Ev has synesthesia, and they incorporate their sensory experiences into music reviews. Synesthesia is a condition in which the brain links a person’s senses together in a rare manner, prompting unusual sensory responses to stimuli. People with synesthesia, for example, might see a certain color in response to a certain letter of the alphabet. Those who experience synesthesia “hear colors, feel sounds, and taste shapes” in a remarkably consistent fashion.
The first band to rip open the night was Spell Runner, from Albany, New York. Their wild playing bordered power punk and garage punk, teetering from one to the other. The drumrolls, guitar riffs, and throaty screams melded together and created a chaotic unity.
The guitar playing was of higher pitch and let loose. Each stroke came quickly after the last while leaving a resonance that echoed in the background. Deconstructed and split into two parts, the guitars seemed to squabble with one-another whilst adding a spacey sci-fi-esque sound to the songs. It painted the atmosphere with several shades of electric green, and yellow. The solos were rapid and executed with ease. They provided teal splashes and they drew you in.
The vocals dominated with the throaty screams that ripped from the lead singer. They created the illusion of the instrumentals mellowing out around them. Amidst the technical issues, the stage presence and sheer power of the screams were enough to get people moving and thrashing. The wild screams blasted bursts of irritated reds through the soundscape and allowed for rusty oranges to come through in bubbles.
The bass rumbled in the background and incorporated deeper greens due to the heavy weighted tone. It wasn’t quite warm but it droned on, having kept a steady tempo while snapping in an aggressive edge. Buried in the midst of mass amount of noise, it found a way to stand out and rattle your ribcage.
The drumming remained warm and hollow. They didn’t boom and cling to the air. Instead, the sound fell short, one beat after another. The fills and rolls tied the songs together in a grimy fashion. Tainted in raw golden orange, sunset yellow, and yellow-green, the drumming provided something to thrash to while maintaining a welcoming presence.
Next up was Ottawa’s own thrash metal band World War 4. Crossing over to punk and doom metal, the band brings forth something unconventional yet they do it in such a way that it blends together near perfectly. The fusion of chaos and disorder find a mutual unity within this bands music.
The guitar progressed with violent chugs of muted chords that would unleash themselves wildly, deep navy blues and lime greens taking over progressively. The riffs had a sharp tone to them and splashes of celeste would spray across the field of vision. Meanwhile, the bass found a deep rumble in the background and served to stabilize the wild guitar riffs. It too was played without mercy and with brutal ferocity. It was the steel blue backbone to the mess.
The vocals cut in with brutality and rage. Throaty and as rough as the guitars chugging, they showed absolutely no mercy whatsoever. The vocals cut in with rusty oranges and brutal murky yellows. The sounds ripped from the very back of the throat were a deep stark burgundy, contrasting with the tones of the guitar.
The drumming was quick and each beat fell viciously after the next, having melded into a disarray. Vehement, the crash of the cymbals was brutally cold and sprayed trails of teal across the field of vision. Meanwhile, the snare and the toms found a thick, full, warm sound that couldn’t be ignored.
The last band of the night was High Command. Dissonant aggression and tight drumming, slow buildups, and wild basslines, the band did not disappoint.
The vocals came from exhaled screams, and quite literally ripped themselves free from the lead singers body. They were meant to comes out. Matched to the overall intensity, the seasick green that erupted from the vocal stylings was incredible. Backed by the enraged reds of the power chords, there was nothing held back. Every ounce of energy and soul was thrust into each song. The guitar playing was quick in tempo, and there was much tremolo, despite this, the hostility did not waver and only became more prominent.
The bass seemed to follow the guitar but would rip out its own deep solos that couldn’t help but catch my attention. Adding to the thrashing, it provides a depth to the pieces. Brutal, brisk, and murky, the swampy colours it radiated fit perfectly together and created a backbone to the guitar.
The drums were boney and full. Cold and thrashing, they held absolutely nothing back and gave everyone something to headbang to. The sheer frosty feeling they possessed took over the atmosphere and really drove the moshpit home. The brutality was remarkable and there was nothing quite like it.
A crossover show of punk and metal is something that is generally turned down or slightly frowned upon but I must say that these bands absolutely throw those notions out the window. They are must sees that will inevitably change your viewpoint on the genre.