Back in May, we celebrated our five-year anniversary with a couple of shows at The Record Centre. That was a whole lot of fun, but we’re not quite done yet. Because why stop there?
Over the past five years we’ve had the opportunity to meet countless musicians in Ottawa, go to hundreds of shows, and really dig deep into the music landscape here. These artists continue to impress us, inspire us, and keep us doing what we do. It’s been our mission and raison d’être to support these musicians through coverage of new album releases, interviews, live reviews, and much more.
We’ve put together a compilation called Five Years – Ottawa 2012-2017 which contains music that has impacted us since Showbox started in 2012. This span of five years, in our mind, was a crucial period in the Ottawa music scene. More DIY musicians than ever before came out of the woodwork and made albums, and many were released independently without labels. Some music was underground, some wasn’t.
Different types of music pervaded throughout this period, demonstrating Ottawa’s potential hub in the Canadian landscape. Our hope is that this compilation will act as a snapshot of a strong and robust local music scene in Ottawa between 2012-2017, and allow folks to have a view into the music that came out during this period. It goes between garage, punk, hip hop, folk, and
While we could have double or tripled the size of this compilation with all the incredible artists out there, we kept it modest and capped it at 51. So while this list is encompassing, it’s certainly not meant to be comprehensive by any stretch. Please enjoy a free stream and download of the Five Years – Ottawa 2012-2017 compilation below.
A huge thank you to all the artists who contribute their music to this compilation, and to Pascale Arpin for designing such a good album cover. Enjoy!
The compilation is PWYC, and any proceeds will be donated to Girls+ Rock Ottawa in memory of Jean Sebastien Belleau. A special fund in his name has been established for the maintenance, repair and preservation of their growing instrument library, made in the spirit of honouring JS’ much deserved legacy as a passionate supporter of the Ottawa music scene.
Ottawa pop-punk group Dead Weights have just released their second full-length album, Mountain Arresting. It’s been a few years since we’ve heard new material from these guys, and we’ve been waiting impatiently ever since hearing a few of the tracks live earlier this year.
Mountain Arresting is a big step forward for Dead Weights, and clearly the product of a lot of work. The band strikes a balance of heavier guitar and bass parts with melodic flourishes, all woven together with rough and grumbling vocals of Jonathan Becker and Steve McCrimmon. Their signature sound comes through loud and clear on this record, as they tightened up their instrumentation even more and obviously had some chemistry in the studio. It doesn’t hurt that Dead Weights have been playing together for years, with lots of shows under their belts in recent memory.
Fans of bands like Latterman, Off With Their Heads, and Direct Hit! will feel right at home with this record, although it’s appeal is vast. Those who enjoy no-bullshit punk rock with some grit will fall into Mountain Arresting with ease. Their goal isn’t to play faster, louder, and harder than everyone else—their style and approach is intentional, and it grasps the listener tightly without losing meaning or using studio tricks as a facade of perfection. What you see is what you get with Dead Weights, and anyone who has seen them live can attest to this.
It was nice of them to put lyrics up on their site, because sometimes it’s hard to hear the words since it sounds like Becker just smoked three packs of cigarettes before the recording session. But hey, I wouldn’t have it any other way. The higher register howling of McCrimmon on tracks like “House is Not a Home” offers an appealing contrast to Becker’s whiskey-soaked rumbles. And the cherry on top? Hooks of gold, yearning for crowd vocals. You might catch yourself blasting these tracks and screaming some of the irresistible group vocal parts, only to realize that you are the only one in the room.
A stand-out aspect of the Mountain Arresting are the well-crafted lyrics, words about the everyday lives we live, social injustices, and growing up and getting by in a world that’s not always fair. Earnest words in these difficult times we live in is a breath of fresh air, offering perspective about the harsh conditions around us. But there’s a sense of hope in the songs, a sense that we’re all in this together and that all is not lost. Things are fucked up, but we can help each other and pick each other up. A little empathy and compassion go a long way, and while many of the songs discuss life’s difficulties and injustices, there is an overarching sense of humanity on this album.
It is obvious that a lot of effort was not only put into writing each song, but also composing a full album with no filler to speak of. The album itself is short and punchy, and although I was left wanting more, I still felt completely satisfied when I finished listening. Dead Weights have a lot to offer, and Mountain Arresting is a tremendous achievement.
