Last week, noisy London punk rockers Single Mothers returned to the captial. They’re continuing to ride the wave of their latest record, 2017’s Our Pleasure, and they pulled no punches at House of TARG alongside locals Mushy Gushy and Curl. Our photographer Aidan Thatcher was there to catch the action through his lens.
Last weekend was stacked with good shows. No matter what I chose to do there was an equally solid show happening elsewhere. One of the options was Mushy Gushy, No Aloha, and Casa Lagarto at Black Squirrel—and there are no regrets.
The night started off with friends hugging and smiles abound. It’s always nice to see a lineup where the bands know each other or have worked together in the past. The weather was warm and soggy, but the sky was clear and folks began to trickle in as local garage-psyche marvels Casa Lagarto took the stage.
Casa Lagarto is a mashup of well-seasoned artists in the community, including Jonny Yuma (formerly of The Yips), Arturo Portocarrero (Lost To The River), Grant McNeil (Tropical Country), Jason Barkhouse (Black Lab Studios), and Jonathan Pearce (Winchester Warm/Mushy Gushy) filling in for Travis Kinnear who just recently celebrated the birth of his first daughter. Their set was tight and their arrangements came through crisply into our ears.
Casa Lagarto at Black Squirrel. Photo by Matías Muñoz.
I’ve said it before and I’ll say it again—Casa Lagarto’s music could be the soundtrack to a Hunter S. Thompson novel. I mean that in the best way possible. I feel like their music would fit perfectly into an acid trip on a desert highway in Nevada somewhere. Casa’s sound is clearly influenced by psych and rockabilly, taking elements from various styles and making them their own. Johnny Yuma’s low, brooding vocals enthralled the audience and his exquisite clean guitar tone could give you goosebumps. Jon Pearce filled in perfectly, and somehow knew the songs like the back of his hand. Some key tracks they played were “Lights Out” and “Scarecrow,” and I highly recommend you go dive deep into Casa’s albums on Bandcamp. The group layered their sound well in the live setting, using the intimacy of the bookstore to enhance their individual instruments to create a warm and rich atmosphere for us all to enjoy the show.
Next on deck was No Aloha, a summer-friendly garage rock group from Montreal that has some loving fans here in Ottawa. As an aside, we presented No Aloha at Mugshots back in 2015 along with Bonnie Doon and Nightshades and it still remains one of the funnest shows we’ve ever done to date. They are fresh off the release of their new EP Cigarettes for Optimists and rocked the house at Black Squirrel.
No Aloha at Black Squirrel. Photo by Matías Muñoz.
This group may seem like a bunch of slacker rock dudes, with their long hair and rarely-groomed faces. However, they’re anything but. This band is well-rehearsed and have a chemistry that is instantly noticeable when they hit the stage and start playing together. With flying guitar riffs, impactful percussion, and Ben Griffiths’ smooth vocals, this group injected some energy into the room. They dug into their impressive catalogue from the past few years throughout the set and pleased the audience and got some bodies moving. Black Squirrel is a versatile venue for all kinds of shows, and the place was perfect for the diverse sounds of this lineup. Lets hope these dudes come back to Ottawa soon, because they’re a party.
Last up was Mushy Gushy, an Ottawa “butt-rock” band that takes a fun spin on rock and roll. While it’s hard to imagine these guys ever not having fun, this night was bittersweet. Kyle Woods, the original drummer and founding member of the band has recently moved to Toronto and got a job there (congrats to him!). But the show must go on. Thus, this show was to be his last as he moves on to new journeys. While this kind of mutual parting is difficult for friends and band mates, it was clear that the sweet outweighed the bitter. Kyle was radiating smiles and hugs, and obviously this was to be a memorable night for him and the band as they decidedly wanted to end his tenure with a bang.
Mushy Gushy consists of more music scene veterans here in Ottawa—bassist Jon Pearce (Winchester Warm), drummer Kyle Woods (fmr. Kalle Mattson), guitarist Cory Lefebvre (fmr. Baberaham Lincoln), and vocalist Dave Gervais (fmr. The Gallop). But more than anything, this group of buds just wants to have fun, and that is evident in their compositions. They don’t take themselves too seriously, and that’s refreshing.
