Thanks to House of Paint, Mill Street brewery, and Ottawa Pride, this last weekend of August was a memorable one. When biking around the National Capital Region, I noticed people outside enjoying themselves at these and other festivals. It gave a sense of vitality to the areas, showing hints of the city Ottawa is becoming.
Because a girl can’t be everywhere, this review will focus on House of PainT and Mill Street/Dine Alone Records’ new festival, Hopped and Confused.
House of PainT – Urban Art Fest
Fourteen years and going strong, they’ve done it again! I may sound confident in this assertion, but this was actually my first time checking out the festival. The lineup was strong, with everything offered from slam
poetry, to B-Boy and B-Girl dance competitions, and excellent music, both live and DJs. Friday evening was a blast with Timekode and guest DJ Bear Witness (from A Tribe Called Red) taking their dance beats onto the Ottawa river. I don’t think I’ve attended a floating dance party since my frosh week in University, but I actually had a really fun time. The people on board were friendly and laid-back, and the music kept us dancing until late in the evening. It was definitely one to remember, but I must admit that it was House of PainT’s Saturday events that really captured my attention.
Photograph by Greggory Clark.
I’ll confess – I’m kind of a nerd when it comes to infrastructure and urbanism. I’m fascinated by the way people interact with spaces, especially when it relates to transportation and culture. When you are under the Dunbar bridge, it’s clear that this space has cultural value that emerged without being intended by the engineers that designed the structure. More than concrete and steel, it has become a gathering point for the community–and House of PainT is a celebration of this.
But if you weren’t drawn-in by talented breakdancers and live-painting by graffiti artists, or by the arches in the bridge structure, then stay for the music. Saturday evening brought attendees a stellar performance by the Souljazz Orchestra, who lived up to their usual brilliance and kept us dancing for hours. Souljazz are a mainstay on the music scene in both Ottawa and Gatineau, and if you haven’t seen these talented musicians before, you need to go about changing that as soon as possible. (Luckily, they’re playing Ottawa again soon with an album release party on September 23 at Babylon!).
On both Friday and Saturday night, I attended this small festival of music and beer. Now in its second year, the riverside alcove outside the brew-pub was turned into a temporary home for a festival. Managing to feel both intimate and packed at the same time, it was a nice place to take in some music. The lineup was pretty stacked, with nearly all the musicians signed with Dine Alone Records. While Dine Alone does focus on Canadian music, they also recognize that this isn’t an identifier. They were even selling t-shirts proclaiming that “Canadian is not a genre”. Their artists have some diversity of styles but are primarily focused in alternative music. The record label is forming strong connections in the Ottawa area, with some of their artists playing here regularly – or in the case of the New Swears, being from here.
Especially for a festival only in its second year, Friday was extremely smooth and well-executed. The turn-out was higher than I expected, with a good number of people who came to see Said the Whale, Yukon Blonde, and the Trews. The set-up was picturesque, and the festival felt both well-attended and intimate. I’ve been a fan of Yukon Blonde for a few years, so I enjoyed both their classic tracks and the new singles they introduced. Friday seemed to be a successful evening for this festival.
New Swears were a rowdy bunch, as usual, at Hopped and Confused at Mill Street Brew Pub.
I returned around 6:30pm the next day to see our home-grown talent. True to form, New Swears gave an energetic performance. Perhaps it was the early hour, or the accompaniment of sunlight, or their regular touring schedule – but their performance felt more polished than it had when I last saw them. I’m not entirely sure how they managed to feel “polished” despite pelting the crowd with ramen noodles, Joe Louis, and confetti–an impressive feat indeed! I’ll continue following the New Swears to see what’s next, but based on their 2017 record, And the Magic of Horses, I’m confident that they’ll continue to do Ottawa proud.
New Swears were followed by Dilly Dally, who were excellent. This was my first time seeing them, following a near miss last summer when they nearly played Arboretum festival. As someone who was introduced to punk rock by the Distillers, I appreciated the vocals which alternated between raw and melodic with a healthy dose of reverb. The band represented gender parity (and were totally badass). I think the musicians enjoyed themselves as well, because they played their set fiercely with hardly a pause between songs.