Find ‘Mountain Arresting’ on Spotify, Apple Music, and bandcamp (stream below). Be sure to catch Dead Weights live on October 17th at House of Targ along with Montreal legends The NILS and Steve Adamyk Band. Follow event link here for more details.
The EP is more North Fields and less Dead Weights – but 100% Jon Becker. Four songs straight from the heart by a man with a raspy voice and his acoustic guitar recording in a back room with a Crown Royal bag as a microphone shield. If you are sick of the heat and want the return of sounds of fall and winter than you are in luck with this one. If that fall and winter aren’t what you are looking for, The Way You’ve Aged also transports you to a dimly lit bar where smoking is still allowed and Becker is sitting on a chair on a small riser playing to the regulars.
The title track sets the tone for the EP with lines like these: The difference is where we become untied and the things we use to help us stand upright / We’ll still smoke cigarettes in the park on Dundas West / We’ll lay in the dead grass and I’ll close my eyes, picture you painting looking your best, as November purrs in the soft light / I love the way you’ve aged.”
The next three songs follow the themes of relationships, bad habits and growing older, which makes them very relatable.
Turn the lights down low, crack a beer and a smoke (if you’re into that kind of thing) and sink your teeth into The Way You’ve Aged (streaming at Exclaim) on a late night where you feel like deeply connecting with a total stranger. You can also catch him playing Thursday Sept. 22 with Fire Next Time and Jordan & Watts at Bar Robo, info here.
In May of 2015, Eric and I had a crazy idea. We joked about going to Pouzza Fest – a Gainesville, Florida, The Fest-style music festival – and film all the Ottawa bands. We even went so far as to joke about making an actual documentary. We are by no means documentarians or filmmakers, but we do tell stories on this website, and that is something we are pretty passionate about. In that respect, we declared ourselves pseudo-raconteurs of the people and music in Ottawa, and that it wouldn’t be so far-fetched to actually make this thing happen. Well, folks – we did it.
After 4 days of filming and keeping on pace with the loud and late nights, we caught all the Ottawa acts slated to play Pouzza (except Crusades, who had to pull out for personal reasons). Those bands were Dead Weights, Jon Creeden & The Flying Hellfish, Fresh Hell, Jonathan Becker & The North Fields, Rich Chris, Sidelines, The Tenenbaums, and The Valveenus. We had more than our fair share of fun, and it was definitely an experience I’ll never forget. Plus – it’s Montreal. There’s something about the city that makes everyone who visits fall in love with it.
This documentary is by no means a masterpiece. In fact, technically it is a piece of shit. We recorded almost everything with our phones and learned video editing on the fly. After all, it’s a punk rock festival named after poutine on pizza, so I don’t think we’re competing for an Oscar anytime soon. Even though some of the video is a bit shaky and there is audio that you can’t hear at points, it was filmed and edited with care. After spending a lot of hours cutting and splicing the footage, we ended up with this product.
We want to give a huge thank you to the bands for being involved, and all the folks who helped make this project possible! It was like exploring uncharted waters for us, and all the friends who helped us learn new programs and teach us some tricks of the trade – we salute you.
Bob Barker encouraged us to neuter our pets, Nardwuar has his doot doola doot doo and Ron Burgundy wished for San Diego to stay classy. Prevenge, they signed off paying a house show in the basement with the lights turned down low surrounded by their Ottawa friends.
Ottawa’s Dead Weights playing at Funeral Home.
Locals, Dead Weights kicked off the show. This is the shortest hair iteration of the band I have seen play live, Derek and Steve chopped off the mops. The boys played a bunch of new tracks including a yet to be named track where Jon signs “keep an open heart.” The song is freaking killer and can’t wait for them to lay that one down. Derek pulled a his best BA Johnson impression and took off his Prevenge t-shirt just to reveal another Prevenge t-shirt underneath. Well played sir. Dead Weights capped off the set with crowd favourites “Friends First” and “Barely Breath.”
Panic Attack from Montreal playing Funeral Home.
It was now time to begin the Montreal invasion as Panic Attack took over. The three-piece play 90s flavoured emo-punk to perfection. Many of the songs make you want to pogo, which would have been tough in a basement with a clearing barely over six feet. I love hearing “I Can Work It Out,” “Not Your Fault” and “Pictures.” In closing Frank said “we have two songs that are fairly good and we are going to play them now before Dig It Up destroy the whole house.”
