Already the city is observing a sort of berserk album release onslaught dubbed a musical harvest. But for months (almost years), The Visit has been working on their debut album to come out before the end of 2015. Tonight they celebrate the Oct. 9 release at the Mercury Lounge with Esmerine and Musk Ox.
Through Darkness Into Light is an album that folk lovers and experimental metalheads will love. It’s dizzying and even exhilarating in most of its sound. Although it sports a glacial album cover, it only offers only a warm journey through dark chambers. There is nothing still or dead about these five songs, despite there being themes of decay and death all through them.
Is there a feeling of madness to it too? Oh yes, in spades. But brought forth not in haunting vocals or aggressive instrumentation, simply precise music. As recommended to me, this is a really well appreciated album on your best headphones or sound system. It’s a methodical release, as comparable as any work that the cellist has completed in recent months. but there’s an overwhelming feeling of new life and catharsis throughout.
The Visit is still the voice of Heather Sita Black matched to Raphael Weinroth-Browne’s powerful cellist. After releasing videos and singles, and travelling far for their music last year, they still took their time coming out with a debut LP.
Just a minute and a half into “Through Darkness”, the realization hits home that Black’s voice is no longer simply an instrument. Her lyrics really tell a story that continues even after the final track, “Into Light”. Although “Offering” still chants us down a violent path that hints of bloody sacrifice and there are still plenty of harmonic howls on “Into Light”, but now there are sharper meanings connected to words we do understand. This is an epic tale woven into practiced string arrangements. “Without This Flesh” does not compromise or make a concession to invite a new listener in as the first track. It’s 14:19 long and make a point of how beautiful this duo’s music can be.
Tonight isn’t the only Ottawa album release party this week but it’s the only Ottawa New Music Creators concert of September and the first as part of the 2015-16 series. This year’s run of ONMC events is curated by none other than Raphael himself, he who walks many paths with the help of his close collaborators. Tonight, at the Mercuriy Lounge, more than a few will intersect.
It’s hard to believe that another year has passed and the RBC Bluesfest 2015 is upon us. Bluesfest has been getting better and better at including great local acts in their programming on the big stage, which for many artists is a dream come true. This year is no exception, as the festival has gone one step further to bring in more artists that are sure to rock the grounds at Lebreton Flats. Let’s dive right in with some previews of Ottawa-area musicians playing this year’s festival.
“DJ ACRO has opened for and shared the stage with a number of major artists including the likes of The Beatnuts, Mac Miller, Onyx, K.R.I.T, M.O.P, Smoke DZA, XZIBIT and a slew of other up coming and iconic Hip Hop artists.”
Bella Cat’s unique musical style has roots in soul and blues music, fusing genres and creating a sound that is distinctly her own. Her music will appeal to a broad audience, spanning all ages and tastes.
A must-see for fans of: Sharon Jones & the Dap Kings
If there’s one band in Ottawa that transcends genres, combines a myriad of musical styles, and has engaging and intelligent lyrical content, it’s BlakDenim. This eight-piece ensemble exudes energy on stage and are fan-favourites at Bluesfest, having played the festival in the past. Infusion of hip-hop, funk, rock, soul, and jazz.
A must-see for fans of: A Tribe Called Quest & The Roots
B&C is a three-piece high-energy, crunchy riff-driven roots blues band that are from the nation’s capital, but could just as well be from the heart of the Mississippi Delta. If you’re into raw vocals and let-loose blues instrumentation, these guys are the ones you want to see live.
A must-see for fans of: Jimi Hendrix & John Lee Hooker
Saturday, July 11 @ 3:30 p.m.
Monster Energy Stage
If you follow Showbox, you’ll know that this group is one of our local faves. Since enlisting some of Ottawa’s most talented musicians and reforming as a full band, this experimental “future folk” group has captured the hearts and minds of many in Ottawa. Pure brilliance.
Brandon Allan writes simple, heartfelt songs about everyday feelings and experiences. His brand acoustic folk/country rock is the kind that you can turn on and close your eyes to, as his soft yet searing melodies and lyrics leave nothing uncovered.
