Kim Villagante, better known as Kimmortal is a queer Filipinx visual artist and rapper from Vancouver known for her story like rhymes. She touches upon social and racial injustices, discrimination, and representation. Valuing education, inclusiveness, and liberation, Kimmortal coneys the messages in creative and storybook ways with captivating visuals. Fusing visual art with music, she uses it as an aid to decolonize, teach, and heal.
Kimmortal has played the Queer Women of Colour Festival, Filipino Arts Festival, Junofest, and SXSW. She’s currently working on an album that will be released in August.
Ev: DIY Spring is hosting one of your events, seeing as it’s an intersectional inclusive festival, how did you feel in regards to them hosting it?
Kimmortal: DIY Spring has been consistently supportive and truly DIY which means grassroots and well connected to artists in authentic ways. Bridging the possibilities artists dream up to reach a lot of the QTIBIPOC community in Ottawa, I believe it’s so essential for me to do my thing when I have trustworthy bookers and show producers around me. I’m very grateful for DIY Spring.
Ev: Yes of course! So I heard you studied visual arts and art history, how do you think that knowledge has affected your art or helped it develop?
Kimmortal: I’m inspired by the way I am a visual artist in the world of music. In art school I studied about performance artists like Dana Claxton, Peaches, Coco Fusco, while also listening to poets and emcees like Blue Scholars, Ian Kamau, Gina Loring, Climbing Poetree, and Invincible. My art is influenced by various artists in different mediums. I am working to tap into the same freedom I get when I’m doodling in my music. How I’m planning to do this is to time myself for like 2 hours max to produce tracks, and then write lyrics and record them in another hour.. 1..2..3… And then release the track online. Spontaneous art making is really good for me.
Ev: That being said, and watching your music videos and knowing that you’re a visual artist as well it makes me wonder if you built your own set for “I’M BLUE” and if you animated the video for “Brushing by Heaven’s Shoulder”?
Kimmortal: I animated the entire video for “Brushing by Heaven’s Shoulder.” I’m so proud of that thing. That film came about when I was sick for a good 2 weeks and was bored at home so I decided to film a music video for this song in my living room. It started off as an experiment. The white background is literally a white canvas that I nailed into the wall and filmed myself in front of. The animations are made up of drawings from my sketchbook that I taught myself to animate in After Effects. It was a lot of hours and I lost a lot of files. I wanted to throw my computer against the wall countless times but it turned out swell and has my black and white aesthetic. “I’m Blue” was directed by Entertainment Forever. All the art on the walls are my paintings and the book featured in it is my Visual Arts grad thesis project! The symbols on the trees are my work replicated by the Entertainment Forever team. I am ecstatic when I get my DIY on and pair my art with my music.
Ev: As a queer artist of colour, how did you find the journey to getting to where you are today?
Kimmortal: It’s hard to find other queer artists of colour “out there”. A lot of my friends who are local are queer and/or bipoc and so it’s been a very local journey if that makes sense. I usually meet other queer artists of colour through underground lofi shows I’ve been booked at abroad. I love being a part of punk, hip-hop, experimental, and DIY underground shit because I think that’s where I can cultivate the same intimate feel I get when I’m creating.
Ev: Well that’s certainly a real positive outlook. You have a clear and unique voice for what you do and you tell stories through your art. How did you come about finding that voice?
Kimmortal: I really value education for liberation because it’s where I have found myself and my community and the root to a lot of pain experienced individually and collectively. I am nurtured in conversation and my wisdom is from my ancestors and the people around me. I’m still finding my voice but I try to ground it in honesty. A friend and emcee recently told me that the best way I can stay authentic is by speaking from my experience and from what I know. As I get to know myself deeper, my voice inevitably becomes stronger. I am raised by the bold voices of mainly fierce Filipinx femmes in my life and QTIBIPOC poets, crafters and emcees. I am informed by my friends who are my extended community, who are agitators, healers, teachers, and outspoken voices.
Ev: You clearly address dire issues in our society that seem to be brushed aside, what made you decide to rap and sing about them instead of following the same path others do? Do you think your identity plays into that?
Kimmortal: The late Filipino Canadian youth alliance based in Vancouver was one of the first spaces I witnessed and got connected to radical brown and black emcees and poets. Dagamuffin, a friend, and activist who passed away was an outspoken rapper who was one of many Filipino activists who pushed me to keep repping. I have experienced what it feels like to see someone represent on stage and feel reflected. I want that to continue in this art so that we all feel activated to create. I see how art is not just a tool for activating and educating people, but it is also a wellspring for us to get the energy to keep going.
Ev: That being said, what do you see as the biggest and most important issue you’ve addressed through your music and art and why do you think it’s the most important issue you’ve addressed?
Kimmortal: I think all the issues are really connected. I can’t talk about my relationship to being Filipino without talking about my relationship to being queer and fluid and an artist, etc… I think the power is in the sum of our layers. Sometimes shows are geared towards one aspect of our identities, like a queer show, or like a women of colour show… for the first time, I get to perform on a stage on June 16 that will be featuring Filipinx nonbinary artists based on unceceeded coast Salish territory, aka Vancouver, and put on by Pinoy Pride in Vancouver.
Check out Kimmortal as they headline a DIY Spring show this Wednesday June 13 at The Origin Arts & Community Centre featuring King Kimbit and Throne Seekers, more info here.
To the North is Lora Bidner’s first album, but she’s no stranger to the local music scene. The Ottawa native has performed at Ottawa Folkfest and Musik Ottawa, and collaborated with local musicians such as Raphael Weinroth-Browne of Flying Hörses and The Visit, who accompanies Bidner on the record. The album contains nine tracks, including a collaboration with JustJamaal ThePoet in “Ignite.”
The Carleton University music program graduate is clearly a multi-talented artist, who plays piano, guitar, ukulele, and synth on top of her vocals. The album, which was produced entirely in Ottawa, is an impressive feat for a solo singer-songwriter. While the songs vary slightly in speed and tone, each track flows seamlessly into the next. The more upbeat songs have the modern folk vibe of Young the Giant or Of Monsters and Men, but produce a more earthy sound caused by prominent strings. The distinct presence of violin adds to the haunting elements of many tracks.
What’s most impressive of the record is Bidner’s ability to manipulate her voice to perfectly suit not only her accompaniments, but also her lyrics and the general tone of each individual song. She has a soft, eerie voice, similar to Béatrice Martin’s of Coeur de Pirate. While the record is definitely emotive, her singing is calming and helps to create a highly intricate album that remains perfectly whole. Bidner’s seamless collection of tracks feels both emotional and uplifting, that is sure to give any listener a cathartic musical experience.