Mushy Gushy at Black Squirrel. Photo by Matías Muñoz.
The ‘Gush have released two excellent EPs so far since coming together in 2016—Tight Snake and More Butter. I just can’t wait to hear what their third release will be called with titles like that. We presented their tape release party at Bar Robo a few years back, and let me tell you—it was a time. Kyle carried the whole set through, and he played the drums more fervent than ever. His rhythm was flawless and his beard was flying to-and-fro to the uptempo rock and roll his group performs. Cory’s fluttering guitar riffs flew over Jon’s steady bass lines as the tracks kept the crowd energized and engaged. They had the crowd singing the irresistible catchy “Oh Oh Ohs” in “Heartbreak Motel” and had booties shaking during “Summer Lusting.” Closer to the end of their set they played their most well-known jam, “Schemestress,” at which point the night hit its climax. The song is a feel-good summer tune, and the hook will grab you and hold on tight. David Gervais’ songwriting is on point, and his vocals add the finishing touch to their part pop, part-garage rock sound with just enough catchiness and grit to go around. All in all, it was a night of good vibes and good memories were made.
It was another snowy day in Ottawa and another great day for a Megaphono showcase. This time it was an afternoon show at the Record Center with Ottawa’s Mushy Gushy, Area Resident, and Saint John, NB’s Little You Little Me.
Mushy Gushy blasted out of the starting block playing their first four songs with no breaks, and barely slowed at any point during the set fitting in as many songs as possible. The boys were on fire and so tight as they rocked songs from both their tapes and even treated us to a new track. They played “Summer Lusting” off their first tape Tight Snake. Not a much better way to remember that sunny days will in fact return than a song with the opening line of “Everyone wants to fuck in the summer time” while the snow was really coming down outside. The band played an assortment of fun and energetic tracks from Tight Snake and their more recent release, More Butter. The crammed in crowd at the Record Center was really digging the music with a lot of heads bobbing around. The new song they played was pretty smooth and I hope that means the band will have a new release for us this year.
Cory from Mushy Gushy laying down some riffs. Photo by Els Durnford.
Opening for Mushy Gushy was Area Resident, which is the musical project of CBC traffic man Doug Hempstead and friends. On an afternoon like this one, he was probably much happier behind his drum set singing his songs than talking about traffic in a snow storm. Doug is a story teller, whether it is the lyrics of his songs or between songs, the man has tales to share. I guess it pays off to spend your days working in a news room. With help from fellow CBC web and radio personality Kristy Nease, and Carleton University music instructor John Higney, Hempstead impressed the crowd and filled the room with warm vibes all around.
Kicking things off with the smooth and catchy song “Riverside,” they caught the crowd’s attention right away. Not only are the songs really good, but a lot of them actually have comical back stories. One of the funniest pieces was that while he was crowdfunding for one of his albums, a friend of his said he would donate but only if he wrote a song based off a bizarre OPP press release. The release was about some young kids who broke into a cottage in Lanark County and then drove away in a pickup truck, only to end up in the river. Then, of course, they refused to turn themselves over to the cop and just sat in the truck for 20 hours. Hempstead would have been remiss not to write a song about it, and “Lanark Double Soaker” ended up on the final cut of Area Resident’s latest album Delano. Another great track was “Warm It Up First” which is about the man who stole gold from the Canadian Mint by smuggling it out by putting it up his…well, you know. All in all, things really picked up as Area Resident played to the full house.
First up on the bill was Saint John, NB’s Little You Little Me. These guys have been around for quite a few years now, and their energy on stage showed no signs of slowing down. While I only caught the last few songs of their set, they set the mood for a snowy Saturday afternoon in Ottawa by playing some crunchy rock and roll for us to forget about the cold. Their brand of pop-laced garage rock is something that Canadian music fans are soaking up, and the guys took the stage with big smiles and set the tone. They played songs from deeper in their catalogue, and newer ones from their most recent EP entitled In Under Fourteen Highly Concentrated Minutes. These guys do a great job a sharing vocals and rocking their respective instruments. Each song got the crowd grooving along with them, and the band was clearly having a great time. Not to shabby for a bunch of guys who drove from Saint John to Ottawa the entire night before. But hey, that’s what bands do! Looking forward to these guys making their way back to Ottawa soon. All in all, it was another successful show at The Record Centre, and everyone left with smiles on their faces.
