Hip hop is like any other genre in the music industry. There are some real artists that work hard and pay their dues to bring listeners and fans material that is impactful in one way or another. But there are a lot of people out there that find shortcuts, step on others in their community, and rip off material to get ahead, too. That’s the music industry, in any genre—it can be a dark, dark place.
Buck n’ Nice is a group that consists of two entities. On one side there is producer, beatmaker, Cypher radio host, and DJ—DJ So Nice, who has been cutting his teeth in the art of hip hop beats since he was 13 years old. He’s a huge grassroots community supporter who throws some of the best parties in town, not least of which is the monthly Hip Hop Karaoke at Elmdale Tavern. On the other side, there is Sawbuck—a proven MC who came from difficult circumstances and worked his way to where he is now. His honesty and untethered lyricism fist in seamlessly with his masterful delivery, digging deep into his hip hop influences such as Mobb Deep, EPMD, Wu Tang, and Gang Starr.
That’s the subject of Ottawa hip hop duo Buck n’ Nice’s new album EMAG. Good hip hop is clever with words (obviously), and it took me a second to realize what “EMAG” actually meant.
“After getting our feet wet with our debut album, we learned from the inside out how backwards the industry is,” they say. “It’s a machine filled with appropriation, shortcuts to success and all-around deception. This is the theme of EMAG, an album titled so because the GAME is backwards.”
With the duo’s sophomore release, they aren’t mincing words or beating around the bush. Having gained momentum in Canada’s hip hop landscape with multiple releases since 2014, Buck n’ Nice have taken from their real life experiences in the music industry and applied them to their new record. It doesn’t take long for them to sink their teeth into the subject, as they dive right into it on the second track, also called “EMAG.”
It’s important to mention that although this concept may sound jaded or negative, I don’t get that sense when listening to the album all the way through. They’re not saying “fuck the music industry” per se—they’re pointing out the problematic parts of it, the deception and fakers, the toxic people and money that drives a lot of the music made in it. To me, what goes part-in-parcel with these criticisms are the things that do matter in music—things like community, real life experiences, people’s everyday struggles, and most of all, valuing more than just money when making art. One of my favourite rhymes from the album is from the track “Leader”, which goes “What’s the difference between me and you? I see the bigger picture, you crop the image just to see the view.”
On EMAG, the duo collaborate with talented artists such as Prufrock Shadowrunner, REKS, Freddy Printz, Whitney Delion, Cheko Salaam (a.k.a. Hyf), as well as Patience and Bender of Flight Distance (RIP Bender), among others. These guys are part of a hip hop community that is stronger and more cohesive as ever. On tracks like “Le Coeur” with Cheko Salaam, both he and Sawbuck bounce words off each other, with rhymes that weave seamlessly and that effectively builds the climactic pillars on the album. In “Ocean or Shallow End” with the guys from Flight Distance, So Nice slows things down and the sample includes strings. Their metaphor of “Ocean or Shallow End” comes across effectively, and hits the listener right in the face. The brilliance with tracks like this is that although the beat is more restrained, the rhymes and lyrics are highlighted to an even greater degree. The same can be said for “Three Sides” close to the end of the album—there’s no letting up here.
After giving EMAG a few listens, any hip hop fan should know that these guys are for real. There’s no filler. There’s no bullshit. Buck n’ Nice had something to say and they did that by packing all of their ideas into an album with a tonne of dynamite and then lighting the fuse. The result is an intelligent, groove-laden record that pays homage to hip hop of old, while keeping true to their own style and modern interpretations of rap. This album will stand the test of time, and will surely make waves across communities in Ottawa and the country as a whole.
Buck n’ Nice are officially releasing EMAG at a party called ANIMAL HOUSE this Saturday, July 28th at The 27 Club (27 York St.), where a triple album release will be taking place. Other releases at the party will be the Feel EP by Freddy Printz, and SpaXe Camels by Missing LinX. Needless to say, if there’s one party you don’t want to miss this weekend, this is it.
Stream EMAG below or click here for full list of streaming links. Check out their full album video on YouTube here.