It seemed as though their intention was to do an encore, but the festival at this point started experiencing technical difficulties. The unthinkable happened – and the power went out in the stage area! At first it seemed innocent enough, but the silence stretched on. Upon inquiring, I learned that the generator had been used to power the fridges overnight (fair enough, beer should be kept cold). However, it seemed as though the generator had not been re-fuelled. The crowd was surprisingly calm about it, with Hollerado’s dedicated fan base waiting more than 90 minutes until the power eventually returned. In the meantime, the band members hung out onstage and spoke with their fans. At the end of the day, both Hollerado and Tokyo Police Club played their sets, to the great enjoyment of those who stuck around.
BONUS TRACK: Beer review of Mill Street’s special release, “Hopped and Confused”
The signature beverage for the event, Hopped and Confused was a smooth, sessionable ale. With a medium IBU and a rich mouth feel, the taste was more delicate than hop-forward. The first taste is malt, which turns into a tang of sorts. The bitterness kicks in after a couple seconds and lingers unexpectedly. Quite a nice beer, nicely enjoyed on draft. It pairs well with late summer nights and great music.
As summer putters along with the end in sight, there are a few music events that we here in Ottawa still have to look forward to. One of those happened this past weekend, a weekend that was packed full of shows and festivals. Hopped and Confused was a two-night event that happened at the Mill Street Brew Pub, a spot many of us know for it’s refreshing beverages, but not generally for music events.
It doesn’t take a genius to know that craft beer and live music go together like PB & J, and Dine Alone Records curated a stellar lineup of artists over the two days. The lineup consisted of The Trews, Tokyo Police Club, Yukon Blonde, Said The Whale, Dilly Dally, Sam Coffey & The Iron Lungs and Ottawa’s own Hollerado and New Swears.
Our photographer Els captured some great shots of the event, check the gallery out below.
Earlier this summer, Ottawa’s party-punks released their third album, And the Magic of Horses, keeping alive their streak of putting out an album every two years since their debut in 2013.
We are a little late to the party on this one, but it has been a hectic summer here. The boys in New Swears signed on with Dine Alone Records in late 2016, setting the stage for more new music and a lot of touring.
And the Magic of Horses is another fun-filled record featuring tons of sing along and clapping moments, with sprinkles of mosh-inducing build ups, group harmonies, and fun riffs to carry you through the summer. The opening track “Dance With the Devil” sets the stage for the whole album, as it has a little bit of everything mentioned above. It doesn’t take much to see how they could spice it up even more and have some fun with it live.
This album goes well beyond their usual focus on all-day partying and raucous—but don’t worry, there’s still plenty of that, it’s just not the focal point of every track. The band explores more existential subjects like life, death, friendship, screwing up, and legacy. It is great progress to witness, and what is even better is how they have done it without losing their edge and fun which they have become synonymous with. I’m sure having Paul “Yogi” Granger record the album certainly didn’t hurt at all either.
I am a big fan of the closing track “Walkin’ to Rockin'” which is a great little slow burning track about their love for playing music together and rocking out. They sing “I don’t want to see another daylight unless I’m playing rock n roll, telling jokes and twisting it up, hanging with the boys on the open road.” They want to keep playing music and walk right into rock n’ roll’s warm embrace, and so do we.
Have a listen to And the Magic of Horses for yourself below and witness the evolution of New Swears.
Back in May, we celebrated our five-year anniversary with a couple of shows at The Record Centre. That was a whole lot of fun, but we’re not quite done yet. Because why stop there?
Over the past five years we’ve had the opportunity to meet countless musicians in Ottawa, go to hundreds of shows, and really dig deep into the music landscape here. These artists continue to impress us, inspire us, and keep us doing what we do. It’s been our mission and raison d’être to support these musicians through coverage of new album releases, interviews, live reviews, and much more.
We’ve put together a compilation called Five Years – Ottawa 2012-2017 which contains music that has impacted us since Showbox started in 2012. This span of five years, in our mind, was a crucial period in the Ottawa music scene. More DIY musicians than ever before came out of the woodwork and made albums, and many were released independently without labels. Some music was underground, some wasn’t.
Different types of music pervaded throughout this period, demonstrating Ottawa’s potential hub in the Canadian landscape. Our hope is that this compilation will act as a snapshot of a strong and robust local music scene in Ottawa between 2012-2017, and allow folks to have a view into the music that came out during this period. It goes between garage, punk, hip hop, folk, and
While we could have double or tripled the size of this compilation with all the incredible artists out there, we kept it modest and capped it at 51. So while this list is encompassing, it’s certainly not meant to be comprehensive by any stretch. Please enjoy a free stream and download of the Five Years – Ottawa 2012-2017 compilation below.