A must-see for fans of: The Weakerthans & The Tallest Man on Earth
Saturday, July 18 @ 3:30 p.m.
Barney Danson Theatre
Brea Lawrenson’s music will appeal to lovers of pop country, which is a lot of people here in the Ottawa Valley. Her voice can go from soft and warm to powerful and penetrating on a dime, so keep your ears out for her at the Flats.
This hip hop duo consisting of SawBuck and DJ So Nice has beatmaking and production of crowd-pleasing bangers down to a science. If you’re familiar with the club circuit or hip hop scene around Ottawa, you’ve probably moved your body to one or both of these guys.
A must-see for fans of: Jurassic 5 & Run the Jewels
Sturton has made a name for herself nationally as a musician and worked with artists such as Joel Plaskett, Al Tick, Rolf Klausener, John Carroll, as well as members of Sloan and Blue Rodeo. From Japanese garage rock venues to American juke joints, she’s got a pretty interesting rap sheet.
On top of being a very strong singer and songwriter, Sturton has become well-known for her proficiency playing the harmonica – she derives her style straight from the Mississippi of old, cutting her chops at local blues establishments and learning from harmonica masters such as Larry “The Bird” Mootham and Carlos del Junco.
This veteran has been making music since 1989 and has recently started writing new material after a hiatus. Raw blues rock inspired by the Chicago greats is the only way to describe the kind of music that Nelson makes.
This band is a truly special part of Ottawa/Hull’s music scenes. The band consists of members of Timber Timbre, Last Ex, and Scattered Clouds, creating disoriented and experimental art-punk with fractured arrangements.
A must-see for fans of: music that pushes boundaries, free jazz/post-punk
Calkuta, Bender & Patience have done it again, demonstrating why they’re one of the top hip hop acts in Ottawa. Their latest album, the 18-track High Priests of Low-Life, is another example of how talented this group is. Their music has an underground aesthetic with samples and production that are anything but amateur.
A must-see for fans of: Immortal Technique & Atmosphere
Wednesday, July 15 @ 8:15 p.m.
Monster Energy Stage
Grantly Franklin a.k.a G.Grand is a Showbox favourite. We just can’t get enough of his rhymes, especially when he collabs with his partner-in-crime producer Jeepz or other incredible Ottawa MC’s like Hyf the Gypsy Sun. If you’re into smooth, intelligent, and beat-laden hip hop then G.Grand is someone you don’t want to miss.
Shannon Rose has been making music for a few years now, and her full-band project – now called Gold and Marrow – is making serious waves in Ottawa. Rose has proven herself to be one of the foremost songwriters in the region, alongside others such as Amanda Rheaume or Catriona Sturton.
A must-see for fans of: Feist
Tuesday, July 14 @ 7:15 p.m.
Barney Danson Theatre
Callum Runciman and his band Grime Kings prove that music runs in the family – his sister Caylie’s band Boyhood has also turned heads in Ottawa. Grime Kings’ brand of lo-fi esoteric, fuzzy experimentations pushes the sonic limit and defies genre boundaries.
There is no other way to put it – HILOTRONS are a quintessential Ottawa band. Lead songwriter Mike Dubue’s influences are as diverse as they are obscure. The end result is album after album of relentlessly funky and imaginative songs, proving that Dubue is Ottawa’s musical mastermind.
A must-see for fans of: Talking Heads
Thursday, July 16 @ 8:15 p.m.
The man behind the epic FRENZY parties at Babylon, Iggy Smalls knows how to get things going. Don’t miss him play Diplo/Skrillex’s afterparty at Ritual tonight (July 8).
Joe Gaspar and his band put the “blues” in Bluesfest. Drawing on blues rock influences from the ’70s such as Cream and Led Zeppelin, the Joe Gaspar Band plays songs containing heavy riffs and intricate guitar solos of that era.