Another year in the books for music in the nation’s capital and another year of countless great releases. This list is in no way a complete and exhaustive wrap up of all this city had to offer, but simply a listing of the 17 albums and EPs that stood out and really captured our attention over the calendar year of 2017. Check them out below, have a listen, get out and support local music. We can’t wait to see what 2018 has in store!
Top 17 Local Albums of 2017
Mushy Gushy – More Butter
Released: July 7, 2017
What is butt rock, you may ask. Well, Mushy Gushy’s sound can best be described as a good blend of experimental garage pop with the occasional hint of surf rock. It makes for good time rock that makes you smile, bob your head, and maybe even sway your hips. It’s perfect for those hot summer days on the way to the beach, but also excellent for those warm summer evenings on a patio or at a cottage. […] It is not always about complicated progressions and incredible prose—sometimes the best medicine is music you can just put on and sing along with while you relate to what the writer was feeling at the time. — Excerpt written byEric Scharf
Telecomo – For Sale
Released: June 6, 2017 (Record Centre Records)
I think the world could always use some more fun and punchy garage rock, and that is exactly what this band is offering us. The simple chord structures, unflashy vocals, and lo-fi aesthetic give Telecomo a genuine throwback feel. The Detroit garage rock gods of the 80’s would surely open their scuffed, wrought iron gates for Telecomo. — Excerpt written by Matías Muñoz
Slack Bridges – Joy of Joys
Released: November 11, 2017
[…] everything Slack Bridges has put out since their inception has met a seemingly self-imposed benchmark of production and musicianship. Their debut full-length “Joy of Joys” is no exception. The album was self-produced by the band at Swell Studios and received some esteemed TLC from Phil Bova at Bova Lab Studio, and Jason Jaknunas at Metropolitan Studio. It features a veritable roller coaster of soul (I’m not gonna say soul-er coaster), both lyrically exploring themes of struggle and searching for hope, but also exploring different aesthetics and dynamics musically. — Excerpt written by Anthony Cardozo
Heavy Medicine Band – ERSATZ ERA
Released on: April 22, 2017 (Record Centre Records)
Of all the bands making music in Ottawa—or even Canada, for that matter—the Heavy Medicine Band is pursuing a style and sound that is wholly their own. It’s phsyc-rock dipped in folk noir, driven by the profound lyricism and vocal prowess of Keturah Johnson. On their debut full-length ERSATZ ERA, the band weaves together texturized soundscapes that could be the soundtrack of a dream…or a really good trip. They build on and expand upon the foundation laid out on 2015’s Conduit EP, paving a path for listeners to get lost deep in their world. The intricate and reverb-laden instrumentation are a foundation of the album, often droning into the fringe of our imagination on tracks like “teeth” and “breath.” Johnson’s remarkable voice cannot be understated, however, and this band’s undeniable chemistry makes them one of the most exciting in town. — Matías Muñoz
Tapas – s/t
Released on: November 17, 2017
Tapas is the name of a new hip hop trio in Ottawa, but they’re anything but rookies. The group consists of two of Ottawa’s finest MC’s—G.Grand, and Hyf—along with locally-renowned producer Jeepz behind the beats. Together they are a force to be reckoned with. Their self-titled debut may very well be one of the best hip hop records to come out of the capital in the last five years. — Excerpt written by Matías Muñoz
Moonfruits – Ste-Quequepart
Released on: May 12, 2017
The husband and wife duo Moonfruits released their second full length album this year. Ste-Quequepart is a 10 song French-language folk concept album that plays like a short film soundtrack and really emphasizes the couple’s voices and lyrical content. Their beautiful and powerful voices which complement each other so well are on display from the get go in the title track. While the music and instrumentation of the album is rather simple, at times just a banjo or a guitar, you never feel like anything is missing. Much of the album is a little laid back, however my favourite song “Le Maire” picks up the pace and teleports you to a kitchen party or a campfire jam with charming clapping and great sing a long moments. Have a listen to the album Ste-Quequepart on a cold winter night, close your eyes and let Moonfruits take you away to a different place.