Beau’s Oktoberfest kicks off this weekend, Sept. 22-23, in Vankleek Hill, just under one hour outside of Ottawa. It is an epic two day celebration of craft beer, local food and of course music.
We have been going for years now and having the best time year after year. Last year members of Showbox entered the team challenge and came out victorious. We will be defending our title this year if you happen to be around early Saturday morning.
More importantly, we figured that this year you should get to know the bands that will tickle your ear drums while we suggest beer pairings, suds, that will also tickle your taste buds. Here are some of our recommended pairings:
Flight Distance with Three Knocks
Friday – 7:00 PM on the Black Forest Stage
Flight Distance seem like the odd band out as the only hip-hop act playing the festival. This makes them a rare breed in the midst of all the rock and roll, which makes pairing the trio with Three Knocks, a special, rare version of a German-style altbier perfect. I know they won’t be intimidated at all and will carry the flag for Ottawa hip-hop with pride when they hit the stage. So while they spits slick bars you should hit the bar yourself and get wild and freaky with Three Knocks.
NOBRO with Spiced Principle
Friday – 8:20 PM on the Black Forest Stage
My favourite song by these rockers is “Call The Doctor.” Spiced Principle is a complex and lively beer which features a mortar and pestle on the label, tools traditionally used in pharmacies to crush various ingredients to fill your prescription after your visit to the doctor. So take a trip to the Black Forest Stage to come rock out to NOBRO and sip on some Spiced Principle to cure what ales you.
John K Samsom and the Winter Wheat with Maple Rush Porter
Friday – 8:45PM on the Main Stage
Sure pairing the Winter Wheat with a wheat beer would make a lot of sense here, but John K Samson, formerly of The Weakerthans and Propaghandi, is Canadiana and Canadian-indie music at its core. And what is more Canadian than maple coffee beer? Nothing. So Friday night when the sun goes down and you’re ready to be swooned by the lovely musical stylings of John K, order yourself a Maple Rush Porter and toast this living legend of Canadian music.
Dead Tired with Vambrace
Friday – 9:15 PM on the Black Forest Stage
A Vambrace is a piece of armour, most specifically a piece that protects the arm. Now I don’t know how much a pilsner will protect you, but you certainly might need some armour to survive the onslaught from this hardcore band lead by former Alexisonfire frontman George Petit. I do however know that this crisp, refreshing and easy drinking beer won the 2016 Beau’s Oktoberfest homebrew contest and will make for a great late night drink while you headbang to Dead Tired.
Jon Creeden and the Flying Hellfish with Lug Tread
Saturday – 3:45 PM on the Black Forest Stage
The Lug Tread is Beau’s flagship beer, tried tested and true. This makes it the ideal pairing for Jon Creeden and the Flying Hellfish as they are an Ottawa Showbox favourite who are always refreshing, never disappoints and great at anytime of the day, just like Lug Tread. So make sure to be there early enough on Saturday to enjoy this pairing under the hot afternoon sun.
Partner with Farm Table: Hopfenlager
Saturday – 4:30 PM on the Main Stage
The Hopfenlager is taking something common, like a crisp and refreshing lager, and spicing it up with herbal flavours and aromas. Partner have taken rock and given it their own original fun take, while breaking down barriers and also spicing it up with some herbal aromas from time to time (check out their song “Everybody Knows You’re High”). So try a new beer while enjoying a new twist on an old classic.
Julie and the Wrong Guys with Jänis
Saturday – 5:30 PM on the Main Stage
First off a juniper beer named Jänis just has to be paired with Julie given that I’m a sucker for alliterations. Julie is of course Julie Doiron, an award-winning Canadian singer-songwriter from the Maritimes, who along with her band will continue to rock the main stage following Partner. The music will make you bob your head and even hop up and down, possibly like the rabbit on Jänis’s label.
The Planet Smashers with Parliament of Trees
Saturday – 6:45 PM on the Main Stage
Parliament of Trees’ label has a space ship on it and the beer has a hint of campfire in every sip. The Planet Smashers are one of Canada’s greatest and longest standing ska bands around. Their super fun approach to ska will make you want to dance and sing, the perfect activities for around a camp fire with friends.
