Local Francophone hip-hop artist Squerl Noir recently dropped a new video for his track “Calypso.”
The black and white video is centered on Squerl Noir as he raps his way through the track focused on duality and introspection within the chaos of the world. Directed by Antoine Simard-Legault of Lonely Fire Productions, who has worked with other local artists like Flying Hórses, the video features some very cool camera work shifting and blurring Squerl Noir’s faces around as he repeats the lines about drowning in the chaos. It really amplifies the message.
There is also a nice subtle touch of water overlay during certain sections of the video which I can only assume is a homage to Calypso, who in Greek mythology was a nymph who captured the Greek hero Odysseus for many years and is often represented by the sea.
Check out the video for “Calypso” below and keep your ears peeled for Squerl Noir’s next single due to be released in early 2018.
The band may only be a couple years old, but Slack Bridges already feels like a well-seasoned veteran of the music scene here in Ottawa. Even though the band is fresh off the release of its debut full-length Joy of Joys, it has already sent shock waves throughout the capital.
This is what happens when musical masterminds from all corners of Ottawa’s music community come together to present something altogether original, breaking new ground by fusing hip hop, soul, and jazz fusion influences into tracks that burst at the seams with ear-pleasing tones. After only a few shows and the release of their first EP in 2016, Slack Bridges quickly caught the year of large-scale festival organizers as they got included on lineups at RBC Ottawa Bluesfest, TD Ottawa Jazz Festival, House of PainT, Ottawa Race Weekend. They also were the main attraction at last year’s independent festival called Bangers & Mash, a soul-focused weekend-long party co-organized by band member Garett Bass himself.
Slack Bridges performed at this year’s House of PainT Urban Art Fest this past August. Photo by Kelly Morrissey.
Joy of Joys is indeed a full album. It is a front-to-back trip that explores different soundscapes and textures, pleasing listeners with dance-inducing bangers like “In The Drought” as well as teasing us with down-tempo ballads such as “Smile.” Guitarist Chris Elms puts his dexterous guitar work on full display throughout the ten-track journey that is Joy of Joys, from providing grimy and emotive riffs that explode off the record in “Jungle” to sultry tones that seduce the listener deeper into tracks like “Apologies.”
Vocalist Matt Gilmour’s infectious deep vocal prowess is an undeniable x-factor in this band, and without detracting from the group’s talents, his voice and persona are front and centre on the record and the stage. You wouldn’t first think of him as a former member of bands in Ottawa’s punk and hardcore scenes, but his influences are many. His appreciation for R&B and hip hop rhythm come across immediately, and his unique vocal tones and style lend perfectly to the rest of the band’s impressive instrumental chemistry. Not to mention his subtle moves on stage give crowds even more to scream for (see video below—just wait for it).
All in all, Joy of Joys is the record Ottawa needs, wants, and will cherish. The band spent a lot of time and energy into crafting their identity, sound, and style—and it shows. It really feels as though they took a “why stop here?” approach to this record, and the seamless inclusion of brass parts from local visionaries Ed Lister and Julian Selody exemplifies the level of musicianship this band is operating at. And this is only the tip of the iceberg.
Be sure to pick up Joy of Joys on vinyl at local record shops around town now, which they recently released on November 11th at a sold-out show at The Rainbow. It is also available digitally here.
Watch their Shot in the Dark performance and stream Joy of Joys below.
This year’s CityFolk Festival got off to a good start at Lansdowne Park with some stellar performances by Ruth B, Post Malone, Allan Rayman, and more. Our photographer Els Durnford got in nice and close to get some shots throughout the night. Check out the gallery below.
House of PainT celebrated its 14th year this past week with another outstanding edition of the festival that highlights the five pillars of hip-hop: MCs, break dancers, graffiti artists, DJs, and culture.
