Five Years – Ottawa 2012-2017 Compilation
Back in May, we celebrated our five-year anniversary with a couple of shows at The Record Centre. That was a whole lot of fun, but we’re not quite done yet. Because why stop there?
Over the past five years we’ve had the opportunity to meet countless musicians in Ottawa, go to hundreds of shows, and really dig deep into the music landscape here. These artists continue to impress us, inspire us, and keep us doing what we do. It’s been our mission and raison d’être to support these musicians through coverage of new album releases, interviews, live reviews, and much more.
We’ve put together a compilation called Five Years – Ottawa 2012-2017 which contains music that has impacted us since Showbox started in 2012. This span of five years, in our mind, was a crucial period in the Ottawa music scene. More DIY musicians than ever before came out of the woodwork and made albums, and many were released independently without labels. Some music was underground, some wasn’t.
Different types of music pervaded throughout this period, demonstrating Ottawa’s potential hub in the Canadian landscape. Our hope is that this compilation will act as a snapshot of a strong and robust local music scene in Ottawa between 2012-2017, and allow folks to have a view into the music that came out during this period. It goes between garage, punk, hip hop, folk, and
While we could have double or tripled the size of this compilation with all the incredible artists out there, we kept it modest and capped it at 51. So while this list is encompassing, it’s certainly not meant to be comprehensive by any stretch. Please enjoy a free stream and download of the Five Years – Ottawa 2012-2017 compilation below.
A huge thank you to all the artists who contribute their music to this compilation, and to Pascale Arpin for designing such a good album cover. Enjoy!
The compilation is PWYC, and any proceeds will be donated to Girls+ Rock Ottawa in memory of Jean Sebastien Belleau. A special fund in his name has been established for the maintenance, repair and preservation of their growing instrument library, made in the spirit of honouring JS’ much deserved legacy as a passionate supporter of the Ottawa music scene.
OXW Day 4: Sally Ride, Empty Nesters, The Shiverettes, Toxic Thoughts
Photos by Sara Osmanovic
I managed to get to Ottawa Explosion earlier than expected and in time to hear the very last bit of Preemptive Eulogy. I was greeted very kindly by Sacha of Sally Ride and we stood together as the previous band finished.
While local band Sally Ride began to set up, photographer Ming Wu and I sang to “Don’t Stop Believing” and got into the great ‘which movie is better’ debate. There wasn’t a moment that afternoon where I wasn’t smiling and enjoying myself.
As soon as Sally Ride began, I jumped to action. They’re quite the “go with the flow indie band” that seemed to hold fragments of a bohemian soul within their sound. It’s the perfect sound for long summer road trips. In fact, it’s probably what you’d play while rolling down your car window and driving through a deserted valley area somewhere warm. This was their first show, and despite how nervous they were, they hid it well. The music was infectious and it became impossible not to dance or sway to the beat of the songs.
The vocals were smooth but not in a perfect and polished way, which added character to the performance. There was a keyboard being played for the first little bit but that dropped off and got switched out for another guitar. To really set the tone of their performance and give off a taste f their personality, they played the theme tune of Buffy The Vampire Slayer and someone picked up the task of bubble blowing for them during their light and airy performance.
After Sally Ride came the Empty Nesters, another local band. They didn’t particularly move around too much but their music made a mark. It’s the sound of gritty rock attic demos recorded on a cassette tape. With these guys, no two EP’S or albums sound the same. This time, they were loud, garage rock with soft voices that resonated across the courtyard and down the street. The band has songs that get softer and quieter, reduced to vocals, only to pick up with a loud booming sound and jump right back into a fully energized performance.
They’re full of distorted fuzz but in the most lively way, and they manage to keep the energy contained. It’s the music that you sway to and give no shits about the fact that you’re holding your beer and might spill it. They take you into their own world and away from the one you’re currently in. A sound with much reverb, a boisterous drum beat, and the perfect amount of discord thrown in, it offers a refreshing the garage rock scene.
It’s noise but it’s the noise you want to hear. The noise that will leave old folks waving their fists in the air and saying “those darn kids!” and leave you wanting to hear more of their hypnotic tunes.