Panic Attack were not kidding. Dig It Up tore it up. Two songs in the lead singer said “I hope you guys don’t like recognizing songs,” as they shredded our faces. We could decipher them, but even if we couldn’t the sheer energy and power that is Dig It Up is infectious. The often overlooked member of this band is drummer Andrea. The drumming in this band so solid and awesome. Just see this band, do it, do it every and any chance you can. During the final song one of the guitarist passed his axe to Prevenge’s guitarist Chris for quite the hardcore finale. Dig It Up dug Prevenge’s grave at Funeral House setting the stage for them to bury themselves.
Panic Attack drummer Nicolas Turcotte holding the mic in the crowd during Prevenge’s final Ottawa show ever.
It was finally that time. The moment where you are filled with excitement and sadness all at once as a band you love plays for the last time. Prevenge‘s lead singer and guitarist, Alex Cartier, began by saying “It has been 8 years of doing our best… we are Prevenge for the last time.” Fittingly open with “Buried Alive,” off their 2011 7 inch split with Dig It Up. The pact basement crowd emphatically screamed “bury us alive” at the top of our lungs. It was most certainly more of a celebration of life than a funeral. People sang along, rushed the mic, danced, moshed, drank and JS obviously crowd surfed. After playing “DOUBLECHEESEBURGERCOKENOICE,” Alex said “I’ve been coming to house show in Ottawa since the 90s and I’ve never seen any where that supports like Ottawa.” The set was jam-packed with many of my favourites including “Half to Black” and “Who Kills It Fills It.” Ottawa clearly holds a very special place in the heart of the members of Prevenge. “Over 8 years of touring, Ottawa is usually the last day on tour and its the best way to cap off,” said Alex. They closed with “The Way We Live Today” and as they finished Alex said, “We will be back in different form forms, but goodbye forever.” RIP Prevenge thanks for the memories and one hell of a ride.
The sun shone down on Club SAW today, and Mother Nature spared us the rain so we could enjoy all the good times that day three had to offer. The first band of the day I caught was The Jeanies from Brooklyn. I heard them play at Avant Garde Bar the previous night, but I never actually laid eyes on them because the place was packed to the rafters. My OXW weight loss program was in full effect as I sweated off about 6.5 pounds at that show, so it was great to see these guys again with a little more breathing room.
This afternoon, they took the stage to some surprising fanfare for a band who’d never played Ottawa before this weekend. These guys looked and sounded like they’d stepped out of a time machine from 1970. With lead singer/guitarist Joey Farber’s double-denim and mutton-chops, and the rhythm guitarist bearing an uncanny resemblance to David Bowie, while the bassist rocked a corduroy cap and floral print shirt, it was just nostalgia central. And these aren’t stage outfits, this is just how these guys dress. From the blues-inspired guitar work, to razor sharp three-part harmonies, The Jeanies had the crowd bobbing along throughout the set, with the hooting and hollering culminating in their final song, the first track off their album, “I Seen Her Dance”. Keep an eye out for these friendly Brooklyn boys, they’ve got a good thing going. Their self-titled album is on Bandcamp, along with a recent single.
Next up at Mugshots was the band Terrible Liars – an Ottawa four-piece, two of whom I recognized as members of Big Dick and Steve Adamyk Band. As soon as they walked onstage I noticed a tattoo on the singer Brendan Flynn’s forearm, a symbol popularized by ’90s punk band Jawbreaker as a logo of sorts. Now I dig on some Jawbreaker, so I knew this was going to be cool. With a mid-tempo mix of melodic punk songs, it was a perfectly palatable dose of punk for those among us nursing hangovers. I loved the set, and would definitely check them out next time they play. Guitarist Davey Quesnelle plugged his stand-up comedy set, and ended up giving us a bit of a sample as he sang the praises of Beau’s special batch of Ottawa Explosion Session Pale Ale, which is being poured all weekend. The set ended with Davey chucking his guitar into the crowd, narrowly missing National Capital Rock photographer Andrew Carver, so maybe we’ll get to see his angle of things.