Galapagos – Potential Space EP
Released on: June 13, 2017
The final version of Potential Space was recorded on an afternoon in May, 2017, with Cameron Steacy (Organ Eyes) both playing drums and recording the EP.” You can hear some of their folk beginnings in the second song “What I Deserve,” but you can also hear Steacy’s influence throughout the EP, especially on “Again” combined with the band’s vision to really make it a fuller sound. Steacy has recorded, mixed, and mastered other Ottawa artists such as The Yips, Bonnie Doon and Fire Antlers.
Potential Space is a great starting point for a band that has already seen several members changes and has grown from two-piece to four. I really enjoy how much diversity of sound they fit into a four song release and see much potential in all the different avenues for the sound to continue to grow. — Excerpt written by Eric Scharf
Bonnie Doon – Dooner Nooner
Released on: May 21, 2017 (Record Centre Records)
Masks. Clouds of smoke. Decked-out pickup trucks. Skulls. These are all reasons to love Ottawa surf-punk queens Bonnie Doon. But there’s so much more to them than that. Their brand of fuzzed-out, bass-heavy sludge-rock is meant to captivate audiences and shock the senses. Their energy, weirdness, and overall “we do whatever the fuck we want” attitudes are what really define this group as something special.
Bonnie Doon’s latest album Dooner Nooner (released on Record Centre Records) is an acid trip through and through, and will take you from heavier face-punching tracks like the opener “Haunted Life,” to wild lo-fi experiments like the closer “B-Hole.” — Excerpt written by Matías Muñoz
Dead Weights – Mountain Arresting
Released on: August 1, 2017
Mountain Arresting is a big step forward for Dead Weights, and clearly the product of a lot of work. The band strikes a balance of heavier guitar and bass parts with melodic flourishes, all woven together with rough and grumbling vocals of Jonathan Becker and Steve McCrimmon. Their signature sound comes through loud and clear on this record, as they tightened up their instrumentation even more and obviously had some chemistry in the studio. It doesn’t hurt that Dead Weights have been playing together for years, with lots of shows under their belts in recent memory. — Excerpt written by Matías Muñoz
Nightshades – s/t
Released on: November 15, 2017
Nightshades’ self-title release this year was their first full-length album. There has been some change in membership (Dean Morris joined them on bass) since their last release and also some slight change in sound. The band’s sound is a lot more mature and refined in all the best ways. They have kept true to their garage origins, but come at it a little cleaner and polished than past works. The track “Very Blue” sticks out in particular on the album as it appears to me to be the song that best encapsulates their transition from old to new Nightshades. “Very Blue” has many of the raw elements and darkness of older Nightshades while still very much being new and a step forward. Lead singer Mallory Giles’ vocals sound better than ever on this release and really shine on tracks “Wasting Time” and “Broken Bag.”
— Eric Scharf
New Swears – … and the Magic of Horses
Released on: June 23, 2017 (Dine Alone Records)
And the Magic of Horses is another fun-filled record featuring tons of sing along and clapping moments, with sprinkles of mosh-inducing build ups, group harmonies, and fun riffs to carry you through the summer. The opening track “Dance With the Devil” sets the stage for the whole album, as it has a little bit of everything mentioned above. It doesn’t take much to see how they could spice it up even more and have some fun with it live.
