Over the past few years, Partner has taken the Canadian music scene by storm. Their sound is bold and unwavering, meeting at the unsuspecting intersection of classic rock riffs and 90’s grunge. Consisting of BFF’s Lucy Niles and Josée Caron, Partner is breaking down barriers and paving their own path. One show after the other, they satisfy exuberant and voracious crowds with power moves, electrifying riffs, and unimaginably catchy hooks that reel you in forever. Coming off the release of their brand new record In Search of Lost Time (You’ve Changed Records), I had a great chat with Lucy and Josée which you can read below.
Partner is playing Beau’s Oktoberfest in Van Kleek Hill this Saturday, be sure to catch their high-energy set at 4:30 pm on the Main Stage. More info here.
Interview with Partner
You’re playing Beau’s Oktoberfest this weekend? Have you ever been to an Oktoberfest before?
Lucy: We’ve never been to one before, but apparently it’s a really fun time with lots of schnitzel. Yeah, I mean hopefully we’re around there long enough to check some cool stuff out. I’d love to catch the Planet Smashers for nostalgia purposes. Also, our friends Julie and the Wrong Guys. Them for sure, and we’ll get stoked the day-of and hopefully catch more.
Your new album In Search of Lost Time was recently featured on Pitchfork. Do you take album reviews to heart?
Lucy: We usually only take them seriously if they’re favourable. Because if they’re not, then we’re like “Welp, some people have a bad sense of humour.” Sometimes we’re sad when people don’t get it, but then we get over it.
Josée: Most people have been super, super nice.
Lucy: Some people say the skits aren’t funny, but that’s the most negative thing they say. They just don’t get it!
You’re live show is full of energy, and people seem to go nuts when they see you play. How much do you feed off of that?
Lucy: It feels great. We love attention. It’s feels so good when that many people are paying attention. We feel very powerful. It’s just so fun, everyone’s partying together. We get into crowd and intermingle with everyone.
Do you have any go-to moves on stage?
Lucy: Josée has a little step that she gets on. Sometimes I’ll do the splits by accident. I have a new one where I just spin around in circles a bunch. They usually come naturally and then we just keep using them, and keep them in our toolbox.
I saw you had some family come to the SappyFest show. Do your folks like coming to see you play?
Lucy: I think Josée’s parents have seen us like six times this year. My parents live in Labrador so they don’t see us as much, but they all go to every show whenever they can. They’re pretty much super-stoked, always.
You’re based in Windsor at the moment. How much time have you spent there?
Lucy: We’ve been here for about a year. There’s a few cool things here, like the guy that rides backwards on his bike. There are a lot of sights to see for sure. There’s a gay bar that I recently went to with a secret patio.
Josée: Detroit. It’s right there.
Lucy: Oh yeah, that too. And there’s a billion antique stores. There are a lot of Neverending Story-type antique stores that probably have some magic talismans inside them, you know?
Josée: When we’re rich we’re going to move to the bigger city.
Lucy: Yeah, like even a closet costs $800 in Toronto, it’s crazy! I mean, we probably would live in a closet if we had that much money, but you know.
You have a connection to Sackville, NB, and SappyFest. Do you have any specific memories of the festival?
Lucy: There’s always like 100 things going on at once. You’re never going to get to experience everything, you just have to go with the flow. Multiple cool shows, and multiple cool groups of people doing different things. Just go where the wind takes you, that’s the best advice. As for specific memories, I don’t know, we have so many.
Josée: There was that year you broke your glasses…
Lucy: Oh yeah, that was a horrible memory of Sappy. I went crowdsurfing and broke my glasses. I couldn’t see, but it was a miracle because people helped me out and guided me around because I couldn’t see. We’ve been to every Sappy since Sappy 5, and it’s just consistently awesome. But yeah, it’s a such a neat vibe being there and that’s why people keep coming back. Those who have been there know what I’m talking about.
What does it feel like to get the new songs out into the world? They must have been brewing for a long time.
Josée: It’s great to have them all out now, and it’s kind of a weight off and on our shoulders. Now we can move on, a lot of these songs are so old.
Lucy: For us, it feels like we’ve beaten these songs to death in our minds!
