relax (relax = finish our album, write a new album, and play locally…). We don’t like to risk touring in the winter months, but as soon as the snow melts we’ll be back at it.”
This is not Motherhood’s first time in Ottawa, as they’ve had the chance to play at Ottawa Explosion Weekend this past year and a handfull other venues in the past. They have warmed up to the city somewhat—minus a couple bumps along the way.
“Ottawa, interestingly enough, is the only city where we’ve ever had our van vandalized—twice actually!” Stevens admits. “But that hasn’t stopped us from really loving the Ottawa scene. One of our first shows was at Mugshots (RIP), and even though we didn’t really know anyone in town, a nice crew of people came out and supported us.”
“We’ve always found there to be a lot of sick bands to play with (Mushy Gushy, The Yips, Pippa, and more) and the venues are cool. House of Targ was always #1 on my bucket list of venues to play in Canada, and last year my dreams came true! It was as cool as I wanted it to be. The folks in Ottawa Explosion, Debaser, and booking Pressed are good folks, and we really admire the work people put into their scene. Ottawa seems a lot like Fredericton, close knit and supportive, and decidedly “other.”
2017 has shaped up to be a big year for Motherhood, with the band getting into festivals such as Sled Island, CMW, Ottawa Explosion, and Lawnya Vawnya. Even more, they’ve been exporting their irresistibly fuzzy, dissonant sound to small stages across the country. The band members are enjoying their road-heavy schedule.
“A lot of New Brunswickers move on to larger cities, so we get to catch up with some of our closest friends on the road. We bring gifts from folks at home and get to bring news about how everyone’s doing. We’re glorified carrier pigeons. Plus, we usually bring a road pal with us, and they keep things fresh. This time we have our bud Noah, who’s never been on tour before. His excitement will keep the posi vibes alive on the long drives!”
Their tracks “Guano” and “Yarn-Barred” were featured on the Greville Tapes Music Club, vol. 1, and their cover of Construction & Destruction’s song “The Oracle” appeared on volume 2 of the Pentagon Black compilation. With two LPs, an EP, and a split under their belts, Motherhood is on the verge of entering the studio once again to record another full-length for release in winter 2017-18.
“We write collaboratively in our studio, so the music comes from pretty much anywhere,” says Stevens. “Sometimes Brydon will bring in some lyrics or one of us will have a riff, but a lot of it is just hammered out through long jams, then we chop it up and forget 95% of it. The stuff that sticks is the stuff worth keeping. We’re composers, yes, but I think our talents actually lie in our editing. We don’t have any particular goals when writing, we just set a timeline—we’ll write for 3-6 months, then record when the time runs out. I guess it’s pretty weird, but it works for us!”
Be sure to catch Motherhood along with Winnipeg’s Tunic and Ottawa’s Warp Lines at Pressed on Wednesday, November 8th. $10 at the door, 8 pm. All ages, licensed 19+ show.