House of PainT is kind of a hidden gem. It is one of the most innovative and interactive festivals in the capital region and most of it takes place under the Dunbar Bridge across from Carleton University, right next to Brewer Park. This year I took in the weekend portion of the festival, which was a fun-filled time to say the least.
Saturday was dedicated to the dancers, the breakers, the b-boys and b-girls. The day included twelve hours of programming from 11 am to 11 pm and incorporated everything from introductory dance classes to break dance crews battling to live music. I arrived under the bridge mid-afternoon and the art was already covering the walls and the DJ had the crowd pumped up. One of the coolest parts of House of Paint truly is the paint. The festival paints all the walls underneath the bridge a neutral colour and then sets up scaffolding for the artists to do their thing.
Slack Bridges with Aspects getting soulful and funky at House of PainT.
After staring at the colourful walls and ceiling for a bit in amazement, it came time for some dancing. I watched crews battle it out in a round robin-style format while three judges had the tough challenge of picking who moved on. Once the prelims finished Ottawa’s funky soul band Slack Bridges took to the stage. The dance floor stayed full as dancers practiced future moves and stayed limber ahead of the semis and finals.
Slack Bridges set kept the party going and was tight as always, but it also featured a couple of new things. First of all, they had a new saxophonist Zac Sedlar playing his first show with the band since their previous saxman was recruited by The Lemon Bucket Orkestra. Secondly, they wove in snippets of hip-hop classics throughout the set, like Notorious B. I. G.’s “Big Poppa” which flowed out of their cover of “Between the Sheets” (which is the song B. I. G. sampled). And lastly, they invited local rapper Aspects on stage to join them for “Doin’ This Thing,” off their upcoming album, and he not only provided backing vocals but delivered some sweet free-styling as the band jammed out. It was magic.
Up next was a popping competition that took over the dance floor which was followed by the semi-finals crew battles featuring Canada’s very own DJ Skratch Bastid providing the beats. While the judges deliberated, Ottawa ex-pat rapper Dynamic hit the stage to entertain. He had some sweet flow and had another MC join him on a track and rap from the crowd. We were then treated to a pretty solid popping finals (you can check out a little taste of it here) which then set the stage for the finals.
The packed crowd around the Breakin Crew final with Souljazz Orchestra on stage at House of PainT.
Not only did the finals feature the two best crews battling it out, but they did so to the sounds of one of Ottawa’s best bands—Souljazz Orchestra—playing live on stage. No disrespect to the DJs, but there is something special about watching people competing to the sound of live music. And if you have never seen break dance crews battle, you’re truly missing it out. The flow, the back and forth, the team work, and collaboration really takes the dance to a whole other level.
This year’s champions Groundwork Sessions Crew hail from Whitehorse, Yukon, and blew me (and everyone in attendance) away with how synchronized they were with the live jams and athletic moves. And as if the night couldn’t get any better, we were treated to a full Souljazz Orchestra set to cap off the night.
Where Saturday focused more on the breakers and the DJs, Sunday was for the rappers and MCs. I was running late but was lucky enough to catch the tail end of the Knowledge Conference (think Ted Talks for Hip Hop Heads) where a panel discussed career development and the importance of the team you build and surround yourself with.
Cody Coyote joined on stage by a B-Boy and a traditional indigenous dancer at House of PainT.
As the panel wrapped up, the main stage got going once again. There were acts all day long, but unfortunately the crowd didn’t really show up in numbers until much later. This didn’t really seem to affect the artists who all still brought energy to the stage and did their thing.
Cody Coyote from Ottawa, with Ojibwe roots and ancestry from Matachewan First Nation located in Northern Ontario, performed a song where he was accompanied by a B-Boy and a traditional male indigenous dancer. Watching both dance so differently to the same track was a treat.
Cashtro Crosby, accompanied by DJ Mes, brought it to the stage as if he was performing to a packed house. He had one of my favourite flows of the day and showed off why he was a perfect pick for this festival, as well as the stage at Bluesfest.
