It’s hard to believe that another year has passed and the RBC Bluesfest 2015 is upon us. Bluesfest has been getting better and better at including great local acts in their programming on the big stage, which for many artists is a dream come true. This year is no exception, as the festival has gone one step further to bring in more artists that are sure to rock the grounds at Lebreton Flats. Let’s dive right in with some previews of Ottawa-area musicians playing this year’s festival.
“DJ ACRO has opened for and shared the stage with a number of major artists including the likes of The Beatnuts, Mac Miller, Onyx, K.R.I.T, M.O.P, Smoke DZA, XZIBIT and a slew of other up coming and iconic Hip Hop artists.”
Bella Cat’s unique musical style has roots in soul and blues music, fusing genres and creating a sound that is distinctly her own. Her music will appeal to a broad audience, spanning all ages and tastes.
A must-see for fans of: Sharon Jones & the Dap Kings
If there’s one band in Ottawa that transcends genres, combines a myriad of musical styles, and has engaging and intelligent lyrical content, it’s BlakDenim. This eight-piece ensemble exudes energy on stage and are fan-favourites at Bluesfest, having played the festival in the past. Infusion of hip-hop, funk, rock, soul, and jazz.
A must-see for fans of: A Tribe Called Quest & The Roots
B&C is a three-piece high-energy, crunchy riff-driven roots blues band that are from the nation’s capital, but could just as well be from the heart of the Mississippi Delta. If you’re into raw vocals and let-loose blues instrumentation, these guys are the ones you want to see live.
A must-see for fans of: Jimi Hendrix & John Lee Hooker
Saturday, July 11 @ 3:30 p.m.
Monster Energy Stage
If you follow Showbox, you’ll know that this group is one of our local faves. Since enlisting some of Ottawa’s most talented musicians and reforming as a full band, this experimental “future folk” group has captured the hearts and minds of many in Ottawa. Pure brilliance.
Brandon Allan writes simple, heartfelt songs about everyday feelings and experiences. His brand acoustic folk/country rock is the kind that you can turn on and close your eyes to, as his soft yet searing melodies and lyrics leave nothing uncovered.
A must-see for fans of: The Weakerthans & The Tallest Man on Earth
Saturday, July 18 @ 3:30 p.m.
Barney Danson Theatre
Brea Lawrenson’s music will appeal to lovers of pop country, which is a lot of people here in the Ottawa Valley. Her voice can go from soft and warm to powerful and penetrating on a dime, so keep your ears out for her at the Flats.
This hip hop duo consisting of SawBuck and DJ So Nice has beatmaking and production of crowd-pleasing bangers down to a science. If you’re familiar with the club circuit or hip hop scene around Ottawa, you’ve probably moved your body to one or both of these guys.
A must-see for fans of: Jurassic 5 & Run the Jewels
Sturton has made a name for herself nationally as a musician and worked with artists such as Joel Plaskett, Al Tick, Rolf Klausener, John Carroll, as well as members of Sloan and Blue Rodeo. From Japanese garage rock venues to American juke joints, she’s got a pretty interesting rap sheet.
On top of being a very strong singer and songwriter, Sturton has become well-known for her proficiency playing the harmonica – she derives her style straight from the Mississippi of old, cutting her chops at local blues establishments and learning from harmonica masters such as Larry “The Bird” Mootham and Carlos del Junco.
This veteran has been making music since 1989 and has recently started writing new material after a hiatus. Raw blues rock inspired by the Chicago greats is the only way to describe the kind of music that Nelson makes.
This band is a truly special part of Ottawa/Hull’s music scenes. The band consists of members of Timber Timbre, Last Ex, and Scattered Clouds, creating disoriented and experimental art-punk with fractured arrangements.
A must-see for fans of: music that pushes boundaries, free jazz/post-punk
Calkuta, Bender & Patience have done it again, demonstrating why they’re one of the top hip hop acts in Ottawa. Their latest album, the 18-track High Priests of Low-Life, is another example of how talented this group is. Their music has an underground aesthetic with samples and production that are anything but amateur.
