As Ottawa enjoyed its seemingly first weekend of summer weather, a lively crowd descended on Day 3 of CityFolk for some throwback nostalgia and some first glimpses of buzzworthy bands.
To start the night, Suitcase Junket played the Ravenlaw stage to a crowd split between fresh ears and those who were so impressed with his late show on Day 2 of City Folk, that they came out for a repeat performance. He was mindful of that dynamic and played a largely separate setlist, save for a few overlapping tracks. His folksy blues sound was a hit with the crowd, with songs like “Swamp Chicken” and “Busted Gut” particularly resonating. His ability to multitask with a seemingly endless array of instruments is mesmerizing, think Shakey Graves crossed with Owen Pallett (though there were no loop pedals in sight). Playing several tracks off of his recent release Pile Driver, he described himself as such, driving around a pile of instruments to win over audiences, something that he certainly achieved on this evening.
Following Suitcase Junket was Brooklyn’s Big Thief, a band with two incredible releases and a significant amount of buzz (particularly due to this masterpiece. They played with a pared down ensemble which fit with the intimate Ravenlaw stage. Lead guitarist and vocalist, Adrianne Lenker was magnetic, deftly weaving from whisper to wailing guitar solo. Highlights included “Paul”, “Shark Smile,” the aforementioned “Masterpiece,” and haunting “Pretty Things” (with lyrics like “there’s a woman inside of me, there’s one inside of you, too…” resonating even more live).
The unfortunate scheduling of Canadian indie rock legends Broken Social Scene 15 minutes into Big Thief’s set had an impact on crowd size as well as the atmosphere, with Big Thief’s intimate songs having a subtle backdrop of muffled Kevin Drew vocals. Though Lenker expressed some frustration to that extent, the band powered through, and we’re hopeful they return for us to have an opportunity to enjoy them under ideal circumstances (rather than take a Sun Kil Moon approach to a grievance with Ottawa Folkfest scheduling).
Though Ottawa has enjoyed live performances from various members of the Broken Social Scene collective over the past few years (Kevin Drew at Arboretum 2014, a particular highlight), seeing them all together (well, most of them) is a rare treat. About to kick off a North America wide tour to support their latest release, Hug of Thunder, the set was a power-packed hour of hits new and old (as well as a brief cover/singalong of “Total Eclipse of the Heart”).
New member Ariel Engle filled in admirably for Feist on Hug of Thunder’s lovely title track and both she and Amy Millan did “Anthems for a Seventeen Year Old Girl” justice. While the crowd was enthralled throughout, a short passionate speech from Kevin Drew about the state of the world and a call for the crowd to cathartically yell as loud as they could made closing tracks “Cause=Time” and “Ibi Dreams of Pavement” particularly meaningful. As they closed the set (and for many, the evening), many wondered aloud why the heck they weren’t headlining tonight’s show.
Amanda Marshall bounded onto the City Stage next and she did her best to prove the scheduling skeptics wrong. Playing for the first time in more than a decade, she joked about the lack of Netflix and Uber when she last hit an Ottawa stage. There were no signs of rust, as she dove into her back catalogue with a tight seven piece band for an assembled crowd of passionate Amanda Marshall fans and curious BSS holdovers. As “Sunday Morning After” and “Trust Me (This Is Love)” began, many in the crowd exchanged an “Oh, I remember this song” look. Her biggest hit “Birmingham” followed and sufficiently delivered, sending many of her fans to the promised land (you know, the one beyond the lights of Birmingham…?).
Another season, another beer festival, and the Brew Fest on Feb. 12th and 13th at Lansdowne followed a typical example of the phenomenon. Ottawa is rich when it comes to quality microbreweries, and the frequent celebrations are a testament to a thriving craft beer scene in the region. While Ontario’s microbreweries are creating plenty of unique beverages, those in the National Capital Region are luckier than most; we are close to the provincial border which brings another province’s products into easy reach. Attendees at the Brew Fest didn’t even have to cross a river to sample some of Quebec’s best.
I attended the session on Saturday afternoon, and had a great time familiarizing myself with new products. After a couple years covering the craft beer scene in Ottawa it’s become more challenging to find new beers to try, but the plentiful selection at Brew Fest brought a combination of old favourites and new brews. Scroll down to see which beverages won an award in my books, but first check out an exclusive interview with the festival’s General Manager.
A Festival is Brewing
In between samples, I caught up with Michael O’Farrell, the General Manager of both Festibière and Brew Fest. We spoke about the festival’s expansion into Ottawa last year, an opportunity which came about when Winterlude was looking to add programming to the renewed Lansdowne park – in fact, they were the very first event in the renovated Horticultural building. This year, the two events opened and closed Winterlude, engaging beer affectionados on both sides of the provincial border.