Rita Carter was my favourite performance while the sun was still shining. I can’t believe she is an Ottawa artist that hadn’t been on my radar. The group began as a four-piece with Rita on guitar and vocals, accompanied by a bass player, drummer, and another singer. Her song “Shot Anotha Down” was a very powerful song about the ever growing gun violence in the city. As the set continued, she was joined on stage by Aspects sporting a guitar, and then they were joined by a violinist for another song. Check Rita Carter out as soon as you can, and don’t sleep on her talent.
As soon as The Sorority from Toronto hit the stage you knew it was going to be hype. With four MCs (Haviah Mighty, Keysha Freshh, Lex Leosis and pHoenix Pagliacci) who all sported some yellow and a DJ keeping the beats, the ladies delivered. What really makes them interesting is that each one of them brings such a different style and delivery that it is almost like watching four different acts all at once. It certainly takes the entertainment to another level.
With the day time acts all wrapped up and some tasty supper from the food truck consumed, the anticipation was killing me for Dubmatique. As a French-Canadian growing up in a mostly anglophone community, I wasn’t exposed to much French music. But Dubmatique were one of the exceptions—not only was I introduced to them through school, but I actually liked their music. And I wasn’t alone, the band has gone platinum with sales and has won countless awards. The band formed 25 years ago, so when I saw that they were playing House of PainT, I was ecstatic.
Dubmatique bringing some old school French Canadian hip-hop to House of PainT.
The two MCs, Disoul (Jérôme-Philippe Bélinga) and OTMC (Ousmane Traoré), were on fire. They certainly didn’t look slowed down by the passage of time, nor did they seem rusty having not released any new music for close to a decade. Dubmatique songs are really a full experience, as their rapping flows so well with the music it becomes an instrument. The beats don’t overpower, and it’s all topped-off by several vocal sections breaking up the verses and adding that extra element.
Watching them perform these songs live just made me feel like both MCs really think about the totality of the track and its delivery, not just their lines. It makes Dubmatique very special and that separates them from so many other acts. This was especially present in tracks like “Soul Pleurer,” “La force de comprendre” and “La vibe.” The only way their set could have been any better was if it was longer. Thank you to House of PainT for helping me check one of the list.
It’s likely that you may have heard about Bluesfest’s seventh day—it was mired by chaos, violence and overindulgence, around 200 people were seen by paramedics and some sent off to the hospital. While it was mayhem off the stage, on the stage it was bumping with hip-hop acts Migos and Lil Yachty, as well as R&B artist Maurice Moore. Our photographer Els Durnford focused on the music while dodging and sometimes catching concertgoers surfing over the security railing, check out the photos in the gallery below.
The first Saturday of Bluesfest brought healthy crowds to see a diverse collection of musicians.
The first group I caught were Too Slim and the Taildraggers. I was initially apprehensive when each member of the band walked onstage wearing a cowboy hat, but my assumptions quickly turned out to be unfounded when the group launched into some riff-heavy blues rock. Their guitar player certainly knew his way around the instrument, and the vocals rarely strayed into the realm of twang. There were a couple tracks featuring a harmonica as well – which I personally love. With frequent solos and instrumental break, Too Slim and the Taildraggers put on a great show; the only thing more impressive than the guitarist’s riffs was his sideburns.
Also in the early evening was Tegan & Sara, bringing their brand of queer bubblegum indie. I’ve seen T&S several times at Bluesfest over the years, and it’s been interesting to watch them grow up. With every album their music has become more mainstream, and with a growing fan base they now play one of the main stages. With giant inflatable letters spelling “T & S” as their stage décor, there was no mistaking who was playing. The crowd was mostly young adults, happy to oblige in synchronized arm waving when requested. T&S played their hits and told a couple stories, including one of their first times they playing the region – at a summer camp in Hull. In summary, the camp wasn’t the best experience, but they seemed to hold no grudges and sent a humorous shout-out to our sister city.