A must-see for fans of: Jimi Hendrix, Cream & Led Zeppelin
Ottawa-based singer-songwriter Kaleigh Watts finds beauty in simplicity by writing emotional and intense songs that create a truly incredible soundscape. Watts, who has been mentored by Juno and Canadian Folk Awards winner Lynn Miles, blends intricate acoustic fingerpicking with stirring vocal melodies.
“2009 Ottawa Red Bull Threestyle Champion, 4 Time Ottawa DMC Dj Battle champion, First title coming at the age of 15 years old. 2006 Canadian Team DMC Dj battle champions ( w/ Stylusts ) and competed at the DMC World Championships in London, England.”
“Kira Isabella has been performing her brand of up-tempo country music across Canada for more than a decade. Kira began dabbling in guitar and writing about love, life and boys. Initially, Kira delved into a variety of music, but when she discovered the likes of powerhouse country vocalists Shania Twain and Faith Hill, she knew she was hooked on country.”
Blending jazz, blues, and folk, Lucas Haneman has created his own sound and won many awards for his compositions. As an acclaimed fingerstylist and songwriter, Haneman and his band will be sure to get crowds moving at Bluesfest this year.
The best way to describe Lynne Hanson’s music is gritty, raw, and honest. It’s no surprise that she’s played shows in places like Memphis, Nashville, and Austin. With vocals that are on-point, songwriting that strikes to the core, and instrumentals that capture the soul of roots music, Hanson fits perfectly in such a stacked local lineup at Bluesfest.
A must-see for fans of: Caroline Herring
Thursday, July 9 @ 6 p.m.
Claridge Homes Stage
DJ Matt Tamblyn
Matt Tamblyn creates parties. If you’re one that scours town for places to get down, you’ve probably seen Tamblyn behind the decks at places like Parliament Pub or Mugshots. His repertoire includes SILK, Open Air Social Club, King of the Beach, and more.
MonkeyJunk are a Juno Award-winning modern blues rock band, proudly representing the nation’s capital across Canada. They have garnered a strong fan base internationally, touring Canada, the US, and Europe relentlessly. In just seven years, this band has become a Canadian staple.
A must-see for fans of: The Black Keys & Muddy Waters
This band takes neo-classical folk to another level, and have made a name for themselves internationally by creating beautifully textured and emotionally charged songs. Musk Ox create a rare brand of atmospheric, evocative, and harmonious music that resonates with our very core. This is a powerful, must-see chamber folk act.
This band plays the delta blues that would more typically be found in the deep heart of the Mississippi. A whaling harmonica, twangy hollow-body electric guitars, and raspy vocals – these guys are another band that keep the blues in Bluesfest going strong.
A must-see for fans of: John Lee Hooker & RL Burnside
Ottawa’s #1 party punk band, when New Swears perform mayhem ensues. Blow-up dolls, crowd surfers, whipped cream – these are all typical sights at a New Swears show. Do yourself a favour and strap on your seat belts, because this is one ride that’ll give you a concussion if you’re not ready.
These Ottawa veterans kick out serious jams, perfecting their crunchy proto-punk and garage rock sound that explodes from the stage. This three-piece band take us back to the CBGB’s era of early punk rock gods, and describe them selves as a cross somewhere between The Who and The Buzzcocks.
A must-see for fans of: Iggy & The Stooges, Fugazi
Another favourite of ours, Pony Girl creates intricate and consuming soundscapes. This is art-rock at its finest and it’s difficult to imagine a higher caliber of musicianship in this band. They will be playing many new songs from their upcoming epic Foreign Life, which has been about 10 years in the making.
A must-see for fans of: Broken Social Scene, The XX
Saturday, July 11 @ 7:30 p.m.
Barney Danson Theatre
This power trio is yet another Ottawa Valley blues rock band that is making waves in the region. I first heard of this band when I came across their cover of “Dust My Broom,” the perennial classic tune written by blues legend Robert Johnson (and also happens to be one of my favourite blues songs). Get your blues fill with RCJ.