A must-see for fans of: Immortal Technique & Atmosphere
Wednesday, July 15 @ 8:15 p.m.
Monster Energy Stage
Grantly Franklin a.k.a G.Grand is a Showbox favourite. We just can’t get enough of his rhymes, especially when he collabs with his partner-in-crime producer Jeepz or other incredible Ottawa MC’s like Hyf the Gypsy Sun. If you’re into smooth, intelligent, and beat-laden hip hop then G.Grand is someone you don’t want to miss.
Shannon Rose has been making music for a few years now, and her full-band project – now called Gold and Marrow – is making serious waves in Ottawa. Rose has proven herself to be one of the foremost songwriters in the region, alongside others such as Amanda Rheaume or Catriona Sturton.
A must-see for fans of: Feist
Tuesday, July 14 @ 7:15 p.m.
Barney Danson Theatre
Callum Runciman and his band Grime Kings prove that music runs in the family – his sister Caylie’s band Boyhood has also turned heads in Ottawa. Grime Kings’ brand of lo-fi esoteric, fuzzy experimentations pushes the sonic limit and defies genre boundaries.
There is no other way to put it – HILOTRONS are a quintessential Ottawa band. Lead songwriter Mike Dubue’s influences are as diverse as they are obscure. The end result is album after album of relentlessly funky and imaginative songs, proving that Dubue is Ottawa’s musical mastermind.
A must-see for fans of: Talking Heads
Thursday, July 16 @ 8:15 p.m.
The man behind the epic FRENZY parties at Babylon, Iggy Smalls knows how to get things going. Don’t miss him play Diplo/Skrillex’s afterparty at Ritual tonight (July 8).
Joe Gaspar and his band put the “blues” in Bluesfest. Drawing on blues rock influences from the ’70s such as Cream and Led Zeppelin, the Joe Gaspar Band plays songs containing heavy riffs and intricate guitar solos of that era.
A must-see for fans of: Jimi Hendrix, Cream & Led Zeppelin
Ottawa-based singer-songwriter Kaleigh Watts finds beauty in simplicity by writing emotional and intense songs that create a truly incredible soundscape. Watts, who has been mentored by Juno and Canadian Folk Awards winner Lynn Miles, blends intricate acoustic fingerpicking with stirring vocal melodies.
“2009 Ottawa Red Bull Threestyle Champion, 4 Time Ottawa DMC Dj Battle champion, First title coming at the age of 15 years old. 2006 Canadian Team DMC Dj battle champions ( w/ Stylusts ) and competed at the DMC World Championships in London, England.”
“Kira Isabella has been performing her brand of up-tempo country music across Canada for more than a decade. Kira began dabbling in guitar and writing about love, life and boys. Initially, Kira delved into a variety of music, but when she discovered the likes of powerhouse country vocalists Shania Twain and Faith Hill, she knew she was hooked on country.”
Blending jazz, blues, and folk, Lucas Haneman has created his own sound and won many awards for his compositions. As an acclaimed fingerstylist and songwriter, Haneman and his band will be sure to get crowds moving at Bluesfest this year.
The best way to describe Lynne Hanson’s music is gritty, raw, and honest. It’s no surprise that she’s played shows in places like Memphis, Nashville, and Austin. With vocals that are on-point, songwriting that strikes to the core, and instrumentals that capture the soul of roots music, Hanson fits perfectly in such a stacked local lineup at Bluesfest.
A must-see for fans of: Caroline Herring
Thursday, July 9 @ 6 p.m.
Claridge Homes Stage
DJ Matt Tamblyn
Matt Tamblyn creates parties. If you’re one that scours town for places to get down, you’ve probably seen Tamblyn behind the decks at places like Parliament Pub or Mugshots. His repertoire includes SILK, Open Air Social Club, King of the Beach, and more.