Next up was local group Flight Distance, which can be described as hip-hop with the DJ bringing the occasional EDM track. This was their third time playing Bluesfest, and in my opinion, they were the July 8 highlight. Flight Distance worked hard to energize the crowd, which isn’t an easy feat at an outdoor festival before sunset. A particularly memorable interaction was when one of the vocalists encouraged everyone in the audience to “make a weird noise”. From the moment they took the stage to their closing track which remixed ACDC’s “Thunderstruck”, they brought their A-Game. I’ll definitely be keeping an eye out for future shows by these guys.
The last artist I saw was 50 Cent—about which I was cautiously optimistic—given the fairly high attendance and the nostalgic potential. Many in the crowd were dancing like they were in da club, and there was a tight crush of people close to the stage. I was a little further back, which was a good vantage point to watch the action. 50 Cent accurately busted out hits like 2005’s “Candy Shop,” and the show felt appropriately old-school. Still, I was unimpressed when he left the stage for about 5 minutes halfway through his set. I suppose the purpose was to build hype or stretch out his admittedly limited scope of material, but it came across as arrogant. Still, it was an entertaining set – if shorter than the majority of the festival’s headliners.
Looking for an alternative to congested big-box dance clubs? Well, tonight there’s an all-new dance party coming to Chinatown’s infamous afterhours resto, Shanghai (651 Somerset St W) which features 90sOrBust DJs PJ & Palm D’or on the decks. They’ll be digging into new and classic r&b and hiphop, promising a blockparty vibe, with jams played out in full. It is aptly titled A Night Called Best (ANCB).
Inspired by South-east Ottawa’s legendary all-ages dance clubs and basement parties of the early 1990’s, the ANCB crew aim to bring a positive and inclusive hiphop and r&b event to Ottawa partygoers looking for the real deal. The night brings together a huge mix of hiphop supporters including House of Paint Urban Arts Festival, Arboretum Festival, CHUO 89.1 FM, and notable hiphop artists and DJs.
“We’re hoping to offer a more intimate alternative to the club scene, in the tradition of TimeKode, Feels, Ceremony, and Open Air Social Club,” explains co-organizer and DJ Palm D’Or. “If it’s a success, our hope is to start showcasing emerging hiphop before the party every month.”
Future editions of ANCB are what will set it apart from regular club nights – They aim to feature pre-party warm-ups showcasing curated local hiphop artists and producers, presented by CHUO FM r&b host Nicky Jean, 613 hiphop artist/manager David Sackey.
Artists interested in showcasing at upcoming editions can reach the crew at email@example.com, or via facebook.
A Night Called Best
– r&b + hiphop party –
w/ PJ + Palm D’or
651 Somerset Street W (at Bronson)
10pm / $7 door / no one turned away for lack of funds
19+ / all ages
Cody Purcell, a.k.a. Cody Coyote has reached new heights in his musical evolution as an aboriginal hip hop artist in Ottawa. Coming from the depths of Ottawa’s east side, Purcell was exposed to drugs, alcohol, and crime at an early age. He’s also been vocal about his struggle with depression and attempted suicide before the age of 20. However, entering his third decade of life opened his eyes up to a new world – hip hop. Turning towards music changed Purcell’s life, and he refocused himself to inspire others and use his voice as a force for change. Since he started his journey as a hip hop artist less than five years ago, he has chosen a life of sobriety. Moreover, he has been nominated for a few 2015 Indigenous Music Awards and has been named a Top 10 finalist in a national talent search hosted by imagineNATIVE and Slaight Music.
We spoke with Purcell on the eve of the release of his new video for “Northern Lights” at Club SAW. More info here. Read our interview with him and check out the video below.
As an aboriginal artist, you’ve been vocal about using hip hop as a force for positivity and change. How did you get into hip hop and what made you realize that your skills could help others?
