Jay Arner, Tough Age, So Sensitive, & Steve’s Job at Pressed
Casual Hex presented a show at Pressed that brought forth good tunes and good times last week. With a line up like Steve’s Job, So Sensitive, Tough Age, and Jay Arner, there was always dancing, singing, some banter, and the very few strange mishaps here and there throughout the night.
Opening with a calmer vibe, but not closing off the same way, was Steve’s Job. Despite the few shows they’ve played, this one being Steve’s 4th job, they really harnessed an energy from what they’re doing and hold a very specific stage presence that’s hard to ignore. Subtle and loud, indie but with kick of a new flavour, the band makes the show fun and positive. Guitars light and airy with a good strong baseline and vocal harmonies that range from monotone to expressive. The band is a sight to see and one to listen to. Banter is always included!
Not only that but the band recently began using a chorus pedal and they have it down. It creates an emphasis on verses and lyrics, forming the effect of the band surrounding you completely. You get lost in the soundscape that these incredibly talented individuals create, and it draws you in differently every single time. They’re silly, fun, and they’re the perfect mix of something melancholy and their own upbeat summer sound. I’ve mentioned it before but if you’re going on a road trip, roll down your windows, turn up their tunes, and just listen to the music these people make. It swept the crowd away with its elegance, sweet talked it with its grace and air, and of course got them swaying to the sweet melodies produced. There is absolutely nothing this band can’t get the crowd to do. They’re loud, light, airy, and overall provide great tunes and sweet times for all friends and spectators alike.
The Pixies effect is used by many bands but keeps coming back as a unique and outstanding trait in music. So Sensitive captured this vibe, fusing indie and rock together in a progression of loud, to quiet, to louder. Despite it being their first show, the group is composed of former members of BB Cream and members of Deathsticks. The band brought an air confidence with them, mouthing words to their own songs when only one person would sing and they would dance around while performing. It is grit, but polished grit, and quite frankly the solos played over simple chord progressions seemed so much more complicated than they actually were. Bands that manage to turn simplicity into a beautiful and complex soundscape never fail to blow me away because they’re taking so little and creating so much.
So Sensitive has a stage presence that seems to push others to let loose and get lost in all the intricate tonality of each and every composition the group has come up with. Each is unique but tied together in a similar sense, often with the shift in mood or pace. They have a solid sound with the power and volume that screams rock. Soft vocals add to that smooth sound that recalls The Pixies’s Kim Deal, and really set a mood for the show.
My best advice is that you look out for the next show they play and head on down to hear some very sweet and joyous tunes that will be sure to get you moving and smiling.
Tough Age, a Toronto based indie rock band, took the stage not too long after and from the very first note had the crowd hooked. The crowd moved in waves, pumped their fists in the air, danced, and sang along to this high energy band. The vocals were in no way clean or polished. That set the tone completely and added a sense of looseness and comfort to the atmosphere.
The bassline is quick and prominent, and the guitar follows up right behind, the two instruments creating harmonies that get you hooked and dancing. The raw passion that is used to play the bass and guitar are absolutely insane. Tough Age play with such fire that within the first few minutes of the set one of the strings of Jes’s guitar snapped and he ended up playing through a song with five strings.
The drums are quick and prominent. I didn’t see a moment where Jesse wasn’t smiling. Despite the rhythmic pattern being continuous through certain songs, it didn’t stop him from playing with his whole heart or from breaking a drumstick. There’s much use of the cymbals and this creates a new layer to the songs that wouldn’t normally be found. The fills are perfectly placed and there’s just enough to keep each song interesting but not overly complex. There’s depth and thought placed into it but it’s loud and proud.
Tough Age fall nothing short of a must-see band. If you haven’t seen them, you’ve probably heard of them… and if you haven’t even heard of them, well, now you have.
They’re a high energy band with lots of passion for what they do.
Jay Arner, a psychedelic new wave sounding band from Vancouver was the one to headlined the show. The harmonies the member created where smooth and layered with precision. Close to what the Arctic Monkeys have done and continue to do but with more of a Joy Division meets The Smiths vibe. They grab at your attention the moment they step on stage. From the instruments to the way they dress, there isn’t anything that doesn’t get you itching to hear their tunes.
The vocals are soft and beyond their generally flat sound, there’s an evident play of tones. Jay creates an almost soft spoken effect while singing and harmonizing with the rest of the band. This adds unspoken feeling and power to the songs despite keeping a mellow resonance.
Synths are used for effects that pull you in and make you feel like you’re floating through space, the drums keep you in the loop and provide you with a beat to move to. Fast, slow, with intricate fills or without, the drumming falls nothing short of fast paced and muddled together. This is done in such a way where it sounds clean despite the fact that the cymbals were being hit with a fair amount of power.
