Local Francophone hip-hop artist Squerl Noir recently dropped a new video for his track “Calypso.”
The black and white video is centered on Squerl Noir as he raps his way through the track focused on duality and introspection within the chaos of the world. Directed by Antoine Simard-Legault of Lonely Fire Productions, who has worked with other local artists like Flying Hórses, the video features some very cool camera work shifting and blurring Squerl Noir’s faces around as he repeats the lines about drowning in the chaos. It really amplifies the message.
There is also a nice subtle touch of water overlay during certain sections of the video which I can only assume is a homage to Calypso, who in Greek mythology was a nymph who captured the Greek hero Odysseus for many years and is often represented by the sea.
Check out the video for “Calypso” below and keep your ears peeled for Squerl Noir’s next single due to be released in early 2018.
We’re thrilled to premiere a new video by Ottawa experimental psych-rock group Casa Lagarto for their track “Lights Out.”
“Lights Out” was previously released in January 2017 as a demo, however the polished version heard in the video will appear on their upcoming debut album which they have called Shed It, and will be exclusively released digitally on January 19th. Although the 3-track demo EP is all the band has released publicly since their inception in 2015, they’ve played live regularly in town and often taken an experimental approach to their performances. Casa Lagarto describe themselves as “some kind of experimental desert rock n roll. They are influenced by the sun, the sand, and the lizard,” and their music feels like the soundtrack to a Hunter S. Thompson novel.
The band members are familiar musicians in the music scene here in Ottawa, featuring the talented lineup of Travis Kinnear (Fire Antlers), Arturo Portocarrero (Lost To The River), Grant McNeil (Tropical Country), Jason Barkhouse, and Jonny Yuma (The Yips). The video itself tells a story comprised of three separate car advertisements from the mid-1900’s and was produced by band member Jason Barkhouse. Barkhouse runs Black Lab Studio in town and has recently been more active in production/post-production of creative content and music videos for band like Del Bel (see that video here).
Casa Lagarto will be playing with Montreal’s Bloodshot Bill and Chris Landry and the Seasick Mommas at House of Targ this Thursday, December 7th, so be sure to get out there and catch the band live. Doors at 8 p.m. and tickets are $10. Check out the video for “Lights Out” below.
We’re excited to present the first look at Nightshades‘ new video for “Double Vision,” which appears on the recent self-titled album released on November 15th.
The album is somewhat of a departure from their previous EPs, slowing things down and simplifying the song structures while maintaining the sludgy and gritty elements that many of us know and love. While the tempo has slowed a bit, lead vocalist and guitarist Mallory Giles chose to hone her songwriting skills and focus on lyrics and melody over speed and complexity of instrumentation.
“After the ‘Wendy EP’ we wanted to take some time to write a full record. Things came together pretty slow,” she explains. “I had a huge writers block last winter and it was scary. I thought ‘well that’s it. I guess that’s over’.”
“I was grabbing at straws, trying to find inspiration and I ended up borrowing a bass off a friend. I started fiddling around with it and it became this cool new way of looking at music. I wrote a few of the songs off this new album on that bass and transferred it to guitar. Just playing with power chords and slowing things down, developing less complicated structures. Just taking it easy, and focusing on melody and story.”
“I think that’s kind of where we were all at. Just growing up, and chilling things out. And once Dean joined the band, his style of bass playing was pretty relaxed, and we were into it. We still have some heavy songs that Geoff wrote, and I don’t think we’ll ever not be a heavier band, but things are less rushed now. I think I was kind of hiding behind speed before because I wasn’t very good at my instrument. Playing really super fast felt easier and less scary. Now that I’ve developed as a guitarist, and we’ve grown tighter as a band, we can take a step back and just like..go slower. It’s funny, cause we’re still pretty fast, just not as insane as we used to be.
