Local Francophone hip-hop artist Squerl Noir recently dropped a new video for his track “Calypso.”
The black and white video is centered on Squerl Noir as he raps his way through the track focused on duality and introspection within the chaos of the world. Directed by Antoine Simard-Legault of Lonely Fire Productions, who has worked with other local artists like Flying Hórses, the video features some very cool camera work shifting and blurring Squerl Noir’s faces around as he repeats the lines about drowning in the chaos. It really amplifies the message.
There is also a nice subtle touch of water overlay during certain sections of the video which I can only assume is a homage to Calypso, who in Greek mythology was a nymph who captured the Greek hero Odysseus for many years and is often represented by the sea.
Check out the video for “Calypso” below and keep your ears peeled for Squerl Noir’s next single due to be released in early 2018.
We’re thrilled to premiere a new video by Ottawa experimental psych-rock group Casa Lagarto for their track “Lights Out.”
“Lights Out” was previously released in January 2017 as a demo, however the polished version heard in the video will appear on their upcoming debut album which they have called Shed It, and will be exclusively released digitally on January 19th. Although the 3-track demo EP is all the band has released publicly since their inception in 2015, they’ve played live regularly in town and often taken an experimental approach to their performances. Casa Lagarto describe themselves as “some kind of experimental desert rock n roll. They are influenced by the sun, the sand, and the lizard,” and their music feels like the soundtrack to a Hunter S. Thompson novel.
The band members are familiar musicians in the music scene here in Ottawa, featuring the talented lineup of Travis Kinnear (Fire Antlers), Arturo Portocarrero (Lost To The River), Grant McNeil (Tropical Country), Jason Barkhouse, and Jonny Yuma (The Yips). The video itself tells a story comprised of three separate car advertisements from the mid-1900’s and was produced by band member Jason Barkhouse. Barkhouse runs Black Lab Studio in town and has recently been more active in production/post-production of creative content and music videos for band like Del Bel (see that video here).
Casa Lagarto will be playing with Montreal’s Bloodshot Bill and Chris Landry and the Seasick Mommas at House of Targ this Thursday, December 7th, so be sure to get out there and catch the band live. Doors at 8 p.m. and tickets are $10. Check out the video for “Lights Out” below.
It’s been almost two years since violinist-extraordinaire Mika Posen released her debut solo record under the new moniker Merganzer. Before that, she had studied violin with the National Arts Centre Orchestra’s David Thies-Thompson and gone on to tour with renowned acts such as Timber Timbre, as well as contribute her violin skills to the works of Forest City Lovers, Feist, Basia Bulat and Evening Hymns. Having grown up in Ottawa, Posen left the capital at 18 and lived in cities such as Toronto and Berlin until her return to her hometown after more than a decade.
These experiences, along with a Master’s degree in ethnomusicology from York, have provided Posen with disparate experiences from which to draw influences for her solo project. Merganzer is undoubtedly an extension of Posen, and the music we’ve heard so far—particularly off of the 2015 debut LP Mirror Maze—is eccentric, contemplative, and exploratory. The soundscapes are varied, as the listener is pulled between layers of mesmerizing beats, beautiful vocal melodies, enchanting string arrangements—like soaring gracefully through cavernous depths and over towering mountain peaks.
Merganzer has put out a new video of an unreleased track called “Cloud Cover,” which is exciting for those of us who have been chomping at the bit for more. It comes just in time for her upcoming performance December 1st at Mirror Mountain Film Festival (co-presented by Ottawa Showbox) along with Montreal media artist Sonya Stefan. The event is called Passé Composé, and will be a collaborative live performance based on the theme of transformation.
“The video was directed by Nick Dolinski (who lived in Ottawa up until a year or two ago) and shot by Ottawa media artist Tim Smith,” explains Posen. “We made it this past July on the roof of our Toronto apartment building right before we moved back to Ottawa. For Tim and I, it represents a final farewell to that big crazy city.”