A huge thank you to all the artists who contribute their music to this compilation, and to Pascale Arpin for designing such a good album cover. Enjoy!
The compilation is PWYC, and any proceeds will be donated to Girls+ Rock Ottawa in memory of Jean Sebastien Belleau. A special fund in his name has been established for the maintenance, repair and preservation of their growing instrument library, made in the spirit of honouring JS’ much deserved legacy as a passionate supporter of the Ottawa music scene.
Busted limbs, broken noses, and a little bit of blood on the face is nothing out of the ordinary for Ottawa’s party punk rockers New Swears. They’ve just released a video for the track “Dance With The Devil” off of their new record And The Magic of Horses, and they crank up the gore factor to 11. That’s why we love them, along with the fact that their music will incite a party anytime, anywhere it is played. And The Magic of Horses is the band’s third full-length album, and their first with Dine Alone Records to be released June 23rd. The 10-track album is sure to be chock-full of summer party anthems with dirty melodies that beg to be blared in backyards across the country, which should go perfectly with the smell of barbecue smoke and pissed off neighbours.
The video’s timely release today also coincides with the Ottawa Senators’ first game of the NHL Conference Semi-Finals, a game which will surely have the streets packed with booze-filled hockey lovers. While we all hope the Sens avoid the kind of injuries that the band sustains in the video, we certainly wish them the best. Get amped up for the game and watch “Dance With The Devil” below, just make sure the kids are out of the room.
Don’t miss the New Swears Weekend happening at House of TARG June 23/24, they’re going full force with two record release shows back-to-back. Tickets available here.
There were countless options for live music Friday night thanks to JUNOfest, and I chose to rock out with New Swears, NO BRO and Blve Hills at the Bourbon Room.
It was a tight fit in the Bourbon Room, but that didn’t slow the moshing, crowd surfing, confetti shooting, beer drinking and general chaos that is New Swears.
My night began with Blve Hills who took the crowd on a psychedelic journey. Most of the set kind of felt like a well organize psych jam session, and I mean that in the best way possible. They were a bunch of musicians having fun and not taking themselves too seriously, but still rocking out. At one point a large stuffed snake was tossed into the crowd and thrown around for a couple of songs. Just confirming my point that they don’t take themselves too seriously. Then, out of nowhere, the set shifted from psych to a stronger, more punk rock style tracks to finish off. This climax of the set really switched the mood and got everyone ready for what was to come next with NOBRO and New Swears.
Setting the stage for New Swears was the most excellent three-piece NOBRO from Montreal. The ladies were excited to be back in Ottawa and were ready to shred. “Nice to be here in the nation’s capital for the Junos where everyone is a winner,” they said with a smirk. Their set was high energy and ripping, especially when they played songs of their aptly called EP Stoke Level: High. My favourite was “Call the Doctor,” where guitarist Marianna Florczyk really shines and shows off her skills. I strongly urge everyone to see NOBRO next chance you can, you will not be disappointed.
I have seen New Swears more times than I have fingers, but they are still one of the most entertaining acts to ever come out of this city. The set was no exception, and was filled with all the tracks I love from over the years. They stirred the crowd into a frenzy and had great stage antics, such as a rock n’ roll pyramid and playing guitar with a bassist’s legs wrapped around your neck, as we have all learned to expect. But now I’ll do a mostly non-punk rock thing and give a big shout-out to security. The two bouncers that were working probably had no idea what they signed up for. The moshing was one thing, but the stage divers (a.k.a human projectiles) during “See You in Hull” was next-level for a venue that is not used to this stuff. The two gentlemen did a bang up job of keeping people safe but also letting us all have a riot. New Swears, never change.
New Swears being New Swears during JUNOfest in Ottawa.
NOBRO ripping it at Bourbon Room in Ottawa during JUNOfest.
Blve Hills getting all psychedelic on us at Bourbon Room in Ottawa during JUNOfest.