MonkeyJunk are a Juno Award-winning modern blues rock band, proudly representing the nation’s capital across Canada. They have garnered a strong fan base internationally, touring Canada, the US, and Europe relentlessly. In just seven years, this band has become a Canadian staple.
A must-see for fans of: The Black Keys & Muddy Waters
This band takes neo-classical folk to another level, and have made a name for themselves internationally by creating beautifully textured and emotionally charged songs. Musk Ox create a rare brand of atmospheric, evocative, and harmonious music that resonates with our very core. This is a powerful, must-see chamber folk act.
This band plays the delta blues that would more typically be found in the deep heart of the Mississippi. A whaling harmonica, twangy hollow-body electric guitars, and raspy vocals – these guys are another band that keep the blues in Bluesfest going strong.
A must-see for fans of: John Lee Hooker & RL Burnside
Ottawa’s #1 party punk band, when New Swears perform mayhem ensues. Blow-up dolls, crowd surfers, whipped cream – these are all typical sights at a New Swears show. Do yourself a favour and strap on your seat belts, because this is one ride that’ll give you a concussion if you’re not ready.
These Ottawa veterans kick out serious jams, perfecting their crunchy proto-punk and garage rock sound that explodes from the stage. This three-piece band take us back to the CBGB’s era of early punk rock gods, and describe them selves as a cross somewhere between The Who and The Buzzcocks.
A must-see for fans of: Iggy & The Stooges, Fugazi
Another favourite of ours, Pony Girl creates intricate and consuming soundscapes. This is art-rock at its finest and it’s difficult to imagine a higher caliber of musicianship in this band. They will be playing many new songs from their upcoming epic Foreign Life, which has been about 10 years in the making.
A must-see for fans of: Broken Social Scene, The XX
Saturday, July 11 @ 7:30 p.m.
Barney Danson Theatre
This power trio is yet another Ottawa Valley blues rock band that is making waves in the region. I first heard of this band when I came across their cover of “Dust My Broom,” the perennial classic tune written by blues legend Robert Johnson (and also happens to be one of my favourite blues songs). Get your blues fill with RCJ.
The layered and intricate instrumentation, high-energy orchestral nuances, and Matthew Saint Clare’s unhinged vocals that can only be compared to those of Frank Black of The Pixies. All of this melds into the distinctive sounds that Saint Clare create together. However motley a crew they may seem, their heterogeneity makes for a potent combination when such strong band chemistry exists.
If you want catchy, sexy, danceable rock music, then Silvergun & Spleen is the band for you. With an electric stage presence and an attitude that will smack you in the face, this band is ready to let loose and take on the big stage for the first time. Get close, but not too close – S&S will set the stage ablaze.
The Haig have a sound that is not easy to describe, and that’s why we love them. It’s a little bit of ’90s alt-rock/grunge mixed in with a twisted horror film. Their full-throttle rock has taken Ottawa by storm and propelled the band to great heights.
A must-see for fans of: Queens of the Stone Age, Radiohead
“Formed in 1989, The Jivewires have jumped many musical and national borders. Taking their music from the jazz and satire of the ’40s and ’50s greats Louis Jordan, Cab Calloway, Wynonie Harris, and Louis Prima, The Jivewires throw a new spin on the Jump Blues tradition.”
A must-see for fans of: ‘Swing’, Louis Jordan & His Tympany Five
The Reverb Syndicate are Ottawa’s premier, and maybe only, instrumental surf and go-go band. The band’s bio perfectly describes them as “reverb-drenched surf/spy-fi sounds to accompany ’60s spy films, westerns, sci-fi films and old school video games that don’t exist.” You have to see to believe.
“A rock band with few genres barred, The Superlative mix their rock with reggae, ska, pop, punk, funk, blues and more. They consistently surprise crowds across Canada with their genre-bending shows. The band embrace the rock elements many of us know and love, while putting a unique new spin to each song they write.”