Spacey, lost, colourful—this is what the sound makes me think of. You’re floating in zero gravity, dancing as if nobody is watching, just completely in time and tune with the music. It takes you in and captures your attention because it’s not something that is often found in music in this day and age. The band kicks it old school in terms of sound and brings a nostalgia forward that you weren’t even aware of.
All the individuals are incredibly talented, and each band brings its own unique styling to the shows they play. It’s never a repetition of the same sounds or progressions and the banter is always different. It ranges from untraceable, unlikable websites to self-depreciating jokes and general thanks for supporting the bands. So make sure to get yourself down to Pressed for some wicked shows by some wicked cool and talented individuals.
Steve’s Job (fka Sally Ride) + Fruit & Flowers, Deathsticks at Pressed
NYC’s Fruit & Flowers made a quick tour stop in Ottawa on July 5th, playing an energetic show along with Sally Ride and Deathsticks at Pressed. Sally Ride—now known as Steve’s Job—opened the night with some meowing and gentle laughter as they transitioned into first song. The members of the band had nerves flowing through them but with their humour, banter, and strange aura of what’s possibly feigned confidence, they truly made it seem like they were naturals. Despite it being their second show, they perform as if they’ve been on stage countless times together. The band is one that kicks off everything summer is, and with their light and airy sound they sound like a redefined indie rock.
Sacha’s vocals are distorted and in the background, but very prominent at the same time. The almost monotone singing lulls you into a dreamy state but the guitars, drums, and keyboard bring you back to reality, keeping you on that edge. With intricate riffs, a strong bassline, and keyboard playing that sounds almost like synths, the band really ties it all together, almost like a gift that was chosen especially for you.
Not only do they play very well, but the band is one that’s impressive because of the versatility of instruments they switch to. With Hillary, who mainly plays the drums, switching to keyboard, up front and centre, and the guitarist and keyboard player switching to drums. The lot also know how to turn awkward banter funny, and get the crowd to participate in it as well, creating a more intimate feel to the entire set.
Fruit & Flowers, a band from Brooklyn, NY, began by introducing themselves with the classic riff from all those movies where people get on their surfboards and start shredding the wave, it started as surf rock. Don’t let this fool you though. The band itself is a very hipster looking band with an angry but equality elegant and beautiful sound. This band redefines anything you thought could be punk. They bring an entirely new set of sounds to the genre while playing with the classic sound that we love. The bass player and lead vocalist, Caroline, was up front and centre and her playing shook us to the core. She has a light and fairy-like aura but she shreds like there is no tomorrow.
Between the two guitars, her bass, and the drums, there is always a rhythm set while Ana plays intricate riffs over it, really setting a tone. Gentle vocals mixing with a fast doesn’t work, but the fast-paced bassline and prominent guitars make the crowd want to move, whether it is dancing, swaying, shifting foot to foot, or jumping up and down. They turn punk into a genre you can dance to. The solo’s fall nothing short of mesmerizing—impressive stage presence, with feedback, very quick playing, and smooth transitions back into the main verses. They bring in true punk energy mixed in with the quick pace that a band like The Misfits set.
The thing about Fruit & Flowers is that they also turn their sound into a psychedelic garage rock for some songs and it works because of the riffs played and the gentle and harmonic vocals. The band doesn’t restrict themselves to solely one genre which is really mind-blowing. Usually when every song on a record has a different take to it, it doesn’t work, but these guys have mastered it and have bent it to their will. The band is an absolute must see band if you ever find yourself itching to see a show packed with energy and artistic vision.
The last band to play was a band called Deathsticks. They are a duo but they sound far more numerous than that thanks to pedals and the drumming. The drum lines are ones that bring a new kick into it and truly encompass punk of the past, such as The Faith. They gave no mercy to the kit and the drumstick fell apart. The constant use of the ride and crash cymbal really set in the angry tone the band possessed, however the fact that she showed so much control while letting loose proved that Laura has truly mastered drumming. The guitar playing was absolutely wild in comparison to anything else I’d seen so far. It was all over the place, messy, but it sounded good. I’ve heard people say that punk noise sounds like shit, well let me tell you, this is very good shit in that case.
Matt’s slides and incredibly quick riffs turn into a muddle but listening to it closely, you can make out what he’s doing. The two have a Sonic Youth like dynamic around the vocals much like Thurston and Kim did but instead of singing they scream. Sometimes at the same time, other times not. They’ll have more spoken parts to songs like in Mountain Men and sometimes they’ll full out scream like in 30 Second Song. Had the setting been a dingy bar as opposed to Pressed Café, there would have been a mosh pit. The two play with feedback, letting it grow wild, and sometimes taking care of it when they planned to.
This is a band I’d go to see again—no doubt about it. If you want to throw yourself into a pit, experience the mind-and-eardrum blowing experience that is Deathsticks, please do so. I’ll probably see you there.
Photos by Sara Osmanovic