The layered and intricate instrumentation, high-energy orchestral nuances, and Matthew Saint Clare’s unhinged vocals that can only be compared to those of Frank Black of The Pixies. All of this melds into the distinctive sounds that Saint Clare create together. However motley a crew they may seem, their heterogeneity makes for a potent combination when such strong band chemistry exists.
If you want catchy, sexy, danceable rock music, then Silvergun & Spleen is the band for you. With an electric stage presence and an attitude that will smack you in the face, this band is ready to let loose and take on the big stage for the first time. Get close, but not too close – S&S will set the stage ablaze.
The Haig have a sound that is not easy to describe, and that’s why we love them. It’s a little bit of ’90s alt-rock/grunge mixed in with a twisted horror film. Their full-throttle rock has taken Ottawa by storm and propelled the band to great heights.
A must-see for fans of: Queens of the Stone Age, Radiohead
“Formed in 1989, The Jivewires have jumped many musical and national borders. Taking their music from the jazz and satire of the ’40s and ’50s greats Louis Jordan, Cab Calloway, Wynonie Harris, and Louis Prima, The Jivewires throw a new spin on the Jump Blues tradition.”
A must-see for fans of: ‘Swing’, Louis Jordan & His Tympany Five
The Reverb Syndicate are Ottawa’s premier, and maybe only, instrumental surf and go-go band. The band’s bio perfectly describes them as “reverb-drenched surf/spy-fi sounds to accompany ’60s spy films, westerns, sci-fi films and old school video games that don’t exist.” You have to see to believe.
“A rock band with few genres barred, The Superlative mix their rock with reggae, ska, pop, punk, funk, blues and more. They consistently surprise crowds across Canada with their genre-bending shows. The band embrace the rock elements many of us know and love, while putting a unique new spin to each song they write.”
“The Visit is Heather Sita Black, a vocalist unchained, and Raphael Weinroth-Browne, a powerful cellist. Together they form a self-described defiance of genre, so terms like chamber or polystylistic don’t really fit the bill. The closest long-winded definition might be experimental/avant-garde classical.”
Thrifty Kids are one of the most exciting new bands in Ottawa, and have received high accolades for the few releases and shows they have played so far. Their atmospheric and relaxed sound makes them a perfect summer band, the kind of music you want to listen to when the sand is between your toes. Keep an eye out for this band, as they are getting set to do big things.
If there’s a list of bands that keep deep Ottawa’s folk roots going strong, Winchester Warm would be on top. Following in the footsteps of local greats such as Snailhouse, Jim Bryson, and The Acorn, WW’s beautiful vocal harmonies, irresistible arrangements, and heartfelt lyrics make them another addition to this city’s incredible list of folk greats.
The Yips are another favourite of ours, playing loud and fuzzy “ouija rock” – a term they coined for their distinctly creepy, overdriven garagy sound. The Yips’ shows are wild, with “rave ghosts” always appearing with sheets over their heads and letting loose. Don’t miss out on what one of Ottawa’s best bands has to offer.
A must-see for fans of: FIDLAR, Thee Oh Sees
Friday, July 17 @ 6 p.m.
“Specializing in soul music from the past, present & future from the world over, Zattar has been moving ‘soles’ since the dawn of the 21st century. Syncopated drums with a touch of nostalgia are his sounds of choice. Bringing many years of music knowledge and crate digging to every gig, expect the unexpected.”
Again, 2014 was quite the year for music in Ottawa. We realize that it’s next to impossible to say which album was better than the others, but we do have a list of the albums that seem to come up on our playlists more often. These are not the “winners” of the year but they are dear to our ears and we’d like to tip our hats to those that made them happen. Check out these sweet full-lengths and EPs, support these locals if you can, and enjoy the weather by putting these tunes in your pocket. Vive le six un trois!
Agalloch, a progressive black metal band from Portland, OR, roused the attendees of Maverick’s into a mosh pit during their first show in the nation’s capital. “I didn’t know anyone had heard of us in Ottawa,” said singer songwriter John Haughm. “It’s good to see.” He said this despite the fact his eyes were closed most of the time, even when wailing through some of the most skull-crushing riffs & thunderous drums. The lighting & dry ice matched their elemental influences well, reminding us that the best place to hear Agalloch is from a mountaintop.
