As thousands of music fans descended on Lebreton Flats to kick off this year’s RBC Ottawa Bluesfest, the sweltering heat weighed heavily on all of us as we waded through the crowded bottleneck lineup to get in. With only one entrance this year, and a laundry list of new security measures being implemented, it came as no surprise that there would be shoulder-to-shoulder crowds to get in.
After managing to simmer down a near-fistfight between a couple high school bros, we made our way through the increasingly frustrated crowd and into the grounds. The security lineup at Bluesfest is quite possibly the worst place to get into fisticuffs, for obvious reasons. The humidity remained pervasive throughout the entire night, and the only saving grace was a wisp of the occasional breeze and some ice cold beer. Well, and Bryan Adams, too. And water. Lots of water.
It should be noted that there is only one main stage this year, which somewhat condenses the festival and crowd. An interesting change, but it didn’t seem to take away from the good vibes and smiles seen throughout the grounds. I opted to check out Bryan Adams on his ULTIMATE tour because I had seen Passenger at CityFolk a few years back, and had never seen Bryan.
As we made our way to the stage, he and his band were playing one of my favourite tracks—”Run to You.” That guitar riff is so bad ass, I don’t care what anyone says. All those who used to play Grand Theft Auto: Vice City on PS2 know what I’m talking about. Adams started the set with the energy and enthusiasm of an early 20’s millennial—cool haircut included.
The set progressed with a distinct fervor, only to be obtained by a veteran performer who not only knows how to please crowds and write good tunes, but still deliver explosive performances as he enters his 60’s.
Is Bryan Adams Canada’s Bruce Springsteen? I don’t know. Probably not. But the comparisons are there, and I’d be lying if I said he didn’t blow my hair back last night.
At one point he told a story about how he had lived and gone to school in Ottawa for several years. He said “when I was coming through security to do this show, a police officer stopped me back stage. I said I was the one singing tonight, and he said ‘Oh, I know.’ We used to go to school together.” It was obvious that he was enjoying his time in Ottawa on this night, as he took videos and pictures with his personal phone, and even brought a lucky audience member on stage for a selfie.
He continued with some more smash hits from the 80’s and 90’s such as “It’s Only Love,” “Can’t Stop This Thing We Started,” and “Cloud #9.” I had assumed that all the youths had gone to the Black Sheep Stage to check out Passenger, but to my bewilderment there were plenty of teens and 20-somethings belting out Bryan Adams tunes. Maybe dad’s road trip music selection isn’t so bad after all, eh kids?
When the opening chords to “Heaven” started, the crowd let out a collective and romantic “ahhhh” sound. I don’t know what this means, but everyone knew the words and I almost felt like I was at a giant high school dance where everyone was just too afraid to find a slow dancing partner. I also have a good friend whose father swears that all Bryan Adams songs are just different renditions of “Heaven,” so I was also listening carefully to test out that hypothesis for science. More on this later.
The closest Bryan Adams came to Bruce Springsteen-level was when the band broke out into “Summer of ’69.” What a jam. We all belted out the words with pride, and even though Adams was only 9 years old in the summer of 1969, it’s one hell of a song. Arm in arm, with huge smiles, the crowd’s energy resonated on the stage as the band sent it right back out through the speakers. The stunning imagery on the backdrops was well crafted, and added a lot to the show as well.
The set seemed to climax there, sadly. My friend and I looked at each other and wondered what other hits he could possibly play. They dove into Everything I Do (I Do It For You), which was basically the lovemaking theme of the 90’s—sorry, millennials, you didn’t just pop out of nowhere. It is such a cheesy song, but dang it’s so romantic.
The rest of the set was unspectacular, to be honest. There were just no more hits left. The emotion and zeal present in the first half dwindled, but the crowd stayed engaged until the end.
To go back to my friend’s dad’s “Heaven” hypothesis. I swear that three of the five final songs of the set sounded exactly like “Heaven,” just arranged slightly differently. So, he certainly has a diverse repertoire, but Bryan, you gotta move beyond the “Heaven,” man.
As the set tapered off, Bryan Adams played “18 Till I Die,” which oddly enough included a graphic on the big screen that just said “DIE.” Has Bryan Adams gone emo? Why so dark? All jokes aside, the song was actually fun and there were other words that came up as well, such as “18 Till I.”
Els got some great shots from the night, but we weren’t allowed to shoot Bryan Adams. Check out the gallery below.