“The Visit is Heather Sita Black, a vocalist unchained, and Raphael Weinroth-Browne, a powerful cellist. Together they form a self-described defiance of genre, so terms like chamber or polystylistic don’t really fit the bill. The closest long-winded definition might be experimental/avant-garde classical.”
Thrifty Kids are one of the most exciting new bands in Ottawa, and have received high accolades for the few releases and shows they have played so far. Their atmospheric and relaxed sound makes them a perfect summer band, the kind of music you want to listen to when the sand is between your toes. Keep an eye out for this band, as they are getting set to do big things.
If there’s a list of bands that keep deep Ottawa’s folk roots going strong, Winchester Warm would be on top. Following in the footsteps of local greats such as Snailhouse, Jim Bryson, and The Acorn, WW’s beautiful vocal harmonies, irresistible arrangements, and heartfelt lyrics make them another addition to this city’s incredible list of folk greats.
The Yips are another favourite of ours, playing loud and fuzzy “ouija rock” – a term they coined for their distinctly creepy, overdriven garagy sound. The Yips’ shows are wild, with “rave ghosts” always appearing with sheets over their heads and letting loose. Don’t miss out on what one of Ottawa’s best bands has to offer.
A must-see for fans of: FIDLAR, Thee Oh Sees
Friday, July 17 @ 6 p.m.
“Specializing in soul music from the past, present & future from the world over, Zattar has been moving ‘soles’ since the dawn of the 21st century. Syncopated drums with a touch of nostalgia are his sounds of choice. Bringing many years of music knowledge and crate digging to every gig, expect the unexpected.”
As the Ottawa winter begins to slowly fade away, spring is trying its hardest to break through the permafrost and show signs of warmth, life, and colour. In our city that also means something else – festival season is approaching. The Doldrums Music Festival celebrates the onset of the spring season with great local music, rejuvenating the weary souls of our city after the long cold. This weekend (March 27 & 28) marks the fourth year of Doldrums Festival and just as a tulip’s bulb slow doesit has grown into something special.
The Doldrums Music Festival was founded in 2011 by Lucas MacKenzie, a member of the formerly Ottawa-based band New Teeth. Winter can be pretty drab in Ottawa by February, and MacKenzie felt that there was a distinct lack of music scene festivities during the winter. Why should people resort to clinging onto their couch in front of a space heater in the dead of winter? Why not give them a reason to go out, get together, and brave the weather for the sake of great local music?
Although MacKenzie now lives in Toronto, the festival continues under new management. This year’s organizers Peter Zachar, Andrew Grosvenor (both in Those Gulls/Decathelete), and Gavin Dyke (Black Dogs) are all in bands, which offers them the same perspective that MacKenzie had on running the small festival. Not only that, but Zachar and Grosvenor also run Ringbill Records and have their own studio which they call “The Nest”. Zachar explains:
As musicians, we’ve approached Doldrums with an eye on what we love about it, and how we can expand on those aspects. Part of that has been increasing its visibility through local sponsorships and collaborations, and part of it was making it a more compact and streamlined event.
The Doldrums Music Festival is essentially two nights of music hosted at separate venues, and each offering a different musical “theme.” This makes the festival more accessible to a wider base of music fans, perhaps even drawing some to experience bands live that they might not have seen otherwise.
Friday, March 27, takes place at Pressed on Gladstone and is more of a folk/blues-rock bill. The lineup is impressive, featuring local heavyweights Winchester Warm, Tindervox, Black Dogs, and Riishi Von Rex. We sometimes forget that event organizers are music fans too, and Zachar made it clear that they were more than happy with how this year’s festival came together. “Honestly, the lineup for this year’s festival came from us getting in contact with some of our favourite bands in Ottawa (emphasis on some, we love a lot of music), and them saying yes,” he said.
