Bluesfest Day 8: Live, Anderson .Paak, and The Headstones


Photos by Els Durnford

It was a soaking wet night Friday night at RBC Bluesfest which saw sets cut short due to lightning crashes and torrential down pours.

The lightning had seemingly finally taken a break as headliner Live took the stage in the rain. They kicked things off with “All Over You” from their seminal sophomore album¬†Throwing Copper with the opening line “Our love is like water,” which was very appropriate seeing as how the rain came down harder and harder. Hundreds of us decided to head to the beer tent for cover in hopes the rain would subside, but unfortunately it didn’t slow and the thunder returned. Three songs the band was pulled off stage and all the screens at the festival read “CAUTION” and asked us to exit the grounds. I was pretty disappointed, but completely understood. They had great energy and most likely would have put on a great show, but Mother Nature had other plans for that night. The following day organizers announced that anyone with a day pass for the Friday show could get free entry to either Saturday or Sunday which is quite a nice gesture given that the weather is completely out of their control.

Anderson .Paak was really into it at RBC Bluesfest in Ottawa. Photo: Els Durnford

Before Live and the terrible weather arrived, we grooved to Anderson .Paak and the Free Nationals on the Claridge Stage. Paak is a little bit of everything‚ÄĒhe is a singer, songwriter, rapper, record producer, ,very talented drummer, and an entertainer. Standing on an riser at the front of the stage, .Paak danced and smiled ear to ear the entire time. When he wasn’t dancing at the front of the stage he was behind the drum set for a couple songs showing that he is far from a one-trick pony. The crowd was feeling it and we were dancing up a storm to tracks from his hit album Malibu including the extremely popular “Come Down.” Unfortunately we must have been dancing too hard as the storm began to loom. .Paak was asked to leave the stage as a storm was coming, which he did hesitantly. I don’t remember that ever happening at a festival. Usually it a set is stopped due to inclement weather, not imminent weather. The lighting did eventually show itself and rain began to fall but not for another 10 minutes, which could have allowed 2 or 3 more songs. I know safety is very important but it didn’t seem consistent with other stages and acts.

During the pause the crowd broke out into a couple of sing alongs including “Twist and Shout.” Paak did return to the stage after about 20 minutes and clearly didn’t cool off. He jumped right back behind the drums and they launched into the super dancy and fun “Put Me Thru.” He then said “We don’t have much time so we are just going to skip right to the party” and played “Am I Wrong” as he stepped out from behind the drums and really got us all moving. It has been a while since I have danced this much at a festival show. Even with delays, .Paak and The Free Nationals were certainly my highlight of this year’s Bluesfest. This is the hip-hop I am looking for and the kind that is pushing the limits and creativity. I can only hope that it continues to grow and take space from trap, turning trap into a phase we will look back on like rap-metal.

Hugh Dillon of The Headstones rocking out at the RBC Bkluesfest in Ottawa. Photo: Els Durnford

Getting things started for me on this night was Kingston’s very own band The Headstones. Formed the year I was born (1987), the band is celebrating 30 years as one of Canada’s most influential alt-rock bands and provider of Can-con on radio stations across the country. Going into the show, I pretty sure I knew a few songs I could sing to, but once they started playing it was like riding a bike and I knew the words to almost every track. Lead-singer Hugh Dillon makes use of all the space at his disposition going all over on stage and off, heading into the camera pit by the second song to high-five fans and get closer to them. They threw in some excellent transitions to other great songs. For example, while playing “Settle” they flowed right into The Tragically Hip’s “Blow At High Dough” and later on they played a punk rock cover of Kenny Roger’s “The Gambler.” My highlight of the set was when Dillon went over to one of the camera men on stage and said “your shoulder must be tired let me take that for you,” taking the big camera onto his shoulder and pointing it at the crowd before the band played “Smile and Wave.” The band still rocks, still puts on a great show and I am very glad I caught them on this tour.

See the full Bluesfest lineup here.

Gallery: Bluesfest Day 7

Photos by Els Durnford/Ottawa Showbox

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