I hopped over to Vertigo Records for the debut of an enticing new Ottawa band Cheap Whine. The band features Eric of Feral Trash on guitar and vocals, Steve Adamyk on bass, and Jordy from The Creeps and Crusades on the skins. I watched from the sidewalk as I inhaled overpriced slice of 1-for-1 pizza and, after a quick déjà vu from TV Freaks’ packed Vertigo show last year, there turned out to be a bit of room so I squeezed on in. The band was ripping through fast, fuzzy punk tunes while the crowd cheered and bobbed along and participating in the ol’ OXW weight loss program once again (I keep making this joke, and maybe it was just me, but I sweat like crazy all the time). Cheap Whine has shirts too, and the design a clear nod to power-pop/rock’n’roll icons Cheap Trick. Anyone who follows Steve Adamyk Band has probably seen shots of Steve wearing a sleeveless Cheap Trick shirt, so Eric jeered about cutting the sleeves off your Cheap Whine shirt for your Steve Adamyk Halloween costume. Another funny thing was Jordy’s ride cymbal toppling over about 4 or 5 times, and OXW organizer Emmanuel Sayer jumping in to rectify the situation. It happened enough times that Emmanuel eventually just stayed crouched in that corner, watching, waiting.
My next highlight of the day was jumping between the Club SAW and Mugshots courtyards, first waiting outside SAW for the next band to arrive. They’d apparently been held up at the border for a while, and their set time had just passed when their van pulled up outside. They loaded directly out of the van onto the stage to set up. It was Benny the Jet Rodriguez. The California four-piece played an upbeat mix of light grunge and sunny, sensitive pop punk. But the peak of set came when they threw in a surprisingly well-suited Sheryl Crow cover. It was “I Wanna Soak Up the Sun”, and I don’t think I’ve ever sung that song as loud as I did. Wicked fun. I snuck over the Mugshots to catch local punk sweethearts Dead Weights, and all I can say is those guys need some haircuts… Jeez louise. I’m kidding though, I love Dead Weights. Great band and great dudes. They played quite a few new songs, which hopefully means a new album at some point this year. Of course, they ended their high-energy set with the fun tune “Barely Breathe”, a song that lots of us sang with the band as they finished off.
Back to Club SAW courtyard for one of my biggest highlights of the weekend, Sheer Mag. This Philadelphia band is pumping out airtight glam rock, with pumpin’ dance beats and irresistible guitar licks. They’ve been compared to Thin Lizzy and The Runaways and the shoe sure as hell fits. I’d be remiss if I didn’t at least gush a little bit about the raw power of frontwoman Christine Halliday. She belted out song after song to a very enthusiastic crowd. Ska Jeff had mentioned they were awesome, and I’m not sure how many others had heard the band before, but Sheer Mag definitely garnered some new fans this weekend.
Another highlight was packing in with what seemed like every person at OXW for when The White Wires took to the stage outside Club SAW. It’s funny thinking of White Wires songs as “classics” but everyone was singing along to nearly every song. I’d say as far as Ottawa Explosion goes, that makes them a classic band. One of the main OXW organizers, Luke Martin, plays bass along with Ian Manhire on vox/guitar and Allie Hanlon on drums. Ian is the guy responsible for Gaga Records, Gaga Weekend, and a bunch of wicked stuff that became the pre-OXW Rock’n’Roll Pizza Party. One could sit down with Luke, Ian and Emmanuel and chart out exactly how this all came to be… But that’s a whole other piece on its own. Allie now lives in L.A. and is pretty busy with Peach Kelli Pop, but we’re very happy that she comes back to Ottawa a couple times per year to play with The White Wires.
Before my big highlight of the night, honourable mentions need to go out to some amazing bands I missed this evening. Hamilton, Ontario’s TV Freaks always put on a crazy show, and I was truly bummed to miss this one at the Dom. Much love, TV Freaks, keep it freaky. Aside from that, Germany’s Hysterese might not come back for a while, but I ran into a lot of people who were stoked for them so I hope they had a good crowd. And then it was Creep time. I, along with the Showbox guys and many others, love The Creeps. Their 2014 LP Eulogies has been on heavy rotation for me, and now that I actually bought the record it will literally be on rotation rather than just my iTunes. The Misfits-esque morbid pop punk is infectious as it is accessible, and the crowd was deep enough in the Beau’s Explosion brew to get a little rowdy. I think the first crowd-surfer went up within the first 2 songs. Not bad. They kicked things off with a handful of tunes off Eulogies, digging back in their catalogue for a few older gems. The crowd-surfing continued throughout the set, and everyone was pretty good about looking out for each other and helping others up with they inevitably fell. I love seeing this.