Saturday, March 28, will take place at Club SAW and feature a very eccentric collection of local bands. The lineup pushes genre boundaries and includes the varied talents of Big Dick, Ornaments, Pith and the Parenchymas, and Dreamphone. From post-punk to experimental psych-rock, this bill is packed with some of our favourite bands in town. If you are someone who is willing to test new waters and go into something with an open mind, Saturday’s event at SAW will provide you with a grouping of the weird and the wild, and is sure to have patrons leaving with their jaws hanging.
When I asked Zachar about the challenge of competing with other festivals in a near-saturated market, he offered a very interesting perspective.
Thinking about it in terms of “competition” is the wrong way to go. We recently had the Megaphono festival, and a large part of that was equipping artists with the right philosophies to succeed, which I think is very important. The new vision for Doldrums is to provide tangible benefits directly to the artists. For example, this year we started a collaboration with the local blog Sometimes Always, wherein we produced short interviews with the bands playing the festival. These of course helped us raise the profile of Doldrums, but more importantly they provide something that the bands can take with them, add to their media kits, and benefit from longer-term. It’s a first step, and moving forward we’re eager to grow this aspect of the festival in collaboration with Sometimes Always and other partners.
If there’s something to be said about the Ottawa music community, it’s that this fraternal mentality of succeeding through collaboration is very pervasive. Zachar recognizes the benefits of locally-run festivals for small time bands, but also the importance of those bands in creating a strong creative community by which more of these grassroots events can happen. Who knows? Maybe even more people will come out and discover more of the incredible music this city’s artists are producing.
Below are some videos made with Ottawa music blog Sometimes Always, Pierce McKennirey conducts some great interviews with bands involved. Be sure to have a look!
Day two of MEGAPHONO took me to Hintonburg to venue hop between the Elmdale Oyster House and The Record Center to see Jim Bryson, Her Harbour, Winchetser Warm and Jack Pine and the Fire.
Jack Pine and the Fire kicking things off at Elmdale Oyster House during MEGAPHONO in Ottawa, ON. Photo: Eric Scharf
The afternoon began at the Elmdale Oyster House for some delicious seafood and Jack Pine and the Fire. I settled in at the bar, ordered some delicious curry mussels, and watched some great twangy country music with deep roots influences. The slide guitar and stand up bass accompanied Gareth Auden-Hole’s vocals and acoustic guitar just right. The songs covered a wide range of country topics and it felt so right considering we were sitting in what used to be a tavern. Songs like “Credit River” about drowning in debt, “Home” about going back home, and my favourite “Lost in New Orleans,” about consuming all of the things you probably shouldn’t, as well as being about love.
Winchester Warm were the soundtrack to my delicious meal at Elmdale Oyster House during MEGAPHONO in Ottawa, ON. Photo: Eric Scharf
As I worked my way through my final mussels (I am salivating just thinking about how tasty they were) another local group, Winchester Warm, took to the stage. The four-piece kept the great vibe going with their indie-folk. Winchester Warm played a bunch of solid tracks of their latest album, Belle Attente, including the title track, “The Great Fall” and “Like an Anchor.” With the big overhead light above him, lead singer and guitarist Jonathan Pearce said, “This light is very inquisitive… I didn’t do it.” What he did do was play a wonderful soft set and delighted a standing room only Elmdale Oyster House.
Just before making my way to The Record Center for Jim Bryson, I had to have some oysters, because when in Rome… My oysters arrived promptly, some from British Colombia and some from Massachusetts. With them came a plethora of options to top them; fresh horseradish, lemon, three hot sauces, three Tabascos, cocktail sauce, a house sauce with shalots, salt, pepper and garlic I believe, as well as a vinegar shaker with scotch in it. Do they ever do it right at the Elmdale.
Jim Bryson playing to a packed Record Center during MEGAPHONO in Ottawa, ON.