Josée: It really does kind of feel like we’re presenting something that was written three years in the past, so it’s exciting to move forward. We didn’t want to sit on the songs that long, but it really was just how long it took to make the thing. Once The Ellen Page and Hot Knives came out as singles, we had those for a while but they weren’t exactly what we wanted for the whole album so we had to gather our resources, apply for grants, figure out a label, recording, all that. And since we didn’t have a whole lot of time for pre-production, lots of work happened after the studio, which when mixed with touring, was a lot of logistical stuff to consider.
What’s your next step as a band?
Josée: Just keep writing!
Lucy: Yeah, just gotta keep writing. We have a couple new tunes for our next album already. Lot’s of touring too, we have some good shit lined up for the fall and new year. We’ve playing quite a few shows in the States, too, because the mid-west is pretty close to where we are. And New England, too.
Do you find touring in the US different? Particularly given the political climate?
Lucy: I mean, it does feel different, but people are always super cool punks just trying to have a good time. They just have a shittier go because they don’t have stuff like health care available, and it’s a more precarious existence. But yeah, everywhere you go it’s the same thing, people helping other people put on shows and have fun with it. We’ve stayed with awesome people everywhere we’ve been, so I guess we’re not so different after all.
I think I saw Lucy walk by and cheer at Sappy Karaoke while my girlfriend was belting out Shania Twain. Are you big fans?
Lucy: I don’t remember the karaoke that well, but we love Shania. I think she was the first non-gay person that we were obsessed with, as children and then also later as adults together. She’s #1.
Beau’s Oktoberfest kicks off this weekend, Sept. 22-23, in Vankleek Hill, just under one hour outside of Ottawa. It is an epic two day celebration of craft beer, local food and of course music.
We have been going for years now and having the best time year after year. Last year members of Showbox entered the team challenge and came out victorious. We will be defending our title this year if you happen to be around early Saturday morning.
More importantly, we figured that this year you should get to know the bands that will tickle your ear drums while we suggest beer pairings, suds, that will also tickle your taste buds. Here are some of our recommended pairings:
Flight Distance with Three Knocks
Friday – 7:00 PM on the Black Forest Stage
Flight Distance seem like the odd band out as the only hip-hop act playing the festival. This makes them a rare breed in the midst of all the rock and roll, which makes pairing the trio with Three Knocks, a special, rare version of a German-style altbier perfect. I know they won’t be intimidated at all and will carry the flag for Ottawa hip-hop with pride when they hit the stage. So while they spits slick bars you should hit the bar yourself and get wild and freaky with Three Knocks.
NOBRO with Spiced Principle
Friday – 8:20 PM on the Black Forest Stage
My favourite song by these rockers is “Call The Doctor.” Spiced Principle is a complex and lively beer which features a mortar and pestle on the label, tools traditionally used in pharmacies to crush various ingredients to fill your prescription after your visit to the doctor. So take a trip to the Black Forest Stage to come rock out to NOBRO and sip on some Spiced Principle to cure what ales you.
John K Samsom and the Winter Wheat with Maple Rush Porter
Friday – 8:45PM on the Main Stage
Sure pairing the Winter Wheat with a wheat beer would make a lot of sense here, but John K Samson, formerly of The Weakerthans and Propaghandi, is Canadiana and Canadian-indie music at its core. And what is more Canadian than maple coffee beer? Nothing. So Friday night when the sun goes down and you’re ready to be swooned by the lovely musical stylings of John K, order yourself a Maple Rush Porter and toast this living legend of Canadian music.
Dead Tired with Vambrace
Friday – 9:15 PM on the Black Forest Stage
A Vambrace is a piece of armour, most specifically a piece that protects the arm. Now I don’t know how much a pilsner will protect you, but you certainly might need some armour to survive the onslaught from this hardcore band lead by former Alexisonfire frontman George Petit. I do however know that this crisp, refreshing and easy drinking beer won the 2016 Beau’s Oktoberfest homebrew contest and will make for a great late night drink while you headbang to Dead Tired.
Jon Creeden and the Flying Hellfish with Lug Tread
Saturday – 3:45 PM on the Black Forest Stage
The Lug Tread is Beau’s flagship beer, tried tested and true. This makes it the ideal pairing for Jon Creeden and the Flying Hellfish as they are an Ottawa Showbox favourite who are always refreshing, never disappoints and great at anytime of the day, just like Lug Tread. So make sure to be there early enough on Saturday to enjoy this pairing under the hot afternoon sun.