We’re excited to present the first look at Nightshades‘ new video for “Double Vision,” which appears on the recent self-titled album released on November 15th.
The album is somewhat of a departure from their previous EPs, slowing things down and simplifying the song structures while maintaining the sludgy and gritty elements that many of us know and love. While the tempo has slowed a bit, lead vocalist and guitarist Mallory Giles chose to hone her songwriting skills and focus on lyrics and melody over speed and complexity of instrumentation.
“After the ‘Wendy EP’ we wanted to take some time to write a full record. Things came together pretty slow,” she explains. “I had a huge writers block last winter and it was scary. I thought ‘well that’s it. I guess that’s over’.”
“I was grabbing at straws, trying to find inspiration and I ended up borrowing a bass off a friend. I started fiddling around with it and it became this cool new way of looking at music. I wrote a few of the songs off this new album on that bass and transferred it to guitar. Just playing with power chords and slowing things down, developing less complicated structures. Just taking it easy, and focusing on melody and story.”
“I think that’s kind of where we were all at. Just growing up, and chilling things out. And once Dean joined the band, his style of bass playing was pretty relaxed, and we were into it. We still have some heavy songs that Geoff wrote, and I don’t think we’ll ever not be a heavier band, but things are less rushed now. I think I was kind of hiding behind speed before because I wasn’t very good at my instrument. Playing really super fast felt easier and less scary. Now that I’ve developed as a guitarist, and we’ve grown tighter as a band, we can take a step back and just like..go slower. It’s funny, cause we’re still pretty fast, just not as insane as we used to be.
Nightshades channel the fuzzy sounds of 90’s alternative bands such as The Breeders and Sonic Youth, bringing with them punchy and distorted tracks that draw listeners in. Any fans of Kim Deal-era Pixies will surely fall effortlessly into Nightshades as their new self-titled album maintains a fun and upbeat aesthetic throughout, and doesn’t take itself too seriously. However, the songs seem more carefully crafted and it’s obvious that the band took time to put this one together.
Another thing that doesn’t take itself to seriously is the video for “Double Vision.” Directed by filmmaker Rob Bennett, the concept sees Giles going on some terrible first dates which take psychedelic turns.
“On those dates I would see like figments of my imagination like masked unicorns and masked characters and they would try trip me out while I was out with these guys,” Giles says. “IOn the day of the shoot, we were sticking to the plan, but we ended up having fun and trying different shots of us dancing and stuff, and me lip synching… It turned into this whole other thing that we all found really fun, funny, and great. It feels like a real rock n’ roll music video now. Not too serious. Not too much sense made. The original concept was actually pretty dark. I think it’d be cool to write a play or a short out of it one day.”
“Working with Rob was easy. He had killer gear, was a total pro, and had some really great on-the-fly ideas too. Rob is a musical mastermind in his own right and knows a ton about rock n’ roll. So making a rock video with him was effortless.”
Nightshades are set to released their new album on cassette this Saturday at The Rainbow, along with Montreal art punks Smokes, Ottawa heavy-hitters Bonnie Doon, and up-and-comers Slow Dawn. Tickets are $7 and doors at 9 pm, 19+ only. Check out the new video for “Double Vision” below, and stream to the new album online here.
Ottawa’s Saint Clare recently released their first music video and it is a ghastly venture to the beat of the lead single “Closer to the Devil” off of their upcoming EPIII.
The video begins beneath the full moon with the brass ensemble setting the stage for the dancing good time that is a Saint Clare song. As the vocals and other instruments join in, the song takes a sombre turn as the darkness works its way in… getting closer to Beelzebub.
The video flows between the band rocking out in an empty room beneath the hew of purple lights to scenes of lead singer and guitarist Matt Saint Clare being chased by a solemn veiled figure in the woods, somewhat similar to the Blair Witch Project. After a face melting solo brings Saint Clare to his knees wrapping up the song, the video pans back to the wood where he finds himself trapped face to face with the figure, only to find out he has been running from himself.