Originally I started writing poetry and lyrics as an outlet for many life experiences that I endured as a youth. Growing up I was always listening to various kinds of music but Hip Hop was something that really appealed to me because of the lyricism that was found within conscious Hip Hop. When I was first introduced to a studio that was built at my old high school, I found myself in a safe and creative atmosphere where I could escape to work on my art form.
My friends and I used to go into that studio to jam with live instruments which eventually lead to us experimenting with beat making programs. After making instrumentals in the studio we began recording our vocals and putting our lyrics over the instrumentals we made. This was the beginning of my journey with Hip Hop.
After being a nominee at the 2015 Indigenous Music Awards for the “Best Rap/Hip Hop CD” and “Single of the year” categories my music career really took off. I was getting booked for shows a lot more and I was invited to be a guest speaker/performer for various events in numerous communities. While guest speaking about my journey with music, my sobriety and other topics I was able to inspire my audiences to follow a positive lifestyle. I remember getting emails and messages on my social media from people telling me that I helped change their lives for the better. This is when I began to truly realize how much I wanted to continue to help others and that it was possible with the skills that I had with music, storytelling and walking in a good way.
The release party for your new video Northern Lights is coming up this Saturday at Club SAW. What can we expect from the video, and the night as a whole?
During the production of the Northern Lights music video we really wanted to capture the environment that we were in and display the beauty of the Northern Lights. The locations where the music video was filmed were in various parts of the Yukon Territory and Alaska. As far as expectations go, we really wanted to reach our audience with a positive and inspirational message. Many Indigenous people believe that the Northern Lights are the spirits of our ancestors dancing in the sky. This was something that really embodied the overall message that we wanted to reach our audience with.
We want to lift our audiences spirits, in particular youth, to overcome any doubt that they may face in their lives, to chase their dreams and aspirations, to shine like the northern lights, to shine like our ancestors.
A portion of the proceeds from the release party will be going to Shawenjeagamik Aboriginal Drop In Centre operated by The Odawa Native Friendship Centre. Can you talk about the importance of their work?
I really wanted to ensure that a portion of the proceeds and that all donations would go to the Shawenjeagamik Aboriginal Drop In Centre because I strongly feel the work that they do is crucial for the homeless population of Indigenous people here in Ottawa. After volunteering for the Bannoc Bus program that was operated by the Shawenjeagamik Aboriginal Drop In Centre I saw first hand how important their work was for my community.
We drove around the streets of downtown Ottawa on multiple occasions handing out soup, Bannoc and warm clothing to those who needed it. I feel that the Shawenjeagamik Aboriginal Drop In Centre needs to stay open because they offer a safe space for homeless Indigenous people to learn about their traditions, food to eat, access to various kinds of programs, warm clothing and much more. With the centre running solely off of donations now, I hope to raise enough money and donations to help those in need.
You have overcome many obstacles growing up, many of which – like racism, drugs, and alcohol – are difficult to speak about. If you could send a message to young people struggling with similar issues today, what would it be?
If I could send a message to young people struggling with similar issues today it would be to move through life like a river. Overcoming those obstacles that are in their way, helping everything around them grow. My message to the youth of today is to never doubt yourselves, to focus on your dreams, aspirations, a positive lifestyle and walking in a good way. Focus on self love, love for others, love for the land and helping each other grow in a positive way.
Walk through life with an open mind and an open heart. Don’t ever stop learning and thriving to understand. You are the future generations of this world, remember to ask yourselves how do you want the future to be?
If you could collaborate with any artist or group alive today, who would it be?
Litefoot, The Roots, or Common.
You’ve been selected to play at Megaphono this year, an up and coming industry-focused festival that brings in representatives from across the continent. What is the next step for you in the evolution of your music career?
The next step for me in the evolution of my music career is to rock the stage at Megaphono this year and put on an amazing show for my audience! Then it’s back to the studio to work on my new EP entitled “Máámawi” (All Together) and have it ready for release in March, 2017!
