New Music: “Heavy Head” by Fools of Love


Ottawa’s Fools of Love have been hard at work on their first full-length album scheduled for release this summer.

The rocking three-piece have changed their names, changed their line-up, powered through having their lead-singer and guitarist living in Toronto while the other two members live in Ottawa and followed up one of my favourite releases from 2015 with a solid new track “Heavy Head.”

We spoke with lead-singer and guitarist Adam Feibel about all that and are premiering “Heavy Head” below. So sink your teeth into their rocking new song in anticipation of the upcoming full-length album while you read our discussion with Adam.


Let us start with the new name, what drove the switch to Fools of Love?

Trademark law, really. There’s another currently active band that has the rights to our former name, so it was safer to change it to avoid running into problems.


You moved to Toronto but the band is still Ottawa-based. How do you manage this? And are there any advantages you see to having the band in two cities?

It’s not easy. I’ve spent a lot of time on the train and the 401. We get together as much as possible and make the most of that time. But we each have a lot going on in our lives individually, so we try not to put too much pressure on ourselves. Now that we’ve finished this record, the hardest part is out of the way–now it’s really just about playing wherever and whenever we have the opportunity. And it’s a nice perk that whenever we play a show in the GTA, we have a place to stay.


Tell me about the switch from a four-piece to a three-piece.

We actually started as a trio. Only three of us recorded the EP. We’ve gone through a few member changes, so we were four for a while, but by the time we headed into the studio again we were back to three. But we’re planning to play live as a foursome.


What do you think is the biggest musical difference between that first release and your upcoming album The Howl and the Whisper?

I think it has a wider range of influences, but also a wider range of feeling. That first one big, loud, and fairly dark. We let a lot of light in for this one. It’s got a lot of heart. There’s more instrumentation–we added piano, organ, harmonica, cello, along with the usual stuff–and I wanted every song to have a big, memorable hook. You should definitely still play it loud.


What led you to this new sound?

That’s hard to say. When I start coming up with new material, it just comes out–any change is usually subconscious, or at least starts out that way. Personally, one thing I knew that I wanted was for it to have more depth. We left some stuff on the cutting-room floor that just didn’t have a place, usually because it was too one-dimensional or it didn’t match the feel. I looked at songs and artists that have stood the test of time and thought about why. What makes them timeless? I think a lot of it comes down to whether your song sounds good regardless of the arrangement–if you strip it to the bone, does it still sound great? That’s what I had in mind. We’d start with something simple and build it into something intricate and huge.


How was it to once again work with Cory Bergeron at Pebble Studios?

I can’t say enough about how much I’ve loved working with him. We would be doing marathon sessions and it didn’t seem to phase him. He’d just keep working his magic, suggesting great ideas, coaching us into our best performances. Working with a person for the second time, you’ve built a rapport and a chemistry. I felt understood. And he’s hungry to learn and try new things, which is crucial if you’re hoping to make something layered and unique. It was long, hard work but it was a lot of fun.


What’s the story behind your first single “Heavy Head” and why did you choose it?

This song started out of protest, since I’ve been pretty angry and despondent about a lot of things that have been going on around the world in the last few years and all the terrible people with black hearts that you have to hear about every day. But I learned pretty quickly that I’m not hardwired to write out of purely anger, so it turned into something else. I ended up writing it about good people who don’t know their own strength because they feel beaten down, or like they barely have a voice. It’s about showing that you believe in them. We need good people to lead the way. And so the song has some bite to it, some apprehension, but ultimately it’s got this big, uplifting chorus that really anchors the whole thing.


Do you have any shows or tours planned to celebrate the release?

We’re working on all that at the moment. We’ll have a couple album-release shows, for sure. And hopefully we’ll get out a lot more. I’m really excited for the record to come out, and to play these songs for as many people as we can.