You can watch the video below and catch Saint Clare this Saturday at the House of TARG on the second day of the super groovy and awesome Surf and Turf Festival.
Masks. Clouds of smoke. Decked-out pickup trucks. Skulls. These are all reasons to love Ottawa surf-punk queens Bonnie Doon.
But there’s so much more to them than that. Their brand of fuzzed-out, bass-heavy sludge-rock is meant to captivate audiences and shock the senses. Their energy, weirdness, and overall “we do whatever the fuck we want” attitudes are what really define this group as something special.
Bonnie Doon’s latest album Dooner Nooner (released on Record Store Records) is an acid trip through and through, and will take you from heavier face-punching tracks like the opener “Haunted Life,” to wild lo-fi experiments like the closer “B-Hole.” Their latest video for “Now or Neverish,” which premiered on Clash Music this week, is probably unlike any you’ve ever seen—and it comes just in time for Halloween. Take a dash of classic surf rock, a pinch of doom, and a swig of spiked punch, and that’s what “Now or Neverish” feels like spinning on the turntable. But, you need to see it to believe it.
Watch the new video for “Now or Neverish” by Bonnie Doon below. Produced by MAVN.Stream and purchase Dooner Nooner here. Be sure to catch Bonnie Doon live at House of Targ on October 10, along with Weaves and Organ Eyes. Ticket info here.
Lyric videos have been immensely popular since the launch of YouTube. Often they are made by fans and simply feature the lyrics scrolling across the screen almost like karaoke, some going a little further to contain images along with the words. Dead Weights just took it to a new level with their video for “Stuck in My Head.” The video does feature the lyrics that are written on a black board in what looks like a classroom.
What makes it truly special is that the band invited several talented local artists and friends with very different style to draw two or three at a time on the blackboard really elevating the lyrics. The artists are: Jordan Seal, Kendall Valerio, Vance McBride, Cory Levesque, Yafa Jarrar, Pascale Arpin, Kieran McKinnon, and Liam Sheehan. Band members also jump in from time to time. To ensure they can fit all of this within the time constraints of their song, they speed up the video which makes the drawing unfold like magic before our eyes… drawing with chalk in hyper-speed!
The video peaks while the band sings the refrain “Try and keep an open heart” over and over at the end and you have eight people drawing at the same time creating one big beautiful mural with a great message.
Just when you thought winter 2.0 was here for good, the fresh new electronic group Eerie Loom have brought some warm weather along with their new video for “Wakened.” The band dropped a three-track EP on Bandcamp back in March, and are hitting the ground running.
While the trio is newly formed, the truth is that they are Ottawa music veterans and have all been in successful groups in the past. Jordan David was the lead singer of acclaimed group The Love Machine and organizes parties with music.art.ppl, while Matt Gilmour was a member of the group Hamilton and currently contributes his smooth vocals to Slack Bridges. Michael Holmes was a member of the now-defunct group many Ottawans know well called The Gallop. Needless to say, they’re no strangers to music.
“The idea of Eerie Loom came about rather naturally, premised on a longstanding friendship initiated by playing shows together, but developed through a mutual respect for each other’s art,” explains David. “We have all participated in rock bands for the longest time yet somehow, through our own ventures, discovered our pop sensibilities and an affinity for compelling electronic beats. Michael Holmes acts as our main producer, but we are all multi-instrumentalists that add our various insights, riffs, progressions, lyrics, and vibes. We have all been friends who have supported each other’s projects for over a decade, so collaboration creates both fun and familiar dynamics.”
Their music conveys emotions through electronic sounds and imagery, providing listeners with futuristic soundscapes to get lost in. The group also enlisted another friend as Creative Director, accomplished designer and artist Brendan Wilson.