This album goes well beyond their usual focus on all-day partying and raucous—but don’t worry, there’s still plenty of that, it’s just not the focal point of every track. The band explores more existential subjects like life, death, friendship, screwing up, and legacy. It is great progress to witness, and what it is even better is how they have done it without losing their edge and fun which they have become synonymous with. — Excerpt written by Eric Scharf
Area Resident – Delano
Released on: October 13, 2017 (Record Centre Records)
Some may recognize Doug Hempstead’s voice as the dependable CBC radio traffic reporter here in Ottawa. But when he’s not on the airwaves talking about crashes and delays, he’s making music under the moniker Area Resident. The album is all Ottawa Valley, and a perfect mixture of the folk songwriting and crunchy alternative instrumentation that great artists from this area have pursued in the past. Hempstead himself is a talented multi-instrumentalist, and on stage he is the drummer lead vocalist. He is also supported by guitarists John Higney (The Flaps, Two Minute Miracles) and Paul Jensen, and bassist Kristy Nease (who also happens to be his CBC cohort). Delano draws on Hempstead’s experiences growing up in the valley outside of Pembroke and the things he’s encountered as a journalist. He expertly weaves together these anecdotes into poetic lyrics, imposing them into songs that aren’t tethered by a singular genre or stylistic direction. This album is full of life and demands to be listened to over and over again. — Matías Muñoz
Dark Plains – 00001
Released on: October 29, 2017
The Dark Plains is a band whose members have been making music for a long time, featuring ex-members of Okara and Shotmaker, who were relatively well-known acts in the 90s post-hardcore scene. While their experience extends beyond two decades, these guys are making fresh-sounds that contains elements of punk and hardcore, but the songs take their own trajectory all together. 00001 is an album that requires deep listening, and demands one’s total attention. — Matías Muñoz
Lake Urmia – Wine Time
Released on: June 16, 2017
Lake Urmia is a newer melancholic queer-pop band in town that is making serious waves, and their debut album Wine Time brings together warm tones and jangly riffs for us to grab and hold on to. The album was self-recorded by band member and vocalist Elsa Mirazei, and they also mastered it along with Chris Love of Pith and the Parenchymas. This DIY production gives the album a wonderfully imperfect quality, where the listener is given a raw and unrefined collection of beautiful (and sometimes sad) songs to ingest and mull over. The unrefined aspects of this album are what make it so easy to connect with, and Elsa’s soft vocal melodies are so naturally interwoven into the instrumental parts. Fans of Julien Baker and Frankie Cosmos will fall into the arms of Lake Urmia with ease, and we’re really excited to see what this band is going to get up to in 2018. — Matías Muñoz
Cody Coyote – Mamawi
Released on: November 1, 2017
Cody Coyote has exploded onto the hip hop scene over the last few years, and has garnered a lot of well-deserved praise for his recording and vivacious stage performances to date. The rapper is of Ojibwe/Irish decent with ancestry from Matachewan First Nation located in Northern Ontario, and has been writing music since the age of 16. Mamawi is Objiwe for “all together” in English, and the album combines extraordinary lyricism and storytelling with a range of modern hip hop and experimental beats. The album itself is centred around reconciliation between Canada and Indigenous people, togetherness, love and unity, and tackles some difficult issue involving the history of oppression and abuse of indigenous peoples that continues to this day. Not only is this album integral in today’s political conversation surrounding indigenous rights, but Cody Coyote is following the trail blazed by Ottawa’s A Tribe Called Red and his voice is one that we should all be listening to. — Matías Muñoz
Outside I’m a Giant – Point Comfort
Released on: October 7, 2017
The intricacy and scrupulous instrumentation that is woven throughout Point Comfort is made immediately apparent, and the cinematic qualities that each song contains evokes moving imagery draped over emotions. Caron’s deep, rumbling vocals compliment the storytelling and instrumentation beautifully, grasping the listener in a comforting way while guiding us through the tumultuous journey. In some ways it is reminiscent of The National’s Matt Berninger, and Caron similarly utilizes his vocal prowess in ways that indulges the eardrums without overpowering the gentle instrumental moments, or distracting from the tapestry created by the strings. — Excerpt written by Matías Muñoz
PINE – Pillow Talk EP
Released on: June 9, 2017
PINE has released their first album through No Sleep Records, an emotional five-track effort that spans genres and bring the listener into a world free of sonic boundaries. Their songs are raw and untethered pieces that use intricate instrumentation and emotive lyricism to create a powerful experience for listeners. — Excerpt written by Matías Muñoz
We’ve compiled a few albums that were either too short to meet our 4-track minimum, or didn’t quite fit into our top 17. Here are some honourable mentions worth listening to.
Her Harbour – Go Gently Into the Night
Gianna Lauren – Moving Parts (Forward/Record Centre Records)
Sam Coffey & the Iron Lungs headlined a great show at the Dominion Tavern Wednesday night which featured opening sets by locals Saint Clare and Mushy Gushy.
Sam took to the stage wearing his standard issue jean vest with Sam Coffey & the Iron Lung patch on the back over a a bedazzled jumpsuit, which I later learned was actually part of an Ace Frehley costume. The band is touring celebrating the release of their new self-titled album which they released after signing with Dine Alone Records.