Nightshades channel the fuzzy sounds of 90’s alternative bands such as The Breeders and Sonic Youth, bringing with them punchy and distorted tracks that draw listeners in. Any fans of Kim Deal-era Pixies will surely fall effortlessly into Nightshades as their new self-titled album maintains a fun and upbeat aesthetic throughout, and doesn’t take itself too seriously. However, the songs seem more carefully crafted and it’s obvious that the band took time to put this one together.
Another thing that doesn’t take itself to seriously is the video for “Double Vision.” Directed by filmmaker Rob Bennett, the concept sees Giles going on some terrible first dates which take psychedelic turns.
“On those dates I would see like figments of my imagination like masked unicorns and masked characters and they would try trip me out while I was out with these guys,” Giles says. “IOn the day of the shoot, we were sticking to the plan, but we ended up having fun and trying different shots of us dancing and stuff, and me lip synching… It turned into this whole other thing that we all found really fun, funny, and great. It feels like a real rock n’ roll music video now. Not too serious. Not too much sense made. The original concept was actually pretty dark. I think it’d be cool to write a play or a short out of it one day.”
“Working with Rob was easy. He had killer gear, was a total pro, and had some really great on-the-fly ideas too. Rob is a musical mastermind in his own right and knows a ton about rock n’ roll. So making a rock video with him was effortless.”
Nightshades are set to released their new album on cassette this Saturday at The Rainbow, along with Montreal art punks Smokes, Ottawa heavy-hitters Bonnie Doon, and up-and-comers Slow Dawn. Tickets are $7 and doors at 9 pm, 19+ only. Check out the new video for “Double Vision” below, and stream to the new album online here.
Ottawa’s Saint Clare recently released their first music video and it is a ghastly venture to the beat of the lead single “Closer to the Devil” off of their upcoming EPIII.
The video begins beneath the full moon with the brass ensemble setting the stage for the dancing good time that is a Saint Clare song. As the vocals and other instruments join in, the song takes a sombre turn as the darkness works its way in… getting closer to Beelzebub.
The video flows between the band rocking out in an empty room beneath the hew of purple lights to scenes of lead singer and guitarist Matt Saint Clare being chased by a solemn veiled figure in the woods, somewhat similar to the Blair Witch Project. After a face melting solo brings Saint Clare to his knees wrapping up the song, the video pans back to the wood where he finds himself trapped face to face with the figure, only to find out he has been running from himself.
You can watch the video below and catch Saint Clare this Saturday at the House of TARG on the second day of the super groovy and awesome Surf and Turf Festival.
Lyric videos have been immensely popular since the launch of YouTube. Often they are made by fans and simply feature the lyrics scrolling across the screen almost like karaoke, some going a little further to contain images along with the words. Dead Weights just took it to a new level with their video for “Stuck in My Head.” The video does feature the lyrics that are written on a black board in what looks like a classroom.
What makes it truly special is that the band invited several talented local artists and friends with very different style to draw two or three at a time on the blackboard really elevating the lyrics. The artists are: Jordan Seal, Kendall Valerio, Vance McBride, Cory Levesque, Yafa Jarrar, Pascale Arpin, Kieran McKinnon, and Liam Sheehan. Band members also jump in from time to time. To ensure they can fit all of this within the time constraints of their song, they speed up the video which makes the drawing unfold like magic before our eyes… drawing with chalk in hyper-speed!
The video peaks while the band sings the refrain “Try and keep an open heart” over and over at the end and you have eight people drawing at the same time creating one big beautiful mural with a great message.
Ottawa’s droney post-punk outfit Expanda Fuzz has released a new video for their single “Sonic Halo.” The track appears on bandcamp along with a cover of Earth, Wind, & Fire’s “September” in the wake of founding member Maurice White’s death last year.
The track is a minimalist psychedelic trip, with rolling percussion, a fuzzy lead guitar part, and mesmerizing vocals by Niki. The video’s aesthetic is dark and ominous, taking place in a remote field at dusk and featuring characters with strange masks and costumes. The video is not as dark and creepy as their video for “Flavour: Zombie” released last year, and it also contains beautiful colours of the sunset. However, the smoke-breathing Grim Reaper-type character also leaves the viewer with chills down the spine, and it’s not the kind of figure you’d want to run into on a dark, empty farm.