I love Ottawa. I love Explosion. That’s about it for me going to shows this weekend, much to my chagrin. I’ve been loving the shows the past few nights, but it’s time for this volunteer to pay his dues.
Well, the weekend that many of us look forward to all year in town is nearly upon us. It’s the unofficial start of summer in Ottawa – Ottawa Explosion Weekend! It is one of the best punk festivals in the country, bringing bands from all across North America and Europe to Ottawa’s core for five days of non-stop fun.
There is no shortage of reasons for why we wanted to get on board with OXW and co-present with them. Not only have organizers Emmanuel Sayer and Luke Martin built this thing from the ground up – they do so with the intention of bringing bands to Ottawa and highlighting some of our city’s best artists without putting any of the money in their back pocket. Many of us have watched OXW evolve and draw more people, bigger bands, and expand to more venues surrounding the main grounds at SAW Courtyard.
We’re very happy to announce that Showbox will be co-presenting the lineup at Mugshots courtyard on Friday night, June 19th. The bill features two of our favourite local punk bands, and buds, Finderskeepers and Dead Weights, as well as Chicago’s heavy pop-punk rockers Boilerman.
The format is such that each set is spaced out so that no one will miss out on anything happening around the festival, and can head to Club SAW, Avant Garde, and Dominion Tavern to check out other sets between bands. Here is all the info you need:
Friday, June 19
Doors at 7:00 PM ($8 or free w/ OXW bracelet/AA)
Ottawa Showbox & Ottawa Explosion present…
Pouzza Fest, the Montreal venue based punk rock festival named after putting a poutine on a pizza, turned five years old this past weekend. Ottawa Showbox went down to shoot a documentary/movie on the Ottawa bands playing. I felt it was also important to provide a written snapshot of this crazy and amazing festival. So here are some of the highlights in no particular order.
Dig It Up tearing it up at Katacombes during Pouzza Fest in Montreal, QC.
One of the best parts of Pouzza actually happened the day before the festival even began. The Thursday before the festival, Beau’s hosted a free Pre-Pouzza Party featuring Single Mothers, Dig It Up, Audio Visceral, Dee Cracks and Lost Love. Consider the cool setting of Katacombes, $1 hotdogs/veggydogs and the fact that Dig It Up and Single Mothers play one of my favourite styles of punk out there. The bar was set high.
Jeff Rosenstock taking the time to discuss the very important topic of sexual harassment at shows, many show-goers are conditioned to think it’s normal. Some also believe that when a woman speaks up about it, it means they aren’t tough enough for the pit. As he said, “sexual assault is sexual assault and any time you see it you should stop it. Everyone will have your back.” It is important for musicians to not only spend their time rocking, but to tackle serious issues and to use their position to positively influence others. Much respect, Mr. Rosenstock.
Watching one of your friend’s from Ottawa, Rich Chris, play a 2 a.m. set in a french fry restaurant and having a crowd of strangers sing along as he covers the Menzingers.
Jesse Lebourdais playing the hangover brunch at Foufounes Electriques during Pouzza Fest in Montreal, QC.
Getting to hang out with musicians from across the country and connecting with them to set up cool side activities. Namely being lucky enough to have Jesse Lebourdais play a private three-song set for me in an alley and then have Jon Creeden swing by for a song also. Pretty rad way to spend a morning.
Convincing a group of friends to do Sunday afternoon pizza bongs. Let your imagination roam for a bit… A pizza bong is when you fold a slice of pizza into a funnel like shape and then chug a beer using the pizza. Once completed, you are welcome to chow down on the za.
Continuing with the food theme, on Sunday morning Les Foufounes Électriques hosted a hangover brunch where every item is $1 each and you can get $3.50 Caesars. Imagine ordering eggs, curry tofu scramble, sausages, hash browns, and toast and only paying $5. Yeah – punk brunchers know what they are doing.
Racing around the beautiful and vibrant city of Montreal from venue to venue, there are seven to nine hosting shows simultaneously at any given time. The venues are all pretty close to each other and provide completely different settings and vibe. It is a great change from the outdoor festival formula.
A bunch of Ottawa friends at the top of the half-pipe in TRH Bar during Pouzza Fest in Montreal, QC.