With some oysters in me it was time to run across the street to The Record Center and catch Jim Bryson. It was my first time there since renovations and did they ever do a great job. There is now a wonderful space at the front of the store where they can set up a band on one side and a DJ on the other, a very cool addition to the city. Jim Bryson also likes the place, but had one little criticism: “It’s really nice to play here, I bought my receiver here, I love this place. My only complaint is the microphone smells like a dirty bum. I mean a nice smelling mic is just regular maintenance I don’t expect a record store to do that to their mics,” said Bryson. He concluded with “So it’s not me , it’s the microphone.” Bryson has been playing solo for 15 years now and doesn’t grace a stage in Ottawa often enough in my opinion, so it was such a pleasure to see him live. Topping off the simple joy of seeing him perform, was the fact that he played my favourite track, “Constellation,” off the album The Falcon Lake Incident, an album where he teamed up with The Weakerthans. Bryson concluded his set with “The Depression Dance” a song where he masterfully used pedals to loop his guitar over itself giving the impression that we were watching more than just one man and a guitar in a record shop.
Her Harbour playing the Elmdale Oyster House during MEGAPHONO in Ottawa, ON. Photo: Eric Scharf
Racing back to the Elmdale I was able to catch the last three songs of local gem Her Harbour. If you still haven’t seen or listened to Her Harbour you are truly doing yourself an injustice. Gabrielle Giguere’s powerful haunting voice reminds me of the voice of a siren luring you into her music. The music is dark, eerie and very emotional as Giguere strums her auto-harp and her band members add in just the right complementary subtleties. I walked in just in time to hear a new song, “Details of the Seaside” followed by the always wonderful “Cold Half Moon.” My afternoon of music concluded with a lovely song, “Bridge of Sighs” that had hints of a dark and haunted western to it.
The intimate ambiance of Pressed on Friday, July 25th couldn’t be more welcoming to the evening’s concert, celebrating the release of Newfoundland-native Jon Hynes’ debut album, Watchful Creatures. A lone flickering strobe light, candles in the windows, and the warm glow of many familiar faces in reunion made for a sentimental night for Hynes and his Ottawa fans.
Opening the night was Jonathan Pearce of indie-folk band Winchester Warm, in a solo performance of the band’s newly released album, Belle Attente. Pearce seems to embrace the nostalgia that colours his voice, confessing to carry “the sound of faded cheer”. Balmy confessions would be peppered with the occasional variation in tempo, keeping the audience aware of Pearce’s nuanced intersection of genre and scene.
Pearce’s vocals carried a distinctive tone that was easy to associate with happy gatherings, but shaded with an anticipation for remembering before nostalgia has been given a fair chance to set in. Filled with longing, hope, and cherished memory, Pearce radiated with his heartfelt performance. As he progressed through the Belle Attente set, new arrivals joined the audience and drew closer to the stage, charmed by the genuine friendship of a community that could unite over a fellow artist’s completed work.
In a snappy transition from Pearce’s introspective set, Callum Runciman and Jimi Vanwassenhoven performed a spirited set as one half of Ottawa’s Grime Kings. Runciman and Vanwassenhoven channeled the infectious energy of garage rather than the cosmos promised by an introduction of the band as space pop. The band’s latest abum, Honeymooning, reveals the full extent of Grime Kings as a versatile group with a tendency towards noir neo-psych, comfortably fitting in with the likes of Tame Impala or Temples. And while the instrumental accompaniment of the Kings’ second half was missing, there was no lack of aggressively layered percussion and cleverly disguised, sensual rhythms of funk to indicate that the Grime Kings are without a doubt a local band to pay close attention to.
In the focal conclusion to the night, multi-instrumentalist Jon Hynes (Evening Hymns, The Hidden Cameras) took the stage in the accompaniment of some of Ottawa’s most familiar musicians: Pat Johnson and Rolf Klausener of The Acorn and Silkken Laumann, Sarah Bradley of Fevers, and David Banoub of Yuma County. There was an undeniable note of celebration in the riling anthems passionately delivered by Hynes, as the collective performed the entirety of Watchful Creatures.