The Creeps with Sergeant Stripes
Saturday – 7:50 PM on the Black Forest Stage
This export stout is dark as the night and deep in flavour. It promises to keep you warm while the ghastly punk rock stylings of The Creeps give you shivers under the moonlight. This beer and band pairing might just have you howling at the moon as you cap off your Oktoberfest 2017.
For more information on the beers themselves, click here.
We hope everyone attending has a wonderful, safe and responsible time at Beau’s Oktoberfest. And for anyone that doesn’t have a ticket yet, I believe some are still available here.
The first Saturday of Bluesfest brought healthy crowds to see a diverse collection of musicians.
The first group I caught were Too Slim and the Taildraggers. I was initially apprehensive when each member of the band walked onstage wearing a cowboy hat, but my assumptions quickly turned out to be unfounded when the group launched into some riff-heavy blues rock. Their guitar player certainly knew his way around the instrument, and the vocals rarely strayed into the realm of twang. There were a couple tracks featuring a harmonica as well – which I personally love. With frequent solos and instrumental break, Too Slim and the Taildraggers put on a great show; the only thing more impressive than the guitarist’s riffs was his sideburns.
Also in the early evening was Tegan & Sara, bringing their brand of queer bubblegum indie. I’ve seen T&S several times at Bluesfest over the years, and it’s been interesting to watch them grow up. With every album their music has become more mainstream, and with a growing fan base they now play one of the main stages. With giant inflatable letters spelling “T & S” as their stage décor, there was no mistaking who was playing. The crowd was mostly young adults, happy to oblige in synchronized arm waving when requested. T&S played their hits and told a couple stories, including one of their first times they playing the region – at a summer camp in Hull. In summary, the camp wasn’t the best experience, but they seemed to hold no grudges and sent a humorous shout-out to our sister city.
Next up was local group Flight Distance, which can be described as hip-hop with the DJ bringing the occasional EDM track. This was their third time playing Bluesfest, and in my opinion, they were the July 8 highlight. Flight Distance worked hard to energize the crowd, which isn’t an easy feat at an outdoor festival before sunset. A particularly memorable interaction was when one of the vocalists encouraged everyone in the audience to “make a weird noise”. From the moment they took the stage to their closing track which remixed ACDC’s “Thunderstruck”, they brought their A-Game. I’ll definitely be keeping an eye out for future shows by these guys.
The last artist I saw was 50 Cent—about which I was cautiously optimistic—given the fairly high attendance and the nostalgic potential. Many in the crowd were dancing like they were in da club, and there was a tight crush of people close to the stage. I was a little further back, which was a good vantage point to watch the action. 50 Cent accurately busted out hits like 2005’s “Candy Shop,” and the show felt appropriately old-school. Still, I was unimpressed when he left the stage for about 5 minutes halfway through his set. I suppose the purpose was to build hype or stretch out his admittedly limited scope of material, but it came across as arrogant. Still, it was an entertaining set – if shorter than the majority of the festival’s headliners.
First things first: Heartstreets — two talented Montreal women rapping, crooning, and just generally grooving supported by a DJ and a full live band – were first on the docket for me on day 7. A newly (as in: while I watched their set) discovered gem. I was really glad I hit the Flats early to catch them live. “Do any of you know us?” asked the one wearing pink heart-shaped sunglasses. “It’s ok, you will, you will. Heartstreets.” She was right. They clearly had fun and so did I.
De La Soul was disappointingly unable to perform because of a flight delay, prompting one perturbed audience member to yell “suck a dick!” several times in the general direction of the Bluesfest employee who was tasked with giving us the bad news. Bummer, for us and for them. To fill that time slot on the stage was an impromptu second set of the festival from local hip hop act G. Grand, no stranger to Ottawa Showbox bills having performed at Hip Hop Nite at Mugshots (RIP) earlier this year. His performance was energetic and tight as usual, and kudos to him for stepping up to a crowd that had been expecting such a classic of the genre.