Although the song is just over two minutes long, it’s great to see a video being made that perfectly suits the sound of Expanda Fuzz. This song could have easily been incorporated into season one of True Detective, or even Apocalypse Now. The video accurately reflects that kind of imaginary trip into the darkness.
Expanda Fuzz is playing JUNOfest March 31st with Dilly Dally, No Fuss, and The Dirty Nil at House of TARG. Ticket and wristband information can be found here.
The Steve Adamyk Band recently release a dark video for their ripping track “Swallow You Whole.”
The video kicks off with a girl waking up and making herself a hotdog for breakfast, topped with sauerkraut – like a champ! The video then follows the story of this girl who seems pretty low on life and goes around holding up corner stores and liquor stores, only to then end up in a cemetery gazing up at the sky singing “swallow you whole.”
I really like the work they put into the ending with the changing colours and the utter despair on the face. And this pull it all off in just over two minutes. Oh the beauty of punk rock and Steve Adamyk Band. Overall it is a pretty cool shot video for a great track.
While not video related, I do have to say that I love Mike Krol‘s voice! I have been saying how perfectly it fits on this track since the first time I heard it.
Check out the video below and then go see Steve Adamyk Band headline a MEGAPHONO show Thursday February 2nd at the Dominion Tavern, which feels very appropriate. Information here for the show.
Malak Ghanem – as a musician, simply known as Malak – has one of the most powerful and impressive voices I have heard in all my years of going to concerts in Ottawa. And now with the new video for her song “Mannequin,” she has some dazzling visuals to accompany it.
Much of the video is shot in the picturesque fall setting of Gatineau Park, specifically at the beautiful Carbide Willson Ruins. If you have never hiked there, I strongly recommend making the trip any time of year. It is one of the many hidden treasures of the Ottawa-Gatineau region.
As the song progresses, the video jumps from dance-inspired chase scenes as a man chases Malak throughout the ruins, to shots of Malak standing in front of ruins and waterfall belting out the song like only she can. “Mannequin” is the first song on Malak’s debut EP Circus which was released last year. Watch the video below watch to find out if Malak is caught by the person chasing her.
Be sure to go see Malak live during MEGAPHONO on Wednesday, February 1st at Le Petit Chicago (info here) and fall in love with her voice in person.
Ottawa’s very own Harea Band just released a new video for their soulful slow burn of a track “Please Hold.”
Sometimes a music video doesn’t have to be complicated. Have the band set up in a simple room and watch them jam out to a track they wrote and love and let the song do the talking. That is exactly what the band did for “Please Hold” with some help from local mister do-it-all Jeff Watkins.
There are a few creative elements beyond just shooting the band playing, such as a phone on fire, but the beauty of this video is the KISS strategy. Keep it simple stupid. Just wonderfully shot video of the band playing and singing along. I must admit though, my favourite part is the look on the guitarist’s face during his solo… priceless. Well don’t just take my word for, check it out below and groove out with Harea Band.
Ottawa’s beloved son The Acorn, aka Rolf Klausener, just released a mesmerizing video for the song “Rapids” off his 2015 Polaris nominated album Vieux Loup.
The video, made by Klaus energy himself, begins with drops of india ink falling into water and subsequently dispersing into beautiful dark creations, many resembling pieces from a Rorschach test or the sped-up full life-cycle of flowers. As the video progresses, there is a moment that transported me back to the live launch of The Acorn’s first album The Pink Ghosts. The video glances up at what looks backlit trees, reminiscent of the scene playing behind the band during that memorable release show at Club SAW many moons ago.
As the vocals kick in the video takes its next step. A paint brush weaves the lyrical script on the screen between more droplets of ink disperse into ever more impressive creations. One of the most picturesque elements of the video is when Klausener plays with negatives and flips the black and white of a spiraling dispersion.
Watch the video below and go see The Acorn perform on January 14th with Gianna Lauren at Pressed in Ottawa, more info here.