They opened with two tracks off the excellent new record, “Ragnarock” and “Judy.” I love the new stuff, I really do, but was very glad to see they didn’t forget about their first album and the song that made me fall in love with them a few year ago, “Gates of Hell.” The track is a kick-ass rock n’ roll song with a sprinkle of old school, some claps and sing-a-longs, it is the near-perfect song.
Another highlight of their set was their song “Voicemail,” which is about Ottawa’s very own Gary Voicemail aka Ian Manhire of such great bands as The White Wires, The Sedatives, and more. If you have never seen these guys, shame on you. They are a great rock n’ roll band through and through and even better guys.
Same Coffey and the Iron Lungs rocking out at The Dominion Tavern in Ottawa.
Setting the stage and filling the stage was Saint Clare, a 7-piece band from Ottawa. The band has been making waves in Ottawa with their energetic live performance and great releases. They have such a dynamic horn section (sax and trombone) which adds so much to their music, especially on their 2016 single “Cheatin’.” And I don’t know about you guys, but I just love watching a trombone player strum along like a guitar when they aren’t playing.
Taking the importance of the horns even further is their physical arrangement on stage, which had the brass right next to the singer/guitarist, one on each side, putting them at the forefront. I don’t know if I’ve ever seen that anywhere else. The band as a whole is great and I love what they are doing, but I must say the brass really makes them stand out in the crowded rock n’ roll world. There were definitely some new songs during their set so hopefully we will get something new soon to sink our ears into.
Saint Clare bringing the brass and the fuzz at The Dominion Tavern in Ottawa.
Opening the night was Mushy Gushy, a four-piece butt-rock band who are also from Ottawa. I’ll never truly know what butt rock is but Mushy Gushy make you want to bob and dance on every track. I mean this as a compliment—they were the perfect opening band and got the energy pumping. They did not waste any time playing three songs straight without breaks to get everyone in the zone. They then took a very quick break to say who they were and plug their new tape called More Butter and then quickly got back to business playing the wicked track “Trap” off of said tape. Not a lot of talk and a lot of good rock is key when opening a show. Also it is hard to go wrong with songs named “Fucking Awesome” and “Bodybreak.” Eat your heart out Joanne McLeod and Hal Johnson.
Mushy Gushy kicking things off at The Dominion Tavern in Ottawa.
Back in May, we celebrated our five-year anniversary with a couple of shows at The Record Centre. That was a whole lot of fun, but we’re not quite done yet. Because why stop there?
Over the past five years we’ve had the opportunity to meet countless musicians in Ottawa, go to hundreds of shows, and really dig deep into the music landscape here. These artists continue to impress us, inspire us, and keep us doing what we do. It’s been our mission and raison d’être to support these musicians through coverage of new album releases, interviews, live reviews, and much more.
We’ve put together a compilation called Five Years – Ottawa 2012-2017 which contains music that has impacted us since Showbox started in 2012. This span of five years, in our mind, was a crucial period in the Ottawa music scene. More DIY musicians than ever before came out of the woodwork and made albums, and many were released independently without labels. Some music was underground, some wasn’t.
Different types of music pervaded throughout this period, demonstrating Ottawa’s potential hub in the Canadian landscape. Our hope is that this compilation will act as a snapshot of a strong and robust local music scene in Ottawa between 2012-2017, and allow folks to have a view into the music that came out during this period. It goes between garage, punk, hip hop, folk, and
While we could have double or tripled the size of this compilation with all the incredible artists out there, we kept it modest and capped it at 51. So while this list is encompassing, it’s certainly not meant to be comprehensive by any stretch. Please enjoy a free stream and download of the Five Years – Ottawa 2012-2017 compilation below.
A huge thank you to all the artists who contribute their music to this compilation, and to Pascale Arpin for designing such a good album cover. Enjoy!
The compilation is PWYC, and any proceeds will be donated to Girls+ Rock Ottawa in memory of Jean Sebastien Belleau. A special fund in his name has been established for the maintenance, repair and preservation of their growing instrument library, made in the spirit of honouring JS’ much deserved legacy as a passionate supporter of the Ottawa music scene.