Partner with Farm Table: Hopfenlager
Saturday – 4:30 PM on the Main Stage
The Hopfenlager is taking something common, like a crisp and refreshing lager, and spicing it up with herbal flavours and aromas. Partner have taken rock and given it their own original fun take, while breaking down barriers and also spicing it up with some herbal aromas from time to time (check out their song “Everybody Knows You’re High”). So try a new beer while enjoying a new twist on an old classic.
Julie and the Wrong Guys with Jänis
Saturday – 5:30 PM on the Main Stage
First off a juniper beer named Jänis just has to be paired with Julie given that I’m a sucker for alliterations. Julie is of course Julie Doiron, an award-winning Canadian singer-songwriter from the Maritimes, who along with her band will continue to rock the main stage following Partner. The music will make you bob your head and even hop up and down, possibly like the rabbit on Jänis’s label.
The Planet Smashers with Parliament of Trees
Saturday – 6:45 PM on the Main Stage
Parliament of Trees’ label has a space ship on it and the beer has a hint of campfire in every sip. The Planet Smashers are one of Canada’s greatest and longest standing ska bands around. Their super fun approach to ska will make you want to dance and sing, the perfect activities for around a camp fire with friends.
The Creeps with Sergeant Stripes
Saturday – 7:50 PM on the Black Forest Stage
This export stout is dark as the night and deep in flavour. It promises to keep you warm while the ghastly punk rock stylings of The Creeps give you shivers under the moonlight. This beer and band pairing might just have you howling at the moon as you cap off your Oktoberfest 2017.
For more information on the beers themselves, click here.
We hope everyone attending has a wonderful, safe and responsible time at Beau’s Oktoberfest. And for anyone that doesn’t have a ticket yet, I believe some are still available here.
It is that wonderful time of year again when you know all that matters is going to the punk show with your friends. Yes, Ottawa Explosion is back for its 7th year and once again mostly situated at Club SAW.
On day 2 I took in eight bands and could not think of a much better way to spend the last day of my 20s, surrounded by great music and even better people.
Headlining the night was Ottawa’s very own Crusades, which happens to feature Emmanuel Sayer, one of Ottawa Explosion’s organizers. Emanuel opened by saying “RIP JS, it is weird not being pelted by beach balls right now,” referring to last years show where JS had ordered black beach balls and decorated them with friends, just for the Crusades set. It certainly is weird not having our lovable JS around for those types of funny moments. If you see people sporting Hawaiian shirts, they are most likely doing so as a tribute to our good friend who left us too soon. Crusades put on a ripping set as always, I just can’t get enough of their style of heavy punk rock featuring three very distinct vocals. The band was celebrating seven years just like the festival, and as they prepared to play their final song, they were stricken with technical difficulties. Emmanuel simply said “We have been a band for seven years…” hilarious way to cap off the night.
Setting the stage for Crusades in the dimly lit Club SAW was Edmonton’s post-punk act Rhythm of Cruelty. This band is like no other I have ever heard. Their blend of ambient with post-punk and synth is pretty wild, but then when they add in a trumpet and loop it, it blew my mind. It might have a been a little too drone-like for the masses, but I was very impressed and would love to see them again.
Also playing inside was Sudbury Ontario’s greatest export, Strange Attractor. I believe the band has played every Explosion and always fast and hard, like everything they do. They barely have any songs over two minutes long and cram as many as they can into every set with ferociousness. One of the great things about a festival like Explosion is the bands generally stick around and watch other bands. And nothing is better than seeing a band you just watched (Lonely Parade) front and centre jumping, singing and all around losing it to another band.
Getting things started for the late-night indoor portion of the show was Black Tower. They brought us inside and delivered the metal as they summoned ghouls and ghastly creatures from Explosions past. Erin Ewing’s vocals sends shivers down your spine for all the right reasons when she unleashes the darkness within with a banshee-like flexing of her vocal cords. They are the perfect band for fans of punk, metal, and Tolkien-style fiction.
Partner from Sackville, New Brunswick (SAPPY FEST!) headlined the outdoor portion of the night. A lot of bands enjoy playing music live, but very few bands demonstrate that happiness and fun as clearly and openly as Partner. They are out there having at riot at every show and just loving life. It was raining pretty hard during their set but that did not deter them or the crowd, we simply huddle in tight under the tent, the band even giving up much of their space to make more people comfortable. They played a bunch of great new songs off their latest release Sounds of the Future, which is named so as the songs will eventually appear on the next full-length album. The highlight of the show for me was when they stopped during “Gross Secret” to ask the crowd if they had any secrets to share. The crowd was hesitant at first, but then Anthony Cardozo emerged from the side of the stage to happily admit he still picks his nose. The crowd cheered loudly and then more people started telling their secrets. Way to go Tony.