“Our band has a love for sonic experimentation and sound design of all kinds, but we hope to bring a novel human element to our art as there many emotional ideas that still can be conveyed through an electronic medium,” says David. “When Brendan Wilson came on board as our Creative Director, we were thrilled. He had the idea of including images of geometry, space, and futurism blended with images of a humanity that is beautiful yet strange. The combining of visuals with our sonic aesthetic produced exciting art and fun dynamics.”
The longtime friendship between each of the members provides a strong basis for chemistry, and when you’ve made music for as long as these guys have, you know how to have fun with it. The collaborative approach to their music is evident from the first beat of “Wakened,” as the drum loops and synthesizers layer together smoothly to create delicate moments that transform into powerful hooks.
“The fundamentals of the tracks are often collaborative, but our ideas are all birthed from Michael Holmes home studio, where they are developed, recorded, and mixed into fulsome songs,” says David. “Our tracks were mastered by Philip Bova (who has mastered for Feist, Land of Talk, and Bahamas, among others). They are composed and produced using a variety of analog gear. Our project is still evolving and we are still discovering our sound, which excites us.”
As Eerie Loom experiment with new and exciting sounds, the band plans to start playing more live shows and continue to release new material. Watch the video for “Wakened” below, and stream the EP for free here.
Busted limbs, broken noses, and a little bit of blood on the face is nothing out of the ordinary for Ottawa’s party punk rockers New Swears. They’ve just released a video for the track “Dance With The Devil” off of their new record And The Magic of Horses, and they crank up the gore factor to 11. That’s why we love them, along with the fact that their music will incite a party anytime, anywhere it is played. And The Magic of Horses is the band’s third full-length album, and their first with Dine Alone Records to be released June 23rd. The 10-track album is sure to be chock-full of summer party anthems with dirty melodies that beg to be blared in backyards across the country, which should go perfectly with the smell of barbecue smoke and pissed off neighbours.
The video’s timely release today also coincides with the Ottawa Senators’ first game of the NHL Conference Semi-Finals, a game which will surely have the streets packed with booze-filled hockey lovers. While we all hope the Sens avoid the kind of injuries that the band sustains in the video, we certainly wish them the best. Get amped up for the game and watch “Dance With The Devil” below, just make sure the kids are out of the room.
Don’t miss the New Swears Weekend happening at House of TARG June 23/24, they’re going full force with two record release shows back-to-back. Tickets available here.
Jade Bergeron, a.k.a. Flying Hórses, has done things that few artists in Ottawa/Montreal have done before. Her 2015 album Tölt was recorded in Iceland at Sundlaugin Studio with the help of producer Birgir (Biggi) Jón Birgisson of Icelandic post-rock band Sigur Rós. The album is, as far as we’re concerned, a masterpiece in its own right (read our piece on it here). The emotional, cinematic soundscapes crafted by Bergeron are moving instrumental pieces, and a few of the songs –”Tölt” and “Attic” – have recently been made into music videos.
We caught up with Bergeron and spoke with about her recent endeavours, and her new videos for “Tölt” and “Attic” can be seen below. Be sure to catch Flying Hórses’ JUNOfest performance on Saturday, April 1 starting at 8pm at St. Alban’s Church along with Her Harbour, Charles Spearin (Broken Social Scene), and Pugs and Crows and Tony Wilson.
What have you been up to since returning from Iceland? Can you talk a bit about your involvement with Banff Centre?
I’ve been pretty busy. I got back from Iceland just in time to perform my first two solo-piano concerts as part of the Festival de Jazz de Montreal. I spent the summer writing new material and collaborating with videographers.
I was invited to go work over at The Banff Centre in the fall. Waking up every morning to clean, fresh air, in the middle of the mountains, and to be surrounded by talented, inspiring artists was so amazing. I had my own studio, with a grand piano, harpsichord, vibraphone and a few percussive instruments. The other musicians in my residency we’re singer/songwriters and we’re working on two or three shorter songs, but I decided when I got there that I was going to compose one, longer instrumental, movement. I had written a small part of the new track over in Iceland but the entire rest of the movement happened really organically during my first week in Banff.