A band from Calgary, AB, by the name of The Shiverettes played promptly after. They’re an angry feminist punk band that’s out seeking justice for the misogyny faced day to day. They’re a band that get you on your toes, and jumping around. Their songs expel immense amounts of energy and anger that the audience feels down to the core.
The band consisting of three females and a male drummer conveys the struggles women face in life such as the things asked when a women reports sexual assault, the catcalling that they have to endure on the streets, and fundamental rights being taken away or not taken seriously. The anger and frustration in the screams of the lead singer really convey the emotions that women hold rooted deeply and it projects onto the crowd so well that despite the catchy and punk power chords there’s an impact left on every member of the crowd. They scream in favour of those who don’t have a voice or can’t speak up about the pressing issues in society.
They’re aggressive, but not in your face. Their points come across effectively, and loudly. If you think women don’t have voices, think twice because this band will blow you out of the water with how powerful theirs is.
Toxic Thoughts is loud, angry, in your face, and aggressive all with good reason. They voice the volatile thoughts that we have about ourselves, though it’s more so on a personal level with them. They get the crowd roaring and throwing themselves into a mosh pit at an alarming rate. The drums are well played and clearly a good part of the backbone of the song structure. The guitar seems to follow the bass line and the way the mass of noise comes together to form something so beautiful yet so full of frustration leaves you in mystery of how much anyone had to go through to be able to produce what’s essentially pain packed into music. The band toys with controlled feedback and they have managed to tame that beast. Not only is it difficult to produce it unless you have the right equipment, but it’s also very possible for it to get out of control. Their song “The Void” really showcases this, making the controlled feedback the spotlight of the song along with the bass lines.
The amount of talent that extends to minorities in music and the many different genres the festival showcases, there is something for everybody to come see. No stone should be left unturned when it comes to this festival as there is something for everybody.
Peach Kelli Pop, Nightshades, & Toxic Thoughts at TARG
Photos by Ming Wu/Photogmusic.
When the matching jackets come off you know it’s Peach Kelli Pop time. It was a cold May night but the all-girl power pop group teleported us to a sunny SoCal beach.
Allie of Peach Kelli Pop was all smiles all night at House of Targ in Ottawa. Photo: Ming Wu
Fronted by a great local talent Allie Hanlon on guitar and vocals, Peach Kelli Pop, played a most excellent set during the all-ages show at House of Targ. There was a ton of energy and so many smiles, on stage and off the stage throughout the entire set, which is always the case when Allie comes home. Peach Kelli Pop played some great new songs, “Halloween Mask” and “$100 Bill,” and also played a cover of the Sailor Moon theme song, which Allie dedicated to “all the girls.” It also brought me back to grade four – the nostalgia was real. Allie also showed her love for House of Targ, “I feel like this place was invented in someone’s dream, it’s out of this world, it’s the perfect mishmash of things.”
Nightshades rocking out at House of Targ. Photo: Ming Wu
As Nightshades took the stage, their drummer Geoff Clarke looked quite frazzled and winded… and rightfully so. During Toxic Thoughts’ set, the opening band, Geoff chased down a couple of kids who threw a brick through the House of Targ window after being kicked out. Well done Geoff! The band then appropriately opened with “Teenage Fool.” There were some other great things about this show, other than Geoff’s sprint. It was their first show with a new bass player, Dean Morris of The Haig, and the band played several of their songs with a much different feel. Songs such as “London Bass” and “Broken Bag” have changed for the better and I am very excited about it. Nightshades also played several new songs and they are still super bass driven and I cannot wait to hear those new tracks some more.
Felix of Toxic Thoughts in the crowd raging with a fan during their set at House of Targ. Photo: Ming Wu
Opening the night was new local hardcore punk band, Toxic Thoughts. “Hello everyone, we are here to provide some interruption before Peach Kelli Pop,” said lead singer Felix Lahbabi-Granger. The last name Granger may seem familiar, as the band is led by Yogi’s son Felix and man does the kid have stage presence. He often jumped into the crowd to mosh with his friends while singing. The band is still a little raw, but there is much potential in Toxic Thoughts and I look forward to watching them grow.