3 days, 13 venues, and 4147 pictures later, MEGAPHONO 2017 is done for another year. I was honoured to be a part of such an event and help capture moments throughout. The festival brings together individuals from all areas of the industry to appreciate the time and work that goes in to creating their art. I could talk for days about the performances and people I had the chance to experience, but I would much rather let the photos speak for themselves. Enjoy!
Photo of New Swears enjoying a guitar brew – Photo by Els Durnford
It is that wonderful time of year again. That time were we can escape the freezing cold of Ottawa in February by jumping into venues across the city to see some of Ottawa and Gatineau’s finest acts, as well some from out of town performers during MEGAPHONO.
My MEGAPHONO adventure for 2017 began by going to two venues for two completely different experiences. St. Albans Church for Bry Webb, Pony Girl and Trails was beautiful, thought provoking and allowed one to sit down in the dimly lit room, close their eyes and let the brain wander. Afterwards I headed to a crammed Barrymore’s for New Swears and Partner, which was a sweaty, chaotic night cap of a show.
Trails kicking things off at St. Albans Church
My night began with the dreamy psych sounds of Ottawa’s Trails. This was my first time seeing Trails and was I ever pleasantly surprised. The beautiful soundscape and imagery this solo performer creates was amplified by the setting, a 150 year old church. Songs like her opening track “Sun Go” set the stage for what was to come. She made great use of looping pedals to layer her own voice over itself which really blew me away and added so much depth to songs like “Mourning/moaning/morning/snowing.” And just for good measure, she threw in a cover of “Unfucktheworld” by Angel Olsen. Don’t sleep on Trails, I can only assume the sound will continue to grow and wonder.
Pony Girl lighting up our night at St. Albans Church.
The next act desn’t surprise me anymore because I have seen them so many times, but Pony Girl never ceases to amaze me. I have watched the band grow and mature into a very solid act that Ottawa should be proud of. They are wonderful musicians and their collective creativity has really started to take them to new heights. One thing about Pony Girl that can never be overstated, is that they have a clarinet player who is the focal point a few tracks and that is just really cool. The band’s ever growing maturity was on display during their introduction of their song “Dirty Picture.” Singer and guitarist Pascale Huot said of Dirty Picture, “this song is like my Facebook feed in a song and that’s a bad thing…be critical.” Speaking of all the terrible images and hateful text we come across every day on our screens. The band capped off their set with “Please Do.” I think I can count on one hand the amount of bands out there that can transition as smoothly as Pony Girl from rocking a high energy jam in the midst of the song right back into the track in unison without skipping a beat. Pure magic to see live.
Bry Webb capping off the night at St. Albans Church
Capping off my night at St. Albans Church was Bry Webb, known to many as the lead singer of Guelph’s Constantines. This was certainly not a Constantines set and I really appreciate that of lead singers who branch out as a solo act to do their own thing. The set began with Webb, acoustic guitar in hand, and Rich Burnett on lap steel guitar, which resulted in a mellow folky sound which was music to my ears. He treated us to some new songs including “What I do” which had some absolutely beautiful finger picking in it by Webb. A few songs in, they were joined on stage by drummer Nathan Moore (Minotaurs) to play “Rivers of Gold.” Moore then stayed with them for the rest of the set. The addition of drums certainly picked up the pace and made the set become a little more rocking, but still stayed rooted in folk.
Just before beginning to play his great song “Big Smoke,” Webb spoke of how needed this show was in times like this. “This is a good time to play music in a room of people who want to listen to music… it’s important to find opportunities to transcend fear,” he said. “May all your rooms be filled with people free of fear.” Very timely words. For the last song, Moore left his drums leaving Webb and Burnett to finish up covering Michael Hurley’s “O My Stars.” A beautiful track.
Josée Caron of Partner rocking so hard it hurts. Photo by Els Durnford
I then made my way to the ghost of shows past, Barrymore’s Night Club for a very different experience. After the never ending mandatory coat-check line was passed, I got too watch the much hyped Partner. The excitement is certainly not unfounded as they sound great and are a lot of fun live. Their crowd engagement between songs almost always resulted in laughter and their song topics are far from being shy or boring. The band is fronted by two openly lesbian singer-guitarists, one even sporting a “Beers and Queers” t-shirt. They played songs about learning that Ellen Page came out, about eating chips in the other’s room without them and making a mess, as well “Everybody knows you’re high,” which is pretty self-explanatory. They then played a song about their love for passionate amateur lesbian porn that they said they only play for crowds they are having fun with, good job Ottawa. The crowd was certainly having fun as well. Great set by an up and coming Canadian band from Sackville, NB that will certainly be turning heads and pleasing eardrums.