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Lonely Parade from Peterborough, Ontario also rocked the outdoor stage at Club SAW. They get better every single time I see them. It has been really awesome watching this band grow having seen them several times over the past few years. They played a lot of new songs, which they jokingly called “new song 1” then “new song 5.” These new tracks really show off the bands progression and evolution. Don’t get me wrong – I love their earlier songs, but the new ones are very tight, rocking and just have that little something extra.
Montreal’s Towanda also played. This sludgy three-piece from Montreal really rip it up. While many may focus on the guitarist, I was really impressed with their super solid drummer that really drives the music. That said, the lead singer and guitarist lives to shred and does it quite well. She also sports a scowl all set long making it just that much more intense. This band would pair perfectly with Ottawa’s Bonnie Doon.
The first band to play was one of Ottawa’s newest acts Ultralove. I was super impressed by the trio’s performance. I am always amazed when I see a drummer who has a very prominent vocal role. Some people struggle to walk and talk, so hammering the skins while singing just has that automatic wow factor. The band plays a melodic noisy punk rock with strong hardcore influences. One of their songs had one of my all time favourite song structures. A song with one verse that is repeated several times with the music and the vocals intensifying every time until it crescendos into an explosion of emotion. Local readers really need to checkout Ultralove next time they play live.
3 days, 13 venues, and 4147 pictures later, MEGAPHONO 2017 is done for another year. I was honoured to be a part of such an event and help capture moments throughout. The festival brings together individuals from all areas of the industry to appreciate the time and work that goes in to creating their art. I could talk for days about the performances and people I had the chance to experience, but I would much rather let the photos speak for themselves. Enjoy!
Photo of New Swears enjoying a guitar brew – Photo by Els Durnford
It is that wonderful time of year again. That time were we can escape the freezing cold of Ottawa in February by jumping into venues across the city to see some of Ottawa and Gatineau’s finest acts, as well some from out of town performers during MEGAPHONO.
My MEGAPHONO adventure for 2017 began by going to two venues for two completely different experiences. St. Albans Church for Bry Webb, Pony Girl and Trails was beautiful, thought provoking and allowed one to sit down in the dimly lit room, close their eyes and let the brain wander. Afterwards I headed to a crammed Barrymore’s for New Swears and Partner, which was a sweaty, chaotic night cap of a show.
Trails kicking things off at St. Albans Church
My night began with the dreamy psych sounds of Ottawa’s Trails. This was my first time seeing Trails and was I ever pleasantly surprised. The beautiful soundscape and imagery this solo performer creates was amplified by the setting, a 150 year old church. Songs like her opening track “Sun Go” set the stage for what was to come. She made great use of looping pedals to layer her own voice over itself which really blew me away and added so much depth to songs like “Mourning/moaning/morning/snowing.” And just for good measure, she threw in a cover of “Unfucktheworld” by Angel Olsen. Don’t sleep on Trails, I can only assume the sound will continue to grow and wonder.
Pony Girl lighting up our night at St. Albans Church.
The next act desn’t surprise me anymore because I have seen them so many times, but Pony Girl never ceases to amaze me. I have watched the band grow and mature into a very solid act that Ottawa should be proud of. They are wonderful musicians and their collective creativity has really started to take them to new heights. One thing about Pony Girl that can never be overstated, is that they have a clarinet player who is the focal point a few tracks and that is just really cool. The band’s ever growing maturity was on display during their introduction of their song “Dirty Picture.” Singer and guitarist Pascale Huot said of Dirty Picture, “this song is like my Facebook feed in a song and that’s a bad thing…be critical.” Speaking of all the terrible images and hateful text we come across every day on our screens. The band capped off their set with “Please Do.” I think I can count on one hand the amount of bands out there that can transition as smoothly as Pony Girl from rocking a high energy jam in the midst of the song right back into the track in unison without skipping a beat. Pure magic to see live.