The proximity of the two cities is a feature of the National Capital Region that’s often overlooked, but it brings a lot of diversity to the region. As Michael put it, “I think a lot of people in this region are scared to cross the bridge”. Brew Fest featured many Quebecois breweries this year, which was an expansion from last year’s edition. “Logistically and legally, it is very time consuming [to arrange cross-border sales]. You have to go through a private distributor. The monopoly that the LCBO and the Beer Store have… they’re slowly letting their guards down but it’s still very controlled. When the Beer Store is owned by Sleeman, Molson and Labatt, that’s a big issue for me. It doesn’t bring a healthy competition.”
On that note, I asked O’Farrell about the decision to include Molson-owned breweries in the festival, i.e. Mill St and Creemore. It’s an interesting question, because does the ‘craft’ designation come from the model of ownership, the scale of production, the creation of unique beers, or something else? “ It’s a tough one. If I were an owner of a brewery and someone offered to buy it, I’d have to think about it. It depends on your morals, your values, and your business plan… The whole craft beer industry is about finding something unique and different that people don’t easily have access to, and a lot of that comes down to the ingredients.” One thing I will say in defence of corporate ownership of craft breweries, is that it allows them to use the distribution networks of larger companies. Put into practice, you can get tasty beer like Chicago’s Goose Island at Babylon.
In closing, I asked O’Farrell about his favourite breweries at Brew Fest. “I really love Beyond the Pale. They play a lot with hops, flavours, and aromas, and they always have something unique. On the Quebec side, Gainsbourg has the same concept – they have bitter, hoppy beers that use floral aromas.”
Winter Brew Fest (Photo by Aileen Duncan/Ottawa Showbox)
Unconventional Brewing Awards
Before the festival, I reached out to friends and foes, asking them to submit categories by which I could pit the festival’s beers against each other in fierce competition.
“Beer most likely to make me take off my under-roos”
The winner of this inhibiting award is Quebec’s Charlevoix Brewery with their Belgian strong ale Dominus Vobiscum Lupulus. While packing quite a punch at 10% ABV, this beer’s taste doesn’t reveal its mighty strength. The blonde ale is bright and crisp, with notes of citrus and apple notes, and a bready malted body. If you enjoy that “trappist” style yeast flavour, these will go down surprising easy. You’ll be drunk before you know what hit you.
Musical pairing: The chill guitar in this Bahamas song somehow suits the beer. They sing “I know you’re afraid of falling flat”, which you just might after a few of these strong brews.
“Best beer-related pun”
The nominees for this award were somewhat sparse, and the winner by default was Covered Bridge‘s Eternally Hoptimistic. Despite the lack of competition, this is a delicious beer in its own right. A pale ale that pours reddish-brown in colour, the intial impression is a bitter explosion of citrus-flavoured hops. The flavour quickly mellows into toasted malts that wash over your palate. Sessionable if you like hops, but the aroma makes this a great training beer for those who are less enamoured with the bitter beauty of hops. My fellow judge Stuart first described this beer as “a lawnmower on my tongue.” However, he soon admitted “it gets better the more you drink it, kinda like heroin”. And that, my friends, is how one gets used to hops.
Musical pairing: I might be in the minority here, but I love puns. NOFX aside, it’s hard to find musical examples of this particular form of humour. I’ve paired this beer with more conventional form of humour. As a side note, you can catch Radio Radio at Ritual in March.
“I don’t even like beer”
Many breweries boast that their double IPAs or triple imperial stouts are “not for the faint of heart.” While I’ll take a dark bitter beer more often than not, there are those who find hops overwhelming.
For the faint of heart, I recommend the Infusée by Brasseurs du monde. Marketed as a “tree tea white beer,” the brew manages to taste closer to peach juice than beer – yet still clocks in at 5.4%. It’s aromatic, delicious, and the best (only?) tree-infused beer I’ve ever had. I clearly wasn’t the only one who liked it, because it sold out pretty quickly.
As this is a tea infused beer, listen to this killer track by The Harpoonist & the Axe Murderer while enjoying a pint, or two, of the delicious beverage.
We like beer. (Photo: Aileen Duncan/Ottawa Showbox)
CityFolk, formerly known as Ottawa Folk Festival, has announced its initial lineup for the Sept. 16-20, 2015, festivities. This new incarnation of the festival will take place at the new Lansdowne Park next to TD Place, in an area called “The Great Lawn.” The lineup includes some huge names, such as legendary acts like Van Morrison, Wilco, and Lucinda Williams, as well as more recent ones like Of Monsters and Men, Walk Off The Earth, Sun Kil Moon, and Will Butler of Arcade Fire.
Although no local acts have yet been named, we know that there are some major plans to include many Ottawa-area acts in the festival. There will be more acts named in the near future, so be sure to check Showbox for updates. See some videos below of some selected CityFolk artists.
A limited number of tickets will be sold on Thursday, June 4 from 10 a.m. until midnight. Regular sales will be starting Friday, June 5.
Bluesfest has announced its 2013 lineup today, and included in that is a bunch of some of Ottawa’s local talent. It’s great to see some returning to the stage, as well as some new additions this year. More announcements for local acts should be made in the coming weeks, so keep your ears open for more additions to this list. Congrats to all those who made the cut!