JUNOfest kicked off Thursday with a few shows around town, and I decided to make my way to Zaphod’s to check out Operators along with supporting acts Charly Bliss and Potential Red.
Juno fever was in the air, and you could feel the excitement building in the city. The first act to hit the stage was a newer post-punk group in Ottawa called Potential Red. I’d heard about these guys through the grapevine but hadn’t seen them before, and they impressed everyone in attendance with a strong set. There aren’t a lot of Ottawa groups writing songs in the footsteps of late ‘70’s and early ‘80’s post-punk and new wave bands, and these guys do it right.
Right away Potential Red captured the audience’s attention and held on tight as they blasted out heavy bass-driven grooves layered with reverb-laden guitars and flutters of synth throughout their songs. Dare I say that lead singer David Sklubal’s moves on stage were reminiscent of Ian Curtis’, frantically exuding his energy into the crowd and getting the front riled up. I heard some of A Place to Bury Strangers in some of their songs, which I certainly connected with. Sklubal nearly broke the neck of his guitar as he jumped around on stage, just before launching himself into the crowd with reckless abandon. This is definitely a local band to keep an eye on, their live performance is not to be missed.
Next up was Brooklyn, NY grunge-pop band Charly Bliss. The four-piece churned out the kind of power-pop that we all know and love, channeling a sound that many of grew up with in the 90’s. Front-woman Eva Hendricks stole the show with her stage antics, having fun with the set and luring the crowd in with her energy. In all honesty, this is the kind of band I’m skeptical of going in. Having not heard their music before, I felt like they might toy with my emotions and try to pull some nostalgic strings without executing it properly. This happens sometimes. I was admittedly looking for something not to like about Charly Bliss, but one can’t help but fall in love with those catchy hooks, overzealous performance style, and honest songwriting delivered with a bow on top into our eardrums.
The band’s stage chemistry was obvious, and it wasn’t difficult to tell how close they are. They have opened for Veruca Salt, Sleater-Kinney, Tokyo Police Club, PUP, and are currently touring with Operators. Needless to say, catch Charly Bliss at small venues while you can because I have a feeling they’ll be playing bigger clubs any day now.
The headlining act Operators hit the stage as the crowd packed in tight. I would be remiss to leave out that I am a huge fan of Dan Boeckner – he has the Midas touch and all of his projects rule. I’m one of those old Wolf Parade fans that fell in love with Handsome Furs, and then Divine Fits, and then Operators. I’m sure there are a few curmudgeony Wolf Parade die-hards that don’t like the direction he’s gone in, but I for one am excited to see him playing with new toys and collaborating with great musicians such as Devojka and Sam Brown. I had the chance to chat with Boeckner last year, an interesting piece which you can read here.
Analogue synths abound, Operators’ modern take on post-punk has really taken shape over the last few years. This was the best set I have seen them play yet, and the road has surely tightened up their live performance. Boeckner’s comfort in this role is evident, and the smile on his face suggests that he’s loving every second of it. The songs off of Operators’ debut LP Blue Wave translate extremely well live – it’s part 80’s new wave, part dream pop, part dark post-punk – but whatever you call it, it works.
A couple highlights of the set were their performances of “Cold Light” and “True,” each of which electrified the room and got the crowd into a frenzy. Some of their songs had the audience a little unsure of themselves with respect to their dance moves, but the bodies kept flailing nonetheless. Sam Brown’s dialed-in drum beats were mesmerizing – even I got lost in his incessant, fixated rhythms. Devojka’s electronic wizardry provided the high-voltage energy of the set, complimenting both Boeckner and Brown perfectly.
My favourite part of the night was when Operators were cheered back onto the stage for an encore, during which they played a Handsome Furs track “Damage” from 2011’s Polaris-nominated Sound Kapital. I left with a smile, as night one of JUNOfest set a pretty damn good tone for the rest of the festival.
NOTE: This contest is now closed. Scott M. is the winner of this contest. If you are not him, grab your tickets here now for the Feb.25 show: http://bit.ly/1Tiaeca
Dan Boeckner – a founding member of the seminal Canadian indie band, Wolf Parade – is a hard-working guy. When Wolf Parade went on an indefinite hiatus in 2010, many of us felt an emptiness caused by the void caused in the Canadian music landscape after this announcement. Up until the band’s recent announcement that they are getting back together for a string of residency shows in Toronto, NYC, and London (UK), many of us die-hard fans were left with very little hope to hold onto.
Boeckner, being the warhorse musician that he is, kept the tunes coming through various projects. He started the highly successful and Polaris-shortlisted group Handsome Furs with his then-wife Alexei Perry in 2005. This band explored Boeckner’s synth and dance-pop sensibilities, particularly on the acclaimed 2011 album Sound Kapital. After three great records, that band dissolved in 2012 upon their divorce.
Shortly after, Boeckner got back to his sonic roots and formed a new rock band called Divine Fits with a friend that he’d met in 2007 at a Handsome Furs gig. That friend just happened to be Brit Daniels of Spoon, joined by drummer Sam Brown (ex- New Bomb Turks). They somehow managed to find time to write and record their 2012 album, A Thing Called Divine Fits, which is just as great as you’d expect it to be given the calibre of that collaboration.
In 2013, Divine Fits was put on hold and Boeckner returned to Montreal along with Sam Brown and Devojka (of Guests) to form Operators. Although Operators is sonically similar to Handsome Furs, the band and the approach to the music are very different. Describing themselves as “analog post-punk,” the band uses equipment such as analog synths, sampling pads, drum triggers, and yes, his electric guitar. No laptops. No pre-programming.
Along with Brown and Devojka, Boeckner has taken a bold next step in his musical career. They toured with Future Islands following the release of EP1 in 2014, and are now set to release their debut full-length, Blue Wave, on April 1st through Last Gang Records.