The second last night of Bluesfest was actually dry…yes, you heard that correctly. Dry. The beautiful sunny day held in there through the night and concertgoers came out in the thousands to enjoy some vitamin D and live music. The night was packed full of electrifying sets by Mushy Gushy, Night Lovell, Dead Obies, Wide Mouth Mason, and MUSE. Check out some incredible shots by our photographer Els Durnford.
Ottawa’s one and only butt rock band (self-described) Mushy Gushy just released their second EP called More Butter, which also happens to have “butt” in the name…
What is butt rock, you may ask. Well, Mushy Gushy’s sound can best be described as a good blend of experimental garage pop with the occasional hint of surf rock. It makes for some good time rock that makes you smile, bob your head, and maybe even sway your hips. It’s perfect for those hot summer days on the way to the beach, but also excellent for those warm summer evenings on a patio or at a cottage.
The experimental side of things is very present from the get go in the opening track “Around the Bend” from the effects on the vocals, the reverb on the guitar, the well placed whammy bars and the smattering of sound effects subtly lingering in the background.
My favourite track on More Butter is track three, “Schemestress.” This pop number is very catchy both musically and lyrically. Lines like this “I could move mountain babe I’m just going to need some time / I could guess what you’re thinking but I can’t read your mind” are simple but greatly crafted and very relatable feelings to many of us, I’m sure. That is often what really makes a song. It is not always about complicated progressions and incredible prose—sometimes the best medicine is music you can just put on and sing along with while you relate to what the writer was feeling at the time.
Now go put some toast in the toaster, boil some corn on the cob, and pop some popcorn because all the the butter you need is on this album, which can be streamed below.
Be sure to catch Mushy Gushy on the Claridge Homes Stage at Ottawa Bluesfest starting at 4 pm on Saturday July 15th. More information on passes here.
One of the new Ottawa bands I’m most excited about this year is Mushy Gushy. Why? Those who know me will tell you I’m a sucker for punchy garage pop tunes, and for me, listening to Mushy Gushy is comparable to waking up on Christmas morning when you’re 12-years-old and finding a brand new Nintendo 64 under the tree. Earlier this year we premiered their debut EP Tight Snake, and threw a wild EP release party at Bar Robo that sold out almost immediately. These fellas have figured out how to write music that people love to hear.
Well, they’ve done it again. Teasing a new album on the horizon, Mushy Gushy have released a brand new track called “Schemestress,” their first new song since the release of Tight Snake earlier this year. It was recorded at Swell Studios in October 2016 and shows the band letting loose for the recording. With a hook of gold and just enough crunch to please the masses, “Schemestress” begs you to dance, scream, and sweat. Mushy Gushy might just out-do themselves with their upcoming sophomore release, and it’s clear that they are showing no signs of slowing down.
Check out the video below, and don’t forget to see Mushy Gushy play it live on November 17th at House of TARG as they share the stage with Mad Ones and Ornaments.
We’re stoked to be premiering Stay Classy‘s brand new single “Gentleman” right here on Ottawa Showbox. After taking an 18-month hiatus to adapt to some major life changes, this supergroup of local talent is back at it with this punchy new track.
If you aren’t familiar with the band, Stay Classy consists of Gavin Dyke (Black Dogs), Allan Gauthier (The Love Machine), Jamie Kronick (Scattered Clouds/Ben Caplan) and PJ Catsiyannis (The Gallop/Brights). Each of these gentlemen have proven their skills beyond a reasonable doubt in this and other projects, and didn’t hold back with this one.
“Gentleman” is the 5th single that Stay Classy will release, adding it to their repertoire of irresistible punk rock jams. It was engineered and mixed by David Gervais (The Gallop/Mushy Gushy) at Swell Studios in Hintonburg, Ottawa and Mastered by Dean Hadjichristou at All Buttons In, in Barrhaven, Ottawa.
You can expect the band to play this track (and perhaps a few other new ones) this Saturday at Bar Robo, as they get set to support their buds in a new garage rock outfit Mushy Gushy. Mushy Gushy is releasing their debut tape and will have lots of copies, so swing by and hang with us. Have a listen to Stay Classy’s “Gentleman” below.