Sammy Scorpion of New Swears covered in the bands mess. Photo by Els Durnford
Now for the last act. With an explosion of confetti and a showering of silly-string, we all became day dreamers in the wee hours of the morning with New Swears as they kicked off their set with “Day Dreaming.” Ottawa’s kings of party-punk certainly held nothing back as they headlined the night. I have seen New Swears countless time and it is always raucous, chaotic, fun and good for many laughs. When you see how hard the crowd goes during a New Swears set you would think they were a much heavier hitting punk band slamming power chords at lightning speed. But, anyone who has seen or heard New Swears knows that is not their shtick. They do however write really catchy songs about partying and romance.
They treated the crowd to a few new songs, which sounded full of potential to grow into favourites, that will appear on their upcoming album which they promised will be released in the spring. One highlight that must be mentioned was the weird moment when the band played “Two Darts” a love song about saving one of your last smokes for your sweetie and Belmont ads were playing on the screen to the left of the stage, which turns out they were playing all night…Can you even advertise cigarettes like that anymore? Well that’s beyond the point, back to the punk show.
The band finished super strong just laying down crowd favourites after crowd favourites like “Paradise” into “See You in Hull” into “No Fun” and capped with “Stay Gold.” Nothing like finishing off a set after 1 am with the line “don’t you wish your boyfriend was a punk like me.” Oh New Swears promise you’ll never change and we’ll promise to stay rowdy.
Megaphono: verb. To amplify that which is heard locally, so it may reach a broader audience.
February 1-3, 2017 // Ottawa & Gatineau.
Jon Bartlett is the music industry veteran that started the Ottawa’s newest music festival, which is going into its third year. It’s a little bit weird, a little bit quirky, and very Ottawa. It’s still flying under the radar of many in the city. Yet Megaphono offers something totally different – it’s not just about bringing people to the show, it’s about who they are bringing to the city.
Megaphono is a showcase festival, which means they’re hosting music industry representatives to demonstrate regional talent. “There’s an appetite for Canadian music, and our city has way better than average music.” says Jon. Yet, we haven’t built a reputation much beyond our boundaries. That’s one of the goals of the festival, and one of the reasons why hosting industry scouts is a great investment for the city. Beyond showcasing the talent of local artists, it is part of building Ottawa’s creative brand. In this capacity, music, film, theatre and other creative industries are doing a lot of heavy lifting. “That’s what makes a good city,” says Bartlett, “I’m more optimistic than I was 5 years ago. There’s so much happening that I had no idea about. It’s made me want to dig a little bit, explore.”
Musicians from this region, Ottawa and Gatineau, can certainly represent. We have some success stories, but Bartlett admits “we don’t have a great reputation for being the mavens of championing our own artists before other people do.” Megaphono acts like an ear to the ground for hard-working artists, picking up sound bites and making sure they’re heard by the right people. It’s a well-curated festival, which is helpful to music industry reps, but equally so to normal people that don’t necessarily have time to follow the local scene.
The Ottawa Scene
Speaking about Ottawa’s music scene, Bartlett revealed some of the challenges of making it as a musician in Ottawa. It seems as though one of the biggest barriers for a musician committing to it. “People have cushy jobs. It’s harder to walk the plank and take that risk… Maybe that’s why those people move away. You need the friction of [pressure] to motivate yourself.” Geographically, we’re also quite spread out, so staying local can limit a musician’s growth.
Her Harbour performs at Megaphono’s 2016 secret warehouse tour. The festival uses unconventional venues to be more memorable.
Another challenge is Ottawa’s federal side. As Bartlett says, “We are bureaucratic Jedis. Everything is steeped in taking way too long and making decisions because two people wrote letters of complaint… You live downtown in a city.” Noise brings vibrancy, and we’ll have to embrace that as a city in order to grow.
There are opportunities of being based here – and one of the big ones is that we’re right between Montreal and Toronto, which are “the two main Canadian places you should be playing anyway”. There might be fewer resources, but part of the appeal of Megaphono is that it holds panels to share knowledge, and enables networking.