On their The Serpent & the Sphere tour, the fourtet have birthed their fourth LP release as a beast with many backs. Definitely keeping to their prog-metal and neofolk, they also have heavy instrumental tracks and as close to rock as these guys can get. The intro to their show is an interlude on the new album, written & composed by Halifax-native but Ottawa’s own Nathanaël Larochette. The rolling thunder and the lingering smell of incense created a good ambience, and the veteran metal band is no stranger to atmospheric sound: wavering guitar, matter-of-fact drums and the perfect amount of archaic verses can go a long way. This 19-year-old band is still pushing itself to create serious sounscapes, and with their latest album they’ve succeeded.
Jex Thoth howling at Maverick’s on July 3, 2014.
Jex Thoth was my first experience with doom/stoner metal. They’re a quintet from Madison, WI who burned candles and incense throughout their set. The pungent aroma and the caped figure of Jessica Thoth at the helm brought a psychedelic atmosphere to the evening. They played pulsing songs like “To Bury” & “Son of Yule,” with the help of a synth set on “organ” and the vocalist’s voice wailing with power. Often I couldn’t tell if it was the synth or her voice, and her pitch was perfect. Many new fans made, because most had Jex Thoth vinyls under their arms once they stopped playing. There’s beauty in these tracks that could easily be rituals of the live wire music embodying a human host.
Local prog chamber folk group Musk Ox were stoked to be opening for Larochette’s favourite band in Ottawa that night. They played two of the longer pieces from their new album Woodfall, with Raphael Weinroth-Browne making faces as he plugged his cello with authority and Evan Runge of Larochette’s band Night Watch laid out the violin. I’ve never seen a cellist headbang before. Nine years ago, the leader of this group never thought he would be opening for his favourite band after he quit Carleton Univeristy to become a musician. “Whatever you want to do, just fucking do it,” he urged us before the end of his set. In his case, following your heart gets you to exactly where you want to be, and there’s something to be said for that.
Within the first five minutes of this album (maybe within the first two), I was taken away by the primal beast that is Musk Ox. It bears down on us all from far away, from a long time coming, and it will leaves its mark on us. The album Woodfallhas finally been released two days ago to critical acclaim in most metal, neofolk & progressive chamber circles after a seven year wait from the debut self-titled album. The leader and classical guitarist Nathanaël Larochette birthed his first album with the help of Dean Watson at The Gallery Studio and a serious arsenal of classical & contemporary instruments. This guy puts the mental in multi-instrumentalist. The band has swelled and thinned over the years, but Larochette has remained the constant nurturer to his brainchild. Recently, he’s been invited to arrange songs for Agalloch, with whom Musk Ox will be playing on July 3 at Maverick’s.
The current members with Larochette are Raphael Weinroth-Browne on cello and Evan Runge on violin. Their synergy has allowed the sound to become more than the sum of the parts, which they’ve shared throughout North America & Europe. This beast has a progressive classical hand attached to a dark folk arm attached to a body that grew strong on metal and post-rock. It’s eerily good at making you want to write ferociously, if you’re into that sort of thing.
As I said, the beginning of the album grips you tightly. A Celtic expedition about to begin, more than likely into the pits of hell, and we are carried into the adventure throughout “Part 2 – Windswept.” The moving violin and chamber-like guitar transport us on the wind and into distant lands. My favourite track, “Part 3 – Arcanum,” was a friggin’ album on its own (and not just because it’s clocked at 17 minutes and 35 seconds). This hour-long exposition of raw talent was celebrated at the Mercury Lounge on June 6, 2014 to a lucky audience. Without having seen the show, I can tell you right now that I’ll be at Maverick’s for July 3. It seems to me that an album that can legitimately be described as an epic is something you should definitely see live. I will plan to be out of my wits with excitement and out of my head on the musk.