Being back in nature, really brought the song to life. I had heard about the residency through Charles actually, and being a fan of his post-rock band DO MAKE SAY THINK and of his work in general, I applied. I guess both himself and Brendan Canning thought I would be a good fit for the residency. I ended up meeting a classical guitarist and experimental cellist, Alex Mah out there, who was there working with Richard Reed Parry (Arcade Fire) and after hearing him play, invited him to record cello on my new piece. Charles played horns and a few other musicians also contributed to the movement.
I wanted the entire recording experience to feel organic, and stress-free. The new movement was mixed by Efrim (Godspeed You! Black Emperor over at Hotel 2 Tango in Montreal and I just got the master back from Biggi (Sigur Ros) in Iceland. It’s a pretty heavy listen, but it’s colourful and it represents a really important recent time in my life. We are shooting a short film/video for the single right now in Iceland. I’m very excited about the whole thing. It’s going to feature a very well-known actor/model in the Icelandic community, so I’m really glad to be working with this team, overseas. The new movement and video should hopefully be out in the spring.
The video for Tölt is a beautifully crafted, yet tragic story of two young people alienated from the world in different ways. Why were children the subjects? Can you expand on the concept?
I wrote ‘Tölt’ during a time of reflection on my own childhood. The entire record ended up feeling/sounding like a soundtrack to the past. I used a lot of instrumentation that represented the innocence of being young and wide-eyed. When Alex approached me with the idea of making a video/short film for that particular track, he already had a lot of great conceptual ideas, and before even bringing up what the track represented to me, he was already story boarding about a childhood trauma. We connected on the video, immediately.
My contribution to the video was limited. Once Alex and I went over the storyboard together, he began casting calls for the actors, and it wasn’t long before they them. Production spent some time in the fall working on production and the post-production happened in the winter. The whole process was really amazing. Both young actors really did a great job, and I’m so grateful for the level of professionalism the entire team demonstrated throughout. It’s been an honour working with all of them.
What does the piano mean to you? How has music helped you through past struggles and traumas?
My relationship with the piano has been a roller coaster since I was a kid. I’ve tried my hand at a few different instruments over the years, but my heart has always lead me back to the piano. It feels the most organic. I enjoy having the keys right there in front of me, I’m a very visual person. I really have no idea what I was doing with my life, before writing and composing music, and I don’t know what I would do without it.
Is there anything you can tell us about the upcoming video for attic? Will it be related to the story in Tölt?
Attic was produced by Antoine S. Legault from Lonely Fire Productions. The song is one of the last tracks on the record. I never really intended for it to end up there, actually. It’s quite dark, heavy and creepy and I think is a transition between the really optimist, innocent, lullaby songs that start off the album, and the new single I’ll be releasing sometime in the spring. I wrote it while I was reflecting on memories (much like Tolt). The video opportunity came about organically, this past winter. I sat down with Antoine back in December and we talked about making this short film/video that was kind of dark, creepy and mysterious. Coming out of a bit of heaviness myself, I decided to focus the story on loss and melancholy. Antoine came up with the storyboard and we shot the video in one afternoon in an abandoned house. It was freezing cold and creepy, but it was a really awesome experience.
What does it mean to you to be part of the Juno festivities taking place in Ottawa?
I don’t perform very often. In fact I pretty much only played festivals last year. My focus has mostly been on writing new material, and catching up on the release of the record. Junofest asked me to perform as part of the only ‘instrumental/experimental’ showcase for the festival. It will be fun to share the stage with Charles Spearin again, and a good friend of mine Her Harbour is playing too. It’ll be nice to see so many great musicians roaming around Ottawa for The Juno’s.