Building Cultural Capital
It’s not every day you speak to someone who is so upfront about the music industry being, well, a business. Those connections are happening more and more, and people are starting to buy into the economics of it. Jon spoke about one of the festivals sponsors this year, Lixar. “They really get it. Businesses are starting to understand that if you want to attract workers and you’re doing things that involve creativity – and a lot of those high tech industries do – people aren’t going to want to move here if there isn’t a vibrant music scene. That might actually be the most important thing to get people to move to a city.”
Megaphono, the Ottawa Music Industry Coalition, and many other players are working hard to bring the city “to a place where the economic value of a good music scene is recognized, beyond filling hotel rooms during festivals, beyond being a handout to the arts – because investments in trying to build this industry are, dollar for dollar, a way better investment than most industries.”
Is Ottawa cooler than we think? We’re getting there. Let’s keep investing.
Day four of Megaphono wrapped up with a jam-packed lineup at Hull’s Axeneo7 art gallery. Online tickets for the show had already been sold out for a week and at 10 o’clock, an hour and a half before the first band was to go on, it was announced that tickets at the door were sold out as well. From 11:30 until 2:00 am the crowded gallery housed some of the best acts we had seen this week.
The night kicked off with a rousing set from Toronto artist, Michael Rault, accompanied by a three-piece band who’s infectious jams were a harmonious balance of psychedelic infused pop hooks quickly drew in the gathering crowd. They opened their set with “Real Love,” a comfortable bass-driven track punctuated with well-timed drum fills. As they played on, I couldn’t help but feel that their sound was a perfect combination of Tame Impala’s bass lines and Young Rival’s hooks, especially on their second last song, “Too Bad So Sad.” Michael wrapped up the set with a soulful bluesy guitar solo and the band finished with a coordinated bang.
Across the hall, Darlene Shrugg didn’t waste any time getting started, as the five member art-rock outfit quickly busted into raucous jam. The eclectic group, which included members of Ice Cream, U.S. Girls and Slim Twig, who would later close out the night with a DJ set, played their first track, “Inherit” with restrained intensity. It was clear that all of the members were personally invested in the music, and they finished with a coordinated flourish. This was mirrored by the crowd. Some die-hard fans were immediately dancing and signing along. Through the next few tracks the band played to their strengths, namely the contrast between the singing voices of each member, minus the drummer, who certainly made up for it with her intensity behind the kit. Each song was an interesting mix of discordant and familiar chord progressions and piercing vocals, finishing with “First World Blues.”
Back in the lobby, Hull’s very own Scattered Clouds drifted into their first brooding experimental number. The crowd was immediately drawn to their pulsing and, at times, pummeling synths, which effectively created an ominous psychedelic atmosphere. At this point, the venue was at full capacity with standing room only as the three-piece drove on in an impressive display of multi-instrumentalism, syncopation and controlled noise. Driving bass lines and interesting hypnotic rhythms from the percussionist succeed in creating a macabre soundscape of reverb that matched the red lighting as the band worked their way through most of the tracks from their latest record, The First Empire.
Even before Scattered Clouds had finished, people started filling into the larger room across the hall in preparation for local favourites and headliners, New Swears. You could see quite a few New Swears t-shirts in the crowd as they waited patiently in front of red and green backlit signs sporting the band’s name. Right away the band busted into a quick rendition of “Day Dreaming,” from their latest album Junkfood Forever, Bedtime Whatever. Underneath a flurry of confetti a mosh pit was already underway, and by mid way into the second song there was already a broken mic stand and crowd surfing as the crowd sang along and danced with reckless, but friendly, abandon. This continued and amplified throughout the rest of the set as they played through favourites “Two Darts,” “Stay Gold,” and the requisite “See You In Hull.” The show climaxed with the family-friendly “No Fun,” which soon had the whole crowd singing “I’d rather be fucked than be myself” over and over again while the band formed an impressive human pyramid as they played their instruments. For a very accurate representation of the atmosphere at this show, check out the end of the video for “Stay Gold,” linked below.
With the walls sweating and the oxygen levels in the room severely depleted from all of the people occupying such a small space, people went in search of a much-needed breather. Many preceded outside to a welcome bonfire under the stars while others visited the bar as US Girls and Slim Twig started their DJ set to wind down the night. All in all, it was a fantastic way to end a sincerely enjoyable, but exhausting week.