Bry Webb capping off the night at St. Albans Church
Capping off my night at St. Albans Church was Bry Webb, known to many as the lead singer of Guelph’s Constantines. This was certainly not a Constantines set and I really appreciate that of lead singers who branch out as a solo act to do their own thing. The set began with Webb, acoustic guitar in hand, and Rich Burnett on lap steel guitar, which resulted in a mellow folky sound which was music to my ears. He treated us to some new songs including “What I do” which had some absolutely beautiful finger picking in it by Webb. A few songs in, they were joined on stage by drummer Nathan Moore (Minotaurs) to play “Rivers of Gold.” Moore then stayed with them for the rest of the set. The addition of drums certainly picked up the pace and made the set become a little more rocking, but still stayed rooted in folk.
Just before beginning to play his great song “Big Smoke,” Webb spoke of how needed this show was in times like this. “This is a good time to play music in a room of people who want to listen to music… it’s important to find opportunities to transcend fear,” he said. “May all your rooms be filled with people free of fear.” Very timely words. For the last song, Moore left his drums leaving Webb and Burnett to finish up covering Michael Hurley’s “O My Stars.” A beautiful track.
Josée Caron of Partner rocking so hard it hurts. Photo by Els Durnford
I then made my way to the ghost of shows past, Barrymore’s Night Club for a very different experience. After the never ending mandatory coat-check line was passed, I got too watch the much hyped Partner. The excitement is certainly not unfounded as they sound great and are a lot of fun live. Their crowd engagement between songs almost always resulted in laughter and their song topics are far from being shy or boring. The band is fronted by two openly lesbian singer-guitarists, one even sporting a “Beers and Queers” t-shirt. They played songs about learning that Ellen Page came out, about eating chips in the other’s room without them and making a mess, as well “Everybody knows you’re high,” which is pretty self-explanatory. They then played a song about their love for passionate amateur lesbian porn that they said they only play for crowds they are having fun with, good job Ottawa. The crowd was certainly having fun as well. Great set by an up and coming Canadian band from Sackville, NB that will certainly be turning heads and pleasing eardrums.
Sammy Scorpion of New Swears covered in the bands mess. Photo by Els Durnford
Now for the last act. With an explosion of confetti and a showering of silly-string, we all became day dreamers in the wee hours of the morning with New Swears as they kicked off their set with “Day Dreaming.” Ottawa’s kings of party-punk certainly held nothing back as they headlined the night. I have seen New Swears countless time and it is always raucous, chaotic, fun and good for many laughs. When you see how hard the crowd goes during a New Swears set you would think they were a much heavier hitting punk band slamming power chords at lightning speed. But, anyone who has seen or heard New Swears knows that is not their shtick. They do however write really catchy songs about partying and romance.
They treated the crowd to a few new songs, which sounded full of potential to grow into favourites, that will appear on their upcoming album which they promised will be released in the spring. One highlight that must be mentioned was the weird moment when the band played “Two Darts” a love song about saving one of your last smokes for your sweetie and Belmont ads were playing on the screen to the left of the stage, which turns out they were playing all night…Can you even advertise cigarettes like that anymore? Well that’s beyond the point, back to the punk show.
The band finished super strong just laying down crowd favourites after crowd favourites like “Paradise” into “See You in Hull” into “No Fun” and capped with “Stay Gold.” Nothing like finishing off a set after 1 am with the line “don’t you wish your boyfriend was a punk like me.” Oh New Swears promise you’ll never change and we’ll promise to stay rowdy.
The 2017 Megaphono Festival has begun, and has already rung in a number of successful music panels, events, and shows, bringing in a collection of talent from across Canada, the US, and beyond. On Thursday, February 2 at Barrymore’s, Partner joins I.D.A.L.G. and New Swears for what is expected to be nothing less than the punk rock party dreams are made of.
Hailing from New Brunswick, Partner’s Josée Caron and Lucy Niles are a musical match made in heaven. Their songs, which mix the uplifting sound of indie pop with the rough energy of post-punk, perfectly encapsulate the feelings of young adulthood.
Previously bandmates in Killer Haze, Caron and Niles decided to create new music based on the fleeting events and ideas of everyday life. Their Bandcamp lists intimacy, friendship, sexuality, and drugs as some of the elements behind their song writing – in what they call “part-musical act, part-teenage diary, and 100% queer”.
A large part of the artists’ musical inspiration comes from their sexuality: both open lesbians, being gay is a central part of the band’s identity.“It’s not that we thought it was a radical thing to talk about,” says Niles. “We’re not the first gay people to make music. We just decided that we were tired of not talking about it, to not be known as a gay band. It’s way harder to not talk about your sexuality than it is to talk about it,” she says.
