Photo by Laura Collins
Ottawa punk rock veterans The Creeps are back, releasing their first album since 2014’s masterpiece Eulogies on May 4th. Formed in 1999, The Creeps are by far one of the capital’s most accomplished and appreciated punk bands. I should also add that personally, Eulogies is my favourite record released by an Ottawa band. So what could we expect from a new album? How would new material measure up to the immensity that was Eulogies.
Well, fear not. The Creeps have spent years playing shows, touring, and continue to have fun doing it. Sure, they may no longer be teenagers, plus there are a few kids and grey beard hairs in the mix now, but that hasn’t changed the fact that this band knows how to write damn good albums—front to back.
Beneath the Pines is an 11-track offering, and it’s packed with goodies. The group has taken a new direction on this record, one they have never taken before. Traditionally The Creeps have written crunchy, uptempo, and in your face pop-punk that many of us have come to know and love. Skottie’s soaring melodies always rode the over-driven tones of his guitar, carried by Ian’s flurry of bass notes and Jordy’s percussive onslaught. Moreover, their music usually uses disturbing imagery to touch on themes such as death and suicide, and other things that are generally…creepy. These are staple characteristics of The Creeps, and the band actually released Old Crimes: Singles Collection 2009-2013 in April of 2018 in advance of the release of the new album, and one listen through this collection will give listeners a great sense of how the band approached music in the past.
But Beneath the Pines is a departure from what The Creeps have done before. To call this album “slower” than its predecessors would be selling it short, and imply that it doesn’t have the same grit—that just isn’t true. While the band moves away from the darker themes that they faithfully pursued in the past, Skottie’s irresistible vocals and lyrical phrasing and the group’s catchy buildups to epic choruses are what weathered fans will recognize instantly, and fall in love with. The compositions are recognizably The Creeps, but the band experiments with different tempos, guitar tones, and a more open sound.
Songs such as “Bottom of Things”, “Scared”, and “In My Mind” are all more restrained instrumentally than most of us are used to. However, that doesn’t take away from the tracks, as Skottie’s vocals come through much clearer, with slight reverb, giving a lot of depth to the melodies he and the band weave. It is pop punk taken to another level, illustrating the maturation of a band that started as kids, now translating their ideas through the lens of adulthood. Old fans who have grown with The Creeps will almost certainly love the direction Beneath the Pines takes, and new listeners will surely fall into this album and appreciate its subtle intricacies.
Beneath the Pines, their sixth full-length will be released May 5th via It’s Alive. The band is playing an free/all ages album release show at The Record Centre this Saturday to celebrate, where first copies of the LP can be purchased. If you’re too impatient to wait until then, you can stream the whole thing on Exclaim.ca now. The Creeps will also be performing during the Ottawa Explosion Weekend at midnight on June 15th at The 27 Club.
Listen to the premiere of the track “Staring Me Down” and view track listing off of Beneath the Pines below.