Local hip-hop artist Andre Thibault aka DRAE recently dropped his debut album E/SCAPE.
DRAE has been producing and mixing music for artists from the Capital region, Toronto and Montreal for years, but it was now time for him to step out and take center stage himself. The 11 track release blends hip-hop, electronic and has flares of dub steps, his calling card as a producer. The beginning of the album has you thinking this is going to be pretty dark, especially the album’s first single “Nightmare.” The tone begins to shift and isn’t all serious and dark, songs like “Drink Up” and “Wild N Young” will make you want to party all night thanks to the fun beats, party lyrics and sing-a-longs.
E/SCAPE is not short of great cameos by some of our favourite locals such as Yusso, Aron the Alien and Nicholas Poupponeau of Zoo Legacy. Poupponeau features on the second single “First Time” which is an uplifting song with lyrics praising the magic of being in love for the first over a very positive and grooving rhythm, even including finger snaps in the beat. I can picture this song perfectly fitting in on the club scene and having people grinding and swinging their hair around on the dance floor.
Many people have moved on from dubstep, and while DRAE does not focus on it, it creeps in through out the album and then he drops the bass and gives you heart palpitations in “Almost Famous.” I can only imagine how hard that drop with hit you live. BOOM.
Have a listen to E/SCAPE below and if you like what you hear go party with DRAE and his boys Yusso and Aron the Alien for his album release show at Mercury Lounge this Friday November 11. More information on the album release show here.
Ottawa is buzzing once again in anticipation of this year’s Arboretum Festival happening August 17–21. Going into its fifth year, the festival has grown from a boutique music and arts festival held in a parking lot to a full-on institution in the capital. That includes incorporating and celebrating important aspects of Ottawa’s music, art, food, history, activism, and more. Not to mention that there’s an entire conference portion (called Assembly), where informative, interactive, and sometimes uncomfortable-but-necessary discussions can be had about challenges people in our community face. Each iteration of the festival has built on its previous self, adding one crucial piece after another to make it into something that can stand up to any festival of comparable size in North America. Ottawa is on the map.
We at Showbox have been lucky enough to witness Arboretum grow into an exemplary and multifaceted entity since 2012. Moreover, we are honoured to be part of the festival this year as a presentation partner with the Witching Hour Official Arboretum After Parties being held at Bar Robo every night of the festival.
This year’s festival can be broken down into two physical domains: the Concert Village and the Festival Village.
The venue portion – a.k.a. the Concert Village – includes venues and spaces around town that will host band showcases, conference panels, mixers, speed meetings and after parties. Folks with full-festival passes will have the ability to bounce around the map and have plenty of chances to catch intimate performances, schmooze, and really see what Ottawa has to offer under the surface. There is also another (albeit pricier) option: those who don’t want to get the full pass can pick and choose which venues they’d rather go to by paying cover at the door.
The centralized Festival Village site is located behind Ottawa City Hall on Lisgar Street, and brings together some of the best local food, drink, shops and more, in addition to the music. The village itself will have two stages: the Main Stage, which is the larger of the two and where larger acts like Sloan perform, as well as the Debaser stage, where some emerging and experimental acts will play. The Arb organizers promise no Jumbotrons.
Here’s a breakdown of each day’s activities during Arboretum Festival 2016:
Wednesday kicks things off at 11am with some crucial and informative discussions at Bar Robo, Discussions include topics surrounding the transforming role of record labels and the new realities of building and sustaining a home for recorded music, ageism and professional roadblocks and cultural biases experienced on either end of the age spectrum, followed by a round of speed meetings for participants to network with industry delegates.
The evening will begin at St. Alban’s Church with the keynote presentation featuring acclaimed writer and broadcaster Andrea Warner (author of “We Oughta Know: How Four Women Ruled the ’90s and Changed Canadian Music”) which will explore the institutional and internalized sexism facing women in music. Attendees have the option of sticking around to catch Evening Hymns, Safia Nolin, Her Harbour play sets at the beautiful sounding church, or head back to Bar Robo for the Hand Drawn Dracula Showcase or over to House of Common for the You’ve Changed Records BBQ.
If you’re into some late night drinks and jams, don’t forget to hit up Bar Robo for the Witching Hour Official After Party featuring Hand Drawn Dracula DJs. Robo will have a special Arboretum cocktail called “Capo Melo” served all week long, which contains CAPO CAPO, grapefruit juice, vodka (it’s the perfect delicious summer drink). Great music and discussions all around on the first day.
The Must-See: Partner 9:00 @ You’ve Changed Records BBQ, House of Common
They’ve been called the “best new bands in Canada,” and that’s no bullshitting. They’re heavy, they’re punchy, and they’re relentless. And they will consume you whole with their blistering live performance.
The Hidden Gem: Andrea Warner 5:30pm @ St. Alban’s Church
In this keynote presentation, Warner will be discussing internalized and institutional sexism in the music industry, an issue that effects women from small clubs to the highest levels of pop stardom. Moderated by Vish Khanna.
This day is packed to the brim with goodies. No early mornings today, but be sure to get to Bar Robo by 12:30pm for a panel on publicity and media relations in today’s ever-evolving media climate – particularly helpful for new bands or artists that aren’t yet established and looking for some guidance on how to crack the code on getting your music out there. The second round of speed meetings also takes place at 2:30pm, so get your networking pants on!
In the evening, you might have to make some tough choices on the schedule. You could start off at the Babely Shades Block Party at House of Common around 6:15pm, and if you decide to stay all night you’ll catch stellar performances from Toronto’s Above Top Secret and Lido Pimienta. Or you could hit up our very own Telecomo showcase at Bar Robo, one of Ottawa’s hottest new tickets. Or do both, the venues aren’t far apart!
From there, one option is checking out Jeremy Gara (of Arcade Fire), Ottawa’s youngest and brightest talents Trails, and the one and only Tim Hecker at St. Alban’s. I can’t think of a more appropriate venue for this lineup, and it’s sure to be a mind melting experience. Another louder option is the Buzz Records showcase at Babylon Nightclub. Dilly Dally are not to be missed, and their 2015 album Sore was an absolute tour-de-force. They will be supported by Fake Palms, Twist, and one of our Ottawa faves Bonnie Doon. Let’s just say Buzz Records can do no wrong.
Once again, Bar Robo will be hosting the after party and the Pony Girl DJs will be providing your soundtrack late into the night.
The Must-See: Dilly Dally 11:30pm at Buzz Records Showcase, Babylon Nightclub
A little bit of 90’s angst, a lot of full-throttle overdriven riffage that will make the sonically meek curl up into a ball in the corner. Full disclosure, Sore was my favourite album of the year in 2015 which I wrote about in Mixtape Magazine. Raw and unclean, Katie Monks takes this band into the stratosphere with her powerful vocals and energy on stage. Like, seriously, don’t miss them.
The Hidden Gem: Above Top Secret 9:15 @ Babely Shades Block Party, House of Common
Babely Shades aren’t just making a huge impact here in Ottawa with their activism. They’re bringing in acts that push boundaries and smash them. One example is Above Top Secret, a Toronto-based “experimental, rap – electro – dub hop mashup infused with feminist politics” who are making music to bounce to while fighting against systemic injustices at the same time. Read a great interview that Elsa did with them in a recent issue of Ottawa Beat.
The Festival Village opens. Before you go discover the wonders that lie there, at 5:30pm there is a discussion with city planners, venue owners and managers, cultural developers, employers, and music promoters regarding zoning and city planning for performance venues in Ottawa at the Ottawa Art Gallery Annex at City Hall. Make sure to get there early enough to see local pop punk three-piece BB Cream open up the village at 6:00 pm on the Debaser stage. Their self-titled debut has ten songs that reflect a band that came to age attending punk shows all over town. They are fun, awkward but mostly fun. Go check them out and dance with a friend or make some new friends.
Travel back to the 90s and see Sloan play at 8:30. They will be performing their gold-certified and Juno award winning album, One Chord To Another, from start to finish which kicks off with the Canadian smash hit “Good in Everyone.” Bar Robo will be going late into the night with DJs Lamb Rabbit and Pat Egan spinning gold all night.
The Must-See: Sloan 8:30pm @ Main Stage, Concert Village
Sloan hardly needs an introduction, let alone a reason why they are a must-see on Friday night. This rock/power-pop group has been kicking out the jams for 25 years and have shown no sign of slowing down. Don’t miss this rare opportunity to see them play their seminal 1996 album One Chord To Another from start to finish.
The Hidden Gem: Moss Lime 7:00pm @ Debaser Stage, Convert Village
This minimalist post-punk trio have been bubbling under the surface in Canada’s independent music landscape for a few years now. While their music sounds like something between Joy Division (cliché, I know) and The Slits, Moss Lime have created a distinctive sound that includes 3-part vocal harmonies and simplistic yet irresistible riffs.
Shake off your Friday hangover at the Back Lot BBQ at Spaceman Music starting at 11am, because hair of the dog works… right? Or head back to the Village for the OPEN AIR BRUNCH CLUB at noon presented by Buchipop. Free brunch prepared by chef Mike Frank (ex- Mellos Restaurant / Bar Robo) dishes out Egg Snackwiches, Vegan and Vegetarian grub, taters and more. Wash it down with Buchipop Mimosas or caesars from Union Local 613’s cocktail bar. To top it all off, Brockville Lions Steel Drum Band plays at 2 pm which I am sure will be super cool.
Keep the drum theme going at 5 pm on the Main Stage with the Kina Nimiwag & Anishinabe Drum Group. They combine traditional Anishinabe drum-song, dancing and electronic dance music which will blow you away. Join them as they take you on an adventure through a contemporary and traditional performance.
After watching all that dancing you will certainly want some dancing of your own. When the sun goes down and 8:15 rolls around, Jef E. Barbara’s Black Space will take to the Debaser stage and it will be nearly impossible not to dance to the sounds of sultry 70s love making beats. Think of smooth bilingual Roxy Music.
You will quickly want to rush back to the Main stage for 8:45 pm to see the incomparable Mykki Blanco. Mykki Blanco is the stage name American rapper, performance artist, poet and activist Michael Quattlebaum. Don’t miss your chance to see Mykki’s poetry and rap with unrelenting energy and emotion. Cap off the night with NYC’s Junglepussy, who will be sure to amaze, or head over to Bar Robo to experience DJ Memetic of TimeKode until the wee hours of the morning.
The Must-See: Junglepussy
7:45pm @ Main Stage, Concert Village
New York’s Junglepussy is an artist that has been exploding onto the scene after her first mixtape in 2014 went viral. Her music is heavy and the beats are deep, and her powerful vocals are reminiscent of her predecessors such as Lauryn Hill. Strap yourselves
The Hidden Gem: Jef Elise Barbara’s Black Space 8:15pm @ Debaser Stage, Convert Village
Get ready for one funky-ass party. Jeff Elise Barbara’s performance is centred around the idea “of blackness and the rejection of racialized tropes within white spaces.” Sounding like a blast from the past, this purveyor of glam would fit perfectly right next to Prince and Blood Orange and revel in the fact that they’ll make your sweat ooze from your pores.
The Comedown Day party will be kicking off across the river in Hull with drinks, games for kids, pedal displays by Fairfield Circuitry, and more. You’ll see sets by Montreal’s Dixtorchons and hometown gems Pony Girl, as well as a soundtrack provided by DJ Glory Hull, Mister Caffrey, and DJ Daisy. What better way to end the festival?