To continue on that feeling, there were so many incredible moments shared with all the local bands and friends who made the trip to Ottawa to hang out, party, and watch all the Ottawa bands. There is something powerful about all of us singing together at the top of our lungs in another city that was just so beautiful.
Having the opportunity to see great bands that have never played Ottawa or that I have simply never heard off. In no particular order bands you need to check out that I just discovered or fell more in love with after finally seeing them live: Cayetana, Jeff Rosenstock, Barons, Rebuilder and The Jukebox Romantics.
Finally, being a part of a musical community made up of people from all over the world that congregated for an amazing experience.
The infamous Franky Gogo trying the infamous pizza bong. (Photo: Matías Muñoz)
Again, 2014 was quite the year for music in Ottawa. We realize that it’s next to impossible to say which album was better than the others, but we do have a list of the albums that seem to come up on our playlists more often. These are not the “winners” of the year but they are dear to our ears and we’d like to tip our hats to those that made them happen. Check out these sweet full-lengths and EPs, support these locals if you can, and enjoy the weather by putting these tunes in your pocket. Vive le six un trois!
The Raging Nathans, Dead Weights, and Finderskeepers rocked House of Targ Tuesday night October 14.
Dayton, Ohio’s pop-punkers The Raging Nathans headlined what was a great way to spend a Tuesday night. The three-piece’s sound is fast pop-punk – on the fringe of skate-punk – with very heavily distorted bass giving them some extra grittiness. It is a very interesting mix, one I really enjoy. The boys were all business, flying through their set taking very few breaks, and no one was complaining as it left more room for music. Their song selection was mostly split between songs off their wicked new album Losing It, including “Tooth Song,” and “Not Giving Up,” and a few songs off their 2012 self-titled 7″, namely “Complicated Feeling” and “Nothing Nice.” My favourite song by The Raging Nathans is the ultra dark but super catchy song “I’m On Drugs.” The lyrics are so honest and powerful,
I found a picture of my friend who died, used it as an excuse to get high, looked you in the eyes and then I lied, got into the shower and then I cried. Well I’m on drugs, I can’t sleep, it’s been like this for weeks.
I am very glad I stayed out late on a Tuesday night to catch these guys.
Dead Weights rocking out at House of Targ in Ottawa.
Ottawa’s Dead Weights brought their raspy punk rock to the stage at Targ before The Raging Nathans. They opened with their uplifting “Fall Down,” which set the tone for a set full of songs off their latest release Dead Ends & Closed Doors. They followed up with “No Gods, No Bastards,” “Friends First” and “Do You Believe in Class War?” During “Do You Believe in Class War?” guitarist Steve McCrimmon was rocking so hard that his infamous Fest baseball cap fell off his head. Acting quickly, his girlfriend Kendal picked up his cap and put it back on his head. Much to our amusement, by putting the cap on she pushed his long hair in his face making look like Cousin It from the Addams Family.
If you have ever heard McCrimmon sing, you know that even if he looked the part, his voice is the complete opposite. They closed out with two tracks that brought many of their friends to the front of the stage to sing along. First was their banger “Barely Breathe” which is so infectious I don’t know how to not sing along to and second was the rocking “Dead Ends & Closed Doors” about struggling to make ends meet. As always, another great set by the Ottawa boys.
Finderskeepers bringing it at House of Targ in Ottawa.
Getting things rolling was Finderkeepers. This was an important show for them considering bass player Devin Cook is pregnant and the band doesn’t have any other shows scheduled right now, so this might have been the last chance to see them for some time. They certainly did not disappoint. Blasting out of the gate with “It Can All End Tonight,” off their last record Pack Your Bags. They also played “Pack Your Bags” and the instrumental track “Red Riding” off this year’s release. Then lead singer and guitarist Chris Cook introduced the next songs, “Here are three new songs. We don’t really know them so we put them all in the middle so it just sounds like one big mistake.” Chris could not have been more wrong about the new tracks, they were really good. The last two of the three, “Endless Winter” and “Left for Dead,” are excellent steps forward as a band. I am super stoked for them going forward. With the new songs done, they went back to their older songs to finish up with “Public Defender,” “Lowlifes (And The Dearly Departed)” and my favourite, “Society in Decline.” If this was the set that sends them into a hiatus, they certainly did it right.