A new addition to Ottawa, Hynes endeared himself to the crowd with simple, honest lyrics. “Paid to act like a trickster while being a traitor,” sang Hynes in “Sea Diver”, restless between punk disillusionment and soulful confession. Throwing in a tribute to Ottawa’s most excellent reputation for heckling, Hynes was well matched with the harmonies of Klausener and Bradley. Keyboardist Bradley herself was captivating with her attentive, clearly emotional performance.
A communal attempt at singing along to “Opinion Piece” succumbed to the soothing tone of Hynes’ mounting melodies. The sparse percussion of “One More, Californa” built back the energy of an entranced audience. Called back to the stage for one last song, Hynes performed an ambient and airy solo that united two dancers between the stage and audience.
While he has been attributed with a “shimmering” quality to his sound, approached most closely in the brief prelude of “Forever, Kathleen,” John Hynes remains within the moody grasp of indie rock. Hynes fused elements of both Pearce and Grime Kings for a balanced and promising conclusion to his album release party.The visible passion for performance, the sheer physicality of delivering song after song, and the diversity of each artist’s individual projects united everyone on stage and in the audience in celebration of Hynes’ achievement.
Ottawa’s in the midst of the solstice as I type, the summer has previewed its heat just as we’ve tried to preview all the festivals & shows, not to mention the cool new music popping up everywhere like mushrooms. Now we’re all left with the task of choosing what to go see. Well if you can’t make up your mind, or you are frozen in place by the fear of missing out, or you’d much rather just stay in for the first evening of summer, we suggest some warm music for this hot season.
The four lads that are Winchester Warm have released their sophomore album at the start of the month. The band doubled in size from its debut album, when it was just Jonathan Pearce & Matthew Godin. Sky One Room came out in 2010 with the simple and full group sound of Pearce on guitar and Godin on drums, both singing. Their repertoire has since swelled with Matthew Corbiere on guitar and Michael Zorn on bass for this year’s Belle Attente, which came out on June 6. Will the trend continue? Will Winchester Warm double in size for the third LP? At that rate their sixth studio album will rival most symphonic orchestra memberships.
Although it’s their second album, it’s the first available on vinyl! Despite the fact vinyl is making a comeback (perhaps single-handedly because of these “ultra LPs” rearing their heads), wax is still a pretty nostalgic medium for music. Perfect for the indie folk rock here that has a serious nostalgic undertone throughout. “Just Sit Back,” “This Old Fight,” and “The Great Fall” all have just the right amount of country twang and plaintive lyrics to exude melancholy but they are also in their own way uplifting. The Preston Street Kitchen Choir helped build momentum on “Like Hell” which terminates in long, beautiful chants. The entire Belle Attente seems to culminate into a peak in “Too Late.” This song I’ve had stuck on repeat as its instrumental build-up brings the album to completion.
It’s a fun album, one which I hope to see played live soon, because this was another June 6th event that I could not attend… (There were so many things going on in Ottawa that night but I attended my 15-year-old cousin’s Goldilocks Project Wild Bites EP release in Sainte-Agathe-des-Monts, QC. The kids are killing it!)
Winchester Warm will always push hard to promote their work, as Pearce & Godin did in slightly nippy January 2011 with an intensive two-week Maritime tour for their first album. Their melancholic theme is always overshadowed by an optimistic pop, layered with lyrics that vary from cryptic to fanciful. It’s good driving, chilling or whiskey-sipping music. Now, I don’t mean whiskey-quaffing or even whiskey-chugging, and that’s probably for the best anyway. Solstice weekends have a strange pull on people — most of us start acting like werewolves despite no full moon. You know how the heat gets to our heads… Sometimes these weekends are best spent in your own space, with a new album to discover. I suspect most people will increasingly enjoy this album the more they listen to it, and will discover a different song here & there is their new favourite. Between the start of this review and this line, I’ve discovered “At The Window” to be my new fave. There’s something to be said for that.
May the music be good to your ears and the sun be good to your gardens. Happy First Day of Summer to all!