The pair’s honest and accepting attitude towards sexuality allows it to be an important but relaxed element of their sound – it’s there, they’re not hiding it, but they’re not pushing it either. “It permeates your life in funny and mundane ways,” says Caron. This lighthearted style resonates in the band’s humorous and authentic songs and music videos. One of their most popular singles is entitled “We’re Gay but Not for Each Other.” Other singles include “The Ellen Page” and “Hot Knives,” both punchy songs that use playful lyrics to depict controversial subjects with a modern and nonchalant attitude.
As a young band, Partner has established a steadily rising career. They’ve already had a successful start to 2017, touring throughout Canada and the United States. It’s the band’s first time at Megaphono, returning to Ottawa after playing at the Arboretum Festival last year.
“It’s been great to play all across Canada,” says Caron. “We’re really lucky to be welcomed by various fests.” Niles agrees, saying “it’s been really cool to see people who are into the same stuff all over the place, but don’t know each other necessarily… there’s a common kind of bond.”
For the future, expect an announcement from the pair in the next month with “an exciting development” on their upcoming record. “We’re always kind of working on songs,” says Niles. “We have a lot of ideas we’ve been working on over the course of years.”
Partner’s easygoing attitude, loveable sound, and honest lyrical talent ensures a solid future for the band – their music is high-energy and high quality, appearing impressively professional while maintaining youth and authenticity. While you eagerly wait for their studio record, you can catch Partner at Barrymore’s tonight, February 2, at 10:30 pm. Ticketing and Megaphono wristband information can be found here.
Ottawa is buzzing once again in anticipation of this year’s Arboretum Festival happening August 17–21. Going into its fifth year, the festival has grown from a boutique music and arts festival held in a parking lot to a full-on institution in the capital. That includes incorporating and celebrating important aspects of Ottawa’s music, art, food, history, activism, and more. Not to mention that there’s an entire conference portion (called Assembly), where informative, interactive, and sometimes uncomfortable-but-necessary discussions can be had about challenges people in our community face. Each iteration of the festival has built on its previous self, adding one crucial piece after another to make it into something that can stand up to any festival of comparable size in North America. Ottawa is on the map.
We at Showbox have been lucky enough to witness Arboretum grow into an exemplary and multifaceted entity since 2012. Moreover, we are honoured to be part of the festival this year as a presentation partner with the Witching Hour Official Arboretum After Parties being held at Bar Robo every night of the festival.
This year’s festival can be broken down into two physical domains: the Concert Village and the Festival Village.
The venue portion – a.k.a. the Concert Village – includes venues and spaces around town that will host band showcases, conference panels, mixers, speed meetings and after parties. Folks with full-festival passes will have the ability to bounce around the map and have plenty of chances to catch intimate performances, schmooze, and really see what Ottawa has to offer under the surface. There is also another (albeit pricier) option: those who don’t want to get the full pass can pick and choose which venues they’d rather go to by paying cover at the door.
The centralized Festival Village site is located behind Ottawa City Hall on Lisgar Street, and brings together some of the best local food, drink, shops and more, in addition to the music. The village itself will have two stages: the Main Stage, which is the larger of the two and where larger acts like Sloan perform, as well as the Debaser stage, where some emerging and experimental acts will play. The Arb organizers promise no Jumbotrons.
Here’s a breakdown of each day’s activities during Arboretum Festival 2016:
Wednesday kicks things off at 11am with some crucial and informative discussions at Bar Robo, Discussions include topics surrounding the transforming role of record labels and the new realities of building and sustaining a home for recorded music, ageism and professional roadblocks and cultural biases experienced on either end of the age spectrum, followed by a round of speed meetings for participants to network with industry delegates.
The evening will begin at St. Alban’s Church with the keynote presentation featuring acclaimed writer and broadcaster Andrea Warner (author of “We Oughta Know: How Four Women Ruled the ’90s and Changed Canadian Music”) which will explore the institutional and internalized sexism facing women in music. Attendees have the option of sticking around to catch Evening Hymns, Safia Nolin, Her Harbour play sets at the beautiful sounding church, or head back to Bar Robo for the Hand Drawn Dracula Showcase or over to House of Common for the You’ve Changed Records BBQ.