Took a breather before Chvrches to hang out on a giant bean bag in the #rbczone with Walter Trout on the Monster stage in one ear and DJ @ the Fort in the other. Felt like my bank was hugging me. Surprisingly relaxing. Chvrches then delivered as expected: an aesthetically pleasing stage, and impeccable sound balancing deliberate pulsing synths and Lauren Mayberry’s lovely crystalline voice. Not exactly my thing, but no doubt a gift for all the Chvrches fans in the vicinity.
Lauren Mayberry of the band CHVRCHES performing at the RBC Bluesfest in Ottawa on Wednesday, July 15, 2015. ~ RBC BluesfestPress Images, Photo: Mark Horton
From there I made my way back over to the Monster stage to stake out a good spot for Run the Jewels, and caught almost all of Ottawa hip hop act Flight Distance. I’m really glad I did. These guys rule. Their beats are super grooves and their rapid-fire flow is incredible — I’d be tempted to say “effortless” if I couldn’t see them going red in the face from rapping. They work hard and it pays off. You know those rare moments when you’re totally content where you are? Not thinking about the past, not planning for the future or waiting for something else to happen, just feeling the vibe and enjoying yourself? That happened for like a whole half hour with Flight Distance. Perfect opener for what was to come.
Flight Distance performing at the RBC Bluesfest in Ottawa on Wednesday, July 15, 2015. ~ RBC Bluesfest Press Images, Photo: Danyca MacDonald
Finally, the Bluesfest act I was most excited for — Killer Mike and El-P a.k.a. Run the Jewels. (RTJ! RTJ!) This performance was everything I’d hoped for. Starting out with “Run the Jewels”, “Oh My Darling Don’t Cry”, and “Blockbuster Night Part 1” (one of my faves) they had the crowd (me included) freaking out. Halfway through the set, Killer Mike paused and told us all if we had glasses on or phones out, to put them away because our shit was about get fucked up. I complied. We all closed our eyes (and counted to fuck). A hip hop mosh pit happened. Mike gave a shout out to “white Jesus crowdsurfing over here.” ACAB anthem “Early” was dedicated to Mike Brown and Eric Garner, black lives lost to police brutality. Run the Jewels are deeply political, and often angry (for good reason), but also operate with a lot of joy and humour and genuine love for their fans: what they do is wild and incredibly special and I’m so glad I got to see it in person.
Killer Mike of Run The Jewels performing at the RBC Bluesfest in Ottawa on Wednesday, July 15, 2015. RBC BluesfestPress Images, Photo: Mark Horton
It’s hard to believe that another year has passed and the RBC Bluesfest 2015 is upon us. Bluesfest has been getting better and better at including great local acts in their programming on the big stage, which for many artists is a dream come true. This year is no exception, as the festival has gone one step further to bring in more artists that are sure to rock the grounds at Lebreton Flats. Let’s dive right in with some previews of Ottawa-area musicians playing this year’s festival.
“DJ ACRO has opened for and shared the stage with a number of major artists including the likes of The Beatnuts, Mac Miller, Onyx, K.R.I.T, M.O.P, Smoke DZA, XZIBIT and a slew of other up coming and iconic Hip Hop artists.”
Bella Cat’s unique musical style has roots in soul and blues music, fusing genres and creating a sound that is distinctly her own. Her music will appeal to a broad audience, spanning all ages and tastes.
A must-see for fans of: Sharon Jones & the Dap Kings
If there’s one band in Ottawa that transcends genres, combines a myriad of musical styles, and has engaging and intelligent lyrical content, it’s BlakDenim. This eight-piece ensemble exudes energy on stage and are fan-favourites at Bluesfest, having played the festival in the past. Infusion of hip-hop, funk, rock, soul, and jazz.
A must-see for fans of: A Tribe Called Quest & The Roots
B&C is a three-piece high-energy, crunchy riff-driven roots blues band that are from the nation’s capital, but could just as well be from the heart of the Mississippi Delta. If you’re into raw vocals and let-loose blues instrumentation, these guys are the ones you want to see live.