If you’re into some late night drinks and jams, don’t forget to hit up Bar Robo for the Witching Hour Official After Party featuring Hand Drawn Dracula DJs. Robo will have a special Arboretum cocktail called “Capo Melo” served all week long, which contains CAPO CAPO, grapefruit juice, vodka (it’s the perfect delicious summer drink). Great music and discussions all around on the first day.
The Must-See: Partner 9:00 @ You’ve Changed Records BBQ, House of Common
They’ve been called the “best new bands in Canada,” and that’s no bullshitting. They’re heavy, they’re punchy, and they’re relentless. And they will consume you whole with their blistering live performance.
The Hidden Gem: Andrea Warner 5:30pm @ St. Alban’s Church
In this keynote presentation, Warner will be discussing internalized and institutional sexism in the music industry, an issue that effects women from small clubs to the highest levels of pop stardom. Moderated by Vish Khanna.
This day is packed to the brim with goodies. No early mornings today, but be sure to get to Bar Robo by 12:30pm for a panel on publicity and media relations in today’s ever-evolving media climate – particularly helpful for new bands or artists that aren’t yet established and looking for some guidance on how to crack the code on getting your music out there. The second round of speed meetings also takes place at 2:30pm, so get your networking pants on!
In the evening, you might have to make some tough choices on the schedule. You could start off at the Babely Shades Block Party at House of Common around 6:15pm, and if you decide to stay all night you’ll catch stellar performances from Toronto’s Above Top Secret and Lido Pimienta. Or you could hit up our very own Telecomo showcase at Bar Robo, one of Ottawa’s hottest new tickets. Or do both, the venues aren’t far apart!
From there, one option is checking out Jeremy Gara (of Arcade Fire), Ottawa’s youngest and brightest talents Trails, and the one and only Tim Hecker at St. Alban’s. I can’t think of a more appropriate venue for this lineup, and it’s sure to be a mind melting experience. Another louder option is the Buzz Records showcase at Babylon Nightclub. Dilly Dally are not to be missed, and their 2015 album Sore was an absolute tour-de-force. They will be supported by Fake Palms, Twist, and one of our Ottawa faves Bonnie Doon. Let’s just say Buzz Records can do no wrong.
Once again, Bar Robo will be hosting the after party and the Pony Girl DJs will be providing your soundtrack late into the night.
The Must-See: Dilly Dally 11:30pm at Buzz Records Showcase, Babylon Nightclub
A little bit of 90’s angst, a lot of full-throttle overdriven riffage that will make the sonically meek curl up into a ball in the corner. Full disclosure, Sore was my favourite album of the year in 2015 which I wrote about in Mixtape Magazine. Raw and unclean, Katie Monks takes this band into the stratosphere with her powerful vocals and energy on stage. Like, seriously, don’t miss them.
The Hidden Gem: Above Top Secret 9:15 @ Babely Shades Block Party, House of Common
Babely Shades aren’t just making a huge impact here in Ottawa with their activism. They’re bringing in acts that push boundaries and smash them. One example is Above Top Secret, a Toronto-based “experimental, rap – electro – dub hop mashup infused with feminist politics” who are making music to bounce to while fighting against systemic injustices at the same time. Read a great interview that Elsa did with them in a recent issue of Ottawa Beat.
The Festival Village opens. Before you go discover the wonders that lie there, at 5:30pm there is a discussion with city planners, venue owners and managers, cultural developers, employers, and music promoters regarding zoning and city planning for performance venues in Ottawa at the Ottawa Art Gallery Annex at City Hall. Make sure to get there early enough to see local pop punk three-piece BB Cream open up the village at 6:00 pm on the Debaser stage. Their self-titled debut has ten songs that reflect a band that came to age attending punk shows all over town. They are fun, awkward but mostly fun. Go check them out and dance with a friend or make some new friends.
Travel back to the 90s and see Sloan play at 8:30. They will be performing their gold-certified and Juno award winning album, One Chord To Another, from start to finish which kicks off with the Canadian smash hit “Good in Everyone.” Bar Robo will be going late into the night with DJs Lamb Rabbit and Pat Egan spinning gold all night.
The Must-See: Sloan 8:30pm @ Main Stage, Concert Village
Sloan hardly needs an introduction, let alone a reason why they are a must-see on Friday night. This rock/power-pop group has been kicking out the jams for 25 years and have shown no sign of slowing down. Don’t miss this rare opportunity to see them play their seminal 1996 album One Chord To Another from start to finish.
The Hidden Gem: Moss Lime 7:00pm @ Debaser Stage, Convert Village
This minimalist post-punk trio have been bubbling under the surface in Canada’s independent music landscape for a few years now. While their music sounds like something between Joy Division (cliché, I know) and The Slits, Moss Lime have created a distinctive sound that includes 3-part vocal harmonies and simplistic yet irresistible riffs.
Shake off your Friday hangover at the Back Lot BBQ at Spaceman Music starting at 11am, because hair of the dog works… right? Or head back to the Village for the OPEN AIR BRUNCH CLUB at noon presented by Buchipop. Free brunch prepared by chef Mike Frank (ex- Mellos Restaurant / Bar Robo) dishes out Egg Snackwiches, Vegan and Vegetarian grub, taters and more. Wash it down with Buchipop Mimosas or caesars from Union Local 613’s cocktail bar. To top it all off, Brockville Lions Steel Drum Band plays at 2 pm which I am sure will be super cool.
Keep the drum theme going at 5 pm on the Main Stage with the Kina Nimiwag & Anishinabe Drum Group. They combine traditional Anishinabe drum-song, dancing and electronic dance music which will blow you away. Join them as they take you on an adventure through a contemporary and traditional performance.
After watching all that dancing you will certainly want some dancing of your own. When the sun goes down and 8:15 rolls around, Jef E. Barbara’s Black Space will take to the Debaser stage and it will be nearly impossible not to dance to the sounds of sultry 70s love making beats. Think of smooth bilingual Roxy Music.
You will quickly want to rush back to the Main stage for 8:45 pm to see the incomparable Mykki Blanco. Mykki Blanco is the stage name American rapper, performance artist, poet and activist Michael Quattlebaum. Don’t miss your chance to see Mykki’s poetry and rap with unrelenting energy and emotion. Cap off the night with NYC’s Junglepussy, who will be sure to amaze, or head over to Bar Robo to experience DJ Memetic of TimeKode until the wee hours of the morning.
The Must-See: Junglepussy
7:45pm @ Main Stage, Concert Village
New York’s Junglepussy is an artist that has been exploding onto the scene after her first mixtape in 2014 went viral. Her music is heavy and the beats are deep, and her powerful vocals are reminiscent of her predecessors such as Lauryn Hill. Strap yourselves
The Hidden Gem: Jef Elise Barbara’s Black Space 8:15pm @ Debaser Stage, Convert Village
Get ready for one funky-ass party. Jeff Elise Barbara’s performance is centred around the idea “of blackness and the rejection of racialized tropes within white spaces.” Sounding like a blast from the past, this purveyor of glam would fit perfectly right next to Prince and Blood Orange and revel in the fact that they’ll make your sweat ooze from your pores.
The Comedown Day party will be kicking off across the river in Hull with drinks, games for kids, pedal displays by Fairfield Circuitry, and more. You’ll see sets by Montreal’s Dixtorchons and hometown gems Pony Girl, as well as a soundtrack provided by DJ Glory Hull, Mister Caffrey, and DJ Daisy. What better way to end the festival?
Arboretum Festival is going big on it’s fifth anniversary (has it already been five years?!) as the first wave of artist announcements has been revealed on Tuesday. Year by year the organizers have been expanding the size and quality of their lineup, and this year is no exception.
Taking place August 17–20 here in Ottawa, Arboretum Festival will mix outdoor stages and a central “village” downtown at City Hall, with venue showcases and events happening around town. This year’s programming demonstrates how ambitious the organizers are incorporating many aspects beyond music into the festival, including topical discussions and panels to raise cultural awareness, the transformation of historical and urban space, local gastronomy, vendors, and breweries, as well as community partnerships with Ottawa-based organizations (such as yours truly).
The lineup includes performances by noise rockers and Ottawa natives METZ, Sloan (who will be performing their hit record One Chord to Another), rising star from Brooklyn Junglepussy, California’s Mykki Blanco, as well as Dilly Dally, Nap Eyes, Doomsquad, Partner, Hooded Fang, the new solo project from Arcade Fire’s Jeremy Gara, Kina Miniwag, Above Top Secret, Shotgun Jimmie, Lido Pimienta, Beliefs, Twist, Scott Hardware, Fake Palms, Vallens, and Tenderness.
More artists will be announced in May, so be sure to keep an eye out for more lineup information. Have a look at some of the artists’ work below.