A must-see for fans of: Jimi Hendrix & John Lee Hooker
Saturday, July 11 @ 3:30 p.m.
Monster Energy Stage
If you follow Showbox, you’ll know that this group is one of our local faves. Since enlisting some of Ottawa’s most talented musicians and reforming as a full band, this experimental “future folk” group has captured the hearts and minds of many in Ottawa. Pure brilliance.
Brandon Allan writes simple, heartfelt songs about everyday feelings and experiences. His brand acoustic folk/country rock is the kind that you can turn on and close your eyes to, as his soft yet searing melodies and lyrics leave nothing uncovered.
A must-see for fans of: The Weakerthans & The Tallest Man on Earth
Saturday, July 18 @ 3:30 p.m.
Barney Danson Theatre
Brea Lawrenson’s music will appeal to lovers of pop country, which is a lot of people here in the Ottawa Valley. Her voice can go from soft and warm to powerful and penetrating on a dime, so keep your ears out for her at the Flats.
This hip hop duo consisting of SawBuck and DJ So Nice has beatmaking and production of crowd-pleasing bangers down to a science. If you’re familiar with the club circuit or hip hop scene around Ottawa, you’ve probably moved your body to one or both of these guys.
A must-see for fans of: Jurassic 5 & Run the Jewels
Sturton has made a name for herself nationally as a musician and worked with artists such as Joel Plaskett, Al Tick, Rolf Klausener, John Carroll, as well as members of Sloan and Blue Rodeo. From Japanese garage rock venues to American juke joints, she’s got a pretty interesting rap sheet.
On top of being a very strong singer and songwriter, Sturton has become well-known for her proficiency playing the harmonica – she derives her style straight from the Mississippi of old, cutting her chops at local blues establishments and learning from harmonica masters such as Larry “The Bird” Mootham and Carlos del Junco.
This veteran has been making music since 1989 and has recently started writing new material after a hiatus. Raw blues rock inspired by the Chicago greats is the only way to describe the kind of music that Nelson makes.
This band is a truly special part of Ottawa/Hull’s music scenes. The band consists of members of Timber Timbre, Last Ex, and Scattered Clouds, creating disoriented and experimental art-punk with fractured arrangements.
A must-see for fans of: music that pushes boundaries, free jazz/post-punk
Calkuta, Bender & Patience have done it again, demonstrating why they’re one of the top hip hop acts in Ottawa. Their latest album, the 18-track High Priests of Low-Life, is another example of how talented this group is. Their music has an underground aesthetic with samples and production that are anything but amateur.
A must-see for fans of: Immortal Technique & Atmosphere
Wednesday, July 15 @ 8:15 p.m.
Monster Energy Stage
Grantly Franklin a.k.a G.Grand is a Showbox favourite. We just can’t get enough of his rhymes, especially when he collabs with his partner-in-crime producer Jeepz or other incredible Ottawa MC’s like Hyf the Gypsy Sun. If you’re into smooth, intelligent, and beat-laden hip hop then G.Grand is someone you don’t want to miss.
Shannon Rose has been making music for a few years now, and her full-band project – now called Gold and Marrow – is making serious waves in Ottawa. Rose has proven herself to be one of the foremost songwriters in the region, alongside others such as Amanda Rheaume or Catriona Sturton.
A must-see for fans of: Feist
Tuesday, July 14 @ 7:15 p.m.
Barney Danson Theatre
Callum Runciman and his band Grime Kings prove that music runs in the family – his sister Caylie’s band Boyhood has also turned heads in Ottawa. Grime Kings’ brand of lo-fi esoteric, fuzzy experimentations pushes the sonic limit and defies genre boundaries.
There is no other way to put it – HILOTRONS are a quintessential Ottawa band. Lead songwriter Mike Dubue’s influences are as diverse as they are obscure. The end result is album after album of relentlessly funky and imaginative songs, proving that Dubue is Ottawa’s musical mastermind.
A must-see for fans of: Talking Heads
Thursday, July 16 @ 8:15 p.m.
The man behind the epic FRENZY parties at Babylon, Iggy Smalls knows how to get things going. Don’t miss him play Diplo/Skrillex’s afterparty at Ritual tonight (July 8).
Joe Gaspar and his band put the “blues” in Bluesfest. Drawing on blues rock influences from the ’70s such as Cream and Led Zeppelin, the Joe Gaspar Band plays songs containing heavy riffs and intricate guitar solos of that era.
A must-see for fans of: Jimi Hendrix, Cream & Led Zeppelin
Ottawa-based singer-songwriter Kaleigh Watts finds beauty in simplicity by writing emotional and intense songs that create a truly incredible soundscape. Watts, who has been mentored by Juno and Canadian Folk Awards winner Lynn Miles, blends intricate acoustic fingerpicking with stirring vocal melodies.
“2009 Ottawa Red Bull Threestyle Champion, 4 Time Ottawa DMC Dj Battle champion, First title coming at the age of 15 years old. 2006 Canadian Team DMC Dj battle champions ( w/ Stylusts ) and competed at the DMC World Championships in London, England.”
“Kira Isabella has been performing her brand of up-tempo country music across Canada for more than a decade. Kira began dabbling in guitar and writing about love, life and boys. Initially, Kira delved into a variety of music, but when she discovered the likes of powerhouse country vocalists Shania Twain and Faith Hill, she knew she was hooked on country.”
Blending jazz, blues, and folk, Lucas Haneman has created his own sound and won many awards for his compositions. As an acclaimed fingerstylist and songwriter, Haneman and his band will be sure to get crowds moving at Bluesfest this year.
The best way to describe Lynne Hanson’s music is gritty, raw, and honest. It’s no surprise that she’s played shows in places like Memphis, Nashville, and Austin. With vocals that are on-point, songwriting that strikes to the core, and instrumentals that capture the soul of roots music, Hanson fits perfectly in such a stacked local lineup at Bluesfest.
A must-see for fans of: Caroline Herring
Thursday, July 9 @ 6 p.m.
Claridge Homes Stage
DJ Matt Tamblyn
Matt Tamblyn creates parties. If you’re one that scours town for places to get down, you’ve probably seen Tamblyn behind the decks at places like Parliament Pub or Mugshots. His repertoire includes SILK, Open Air Social Club, King of the Beach, and more.
MonkeyJunk are a Juno Award-winning modern blues rock band, proudly representing the nation’s capital across Canada. They have garnered a strong fan base internationally, touring Canada, the US, and Europe relentlessly. In just seven years, this band has become a Canadian staple.
A must-see for fans of: The Black Keys & Muddy Waters
This band takes neo-classical folk to another level, and have made a name for themselves internationally by creating beautifully textured and emotionally charged songs. Musk Ox create a rare brand of atmospheric, evocative, and harmonious music that resonates with our very core. This is a powerful, must-see chamber folk act.
This band plays the delta blues that would more typically be found in the deep heart of the Mississippi. A whaling harmonica, twangy hollow-body electric guitars, and raspy vocals – these guys are another band that keep the blues in Bluesfest going strong.
A must-see for fans of: John Lee Hooker & RL Burnside
Ottawa’s #1 party punk band, when New Swears perform mayhem ensues. Blow-up dolls, crowd surfers, whipped cream – these are all typical sights at a New Swears show. Do yourself a favour and strap on your seat belts, because this is one ride that’ll give you a concussion if you’re not ready.
These Ottawa veterans kick out serious jams, perfecting their crunchy proto-punk and garage rock sound that explodes from the stage. This three-piece band take us back to the CBGB’s era of early punk rock gods, and describe them selves as a cross somewhere between The Who and The Buzzcocks.
A must-see for fans of: Iggy & The Stooges, Fugazi
Another favourite of ours, Pony Girl creates intricate and consuming soundscapes. This is art-rock at its finest and it’s difficult to imagine a higher caliber of musicianship in this band. They will be playing many new songs from their upcoming epic Foreign Life, which has been about 10 years in the making.
A must-see for fans of: Broken Social Scene, The XX
Saturday, July 11 @ 7:30 p.m.
Barney Danson Theatre
This power trio is yet another Ottawa Valley blues rock band that is making waves in the region. I first heard of this band when I came across their cover of “Dust My Broom,” the perennial classic tune written by blues legend Robert Johnson (and also happens to be one of my favourite blues songs). Get your blues fill with RCJ.
The layered and intricate instrumentation, high-energy orchestral nuances, and Matthew Saint Clare’s unhinged vocals that can only be compared to those of Frank Black of The Pixies. All of this melds into the distinctive sounds that Saint Clare create together. However motley a crew they may seem, their heterogeneity makes for a potent combination when such strong band chemistry exists.
If you want catchy, sexy, danceable rock music, then Silvergun & Spleen is the band for you. With an electric stage presence and an attitude that will smack you in the face, this band is ready to let loose and take on the big stage for the first time. Get close, but not too close – S&S will set the stage ablaze.
The Haig have a sound that is not easy to describe, and that’s why we love them. It’s a little bit of ’90s alt-rock/grunge mixed in with a twisted horror film. Their full-throttle rock has taken Ottawa by storm and propelled the band to great heights.
A must-see for fans of: Queens of the Stone Age, Radiohead
“Formed in 1989, The Jivewires have jumped many musical and national borders. Taking their music from the jazz and satire of the ’40s and ’50s greats Louis Jordan, Cab Calloway, Wynonie Harris, and Louis Prima, The Jivewires throw a new spin on the Jump Blues tradition.”
A must-see for fans of: ‘Swing’, Louis Jordan & His Tympany Five
The Reverb Syndicate are Ottawa’s premier, and maybe only, instrumental surf and go-go band. The band’s bio perfectly describes them as “reverb-drenched surf/spy-fi sounds to accompany ’60s spy films, westerns, sci-fi films and old school video games that don’t exist.” You have to see to believe.
“A rock band with few genres barred, The Superlative mix their rock with reggae, ska, pop, punk, funk, blues and more. They consistently surprise crowds across Canada with their genre-bending shows. The band embrace the rock elements many of us know and love, while putting a unique new spin to each song they write.”
“The Visit is Heather Sita Black, a vocalist unchained, and Raphael Weinroth-Browne, a powerful cellist. Together they form a self-described defiance of genre, so terms like chamber or polystylistic don’t really fit the bill. The closest long-winded definition might be experimental/avant-garde classical.”
Thrifty Kids are one of the most exciting new bands in Ottawa, and have received high accolades for the few releases and shows they have played so far. Their atmospheric and relaxed sound makes them a perfect summer band, the kind of music you want to listen to when the sand is between your toes. Keep an eye out for this band, as they are getting set to do big things.
If there’s a list of bands that keep deep Ottawa’s folk roots going strong, Winchester Warm would be on top. Following in the footsteps of local greats such as Snailhouse, Jim Bryson, and The Acorn, WW’s beautiful vocal harmonies, irresistible arrangements, and heartfelt lyrics make them another addition to this city’s incredible list of folk greats.
The Yips are another favourite of ours, playing loud and fuzzy “ouija rock” – a term they coined for their distinctly creepy, overdriven garagy sound. The Yips’ shows are wild, with “rave ghosts” always appearing with sheets over their heads and letting loose. Don’t miss out on what one of Ottawa’s best bands has to offer.
A must-see for fans of: FIDLAR, Thee Oh Sees
Friday, July 17 @ 6 p.m.
“Specializing in soul music from the past, present & future from the world over, Zattar has been moving ‘soles’ since the dawn of the 21st century. Syncopated drums with a touch of nostalgia are his sounds of choice. Bringing many years of music knowledge and crate digging to every gig, expect the unexpected.”
Again, 2014 was quite the year for music in Ottawa. We realize that it’s next to impossible to say which album was better than the others, but we do have a list of the albums that seem to come up on our playlists more often. These are not the “winners” of the year but they are dear to our ears and we’d like to tip our hats to those that made them happen. Check out these sweet full-lengths and EPs, support these locals if you can, and enjoy the weather by putting these